The Wolf of Snow Hollow

An up-and-coming Sheriff (Jim Cummings) wants to prove himself when horrific murders suddenly grip his remote town near Christmas time. Is it an animal, a human or something... else? Robert Forster plays the soon-to-retire dad and Riki Lindhome a subordinate officer. Manly Jimmy Tatro is also on hand.

"The Wolf of Snow Hollow" (2020) is a mystery/thriller with horror elements and a zippy sense of black humor. It has the setting of "Donner Pass" (2011), "Snowbeast" (2011) and "Silent Night" (2012), but a different threat mixed with clever amusement.

This is a solid piece of full moon entertainment by writer/director/star Jim Cummings. I loved the snowy locations and Chloe East is a highlight on the feminine front, along with Amanda Brown in a small role. Meanwhile the humor is amusing. Yet the flick's a little too frenetic for its own good. Cummings coulda reigned things in for some more mood, but it's his movie, not mine.

The film runs 1 hour, 25 minutes, and was shot in Kamas, Utah, which is a about 25 miles east of Salt Lake City, on the other side of the mountain range.

GRADE: B-/B.

Great theme. Loved the setting for this genre. Great effects and super werewolf, what we saw of him.

Hard to get through all the yelling. And at times the only thing louder was the soundtrack. Tough to listen to Auld Lang Syne at ~100 decibels. Was hoping the main character would calm down at some point but he kept losing his temper, yelling, and blaming everybody for anything and everything. Every lead character's got history and problems; but bringing down the tone a bit along with a slightly less offensive main character would've made something decent here. The angst and anxiety were overly overdone. Felt the stress rolling out from the movie into the viewing and I can imagine to the cast as well as they were filming. Julia and the saged town sheriff played by Robert Forster brought some sanity to the mayhem. The new sheriff position rightly belongs to Julia.

I hadn't heard of Jim Cummings before, actually the prolific Robert Forster was the only person I recognized, so I was pretty sure this movie would be crap. I also don't really like mindless and gory horror, or dark "comedy" that misses its mark, the former making me queasy, and the latter making me uneasy. Well I was pleasantly surprised by this movie. After writing a pretty tight script, with simple plot-points, character driven, decent banter in everyman speak, that gives even minor characters their own identity. Jim then hops up to the director's chair and pulls it all together, whilst also turning in a solid main performance. Again I must point out... He is playing an unlikeable character... It is not BAD acting... He is portraying an ex-jock, ex-military, alcoholic, divorced deputy in a small town, with an estranged daughter and a stubborn aging father/ boss. He feels his life is passing him by, he's surrounded by incompetent coworkers, overbearing constituents, and is making promises he seemingly can't deliver on... I thought he brought that right to the table steaming hot. The rest of the cast, particularly Riki and Chloe really assisted in fleshing-out his downward spiral. Is it a comedy? is it a horror? is it a... Who cares... it's a great story with chills, thrills, heartache, scares, shouting, laughing, crying, lying, and dying... You know... People stuff... Plus the wolf was great too.

A police officer wrestles with his AA meetings and the paranoia that grips his small mountain town as bodies turn up after each full moon.

Imagine a werewolf themed film with the tongue and cheek of Lake Placid. Jim Cummings direction and writing is impressive. But it doesn't stop there he even stars, leading the formidable cast as the main investigating Officer. The late great Robert Forster is notable lending his Twin Peaks-persona Sheriff presence but it's Riki Lindhome's Julia that steals the show.

The on location snow setting sets it apart from most other Werewolf films, the script is witty and sharp and never takes itself too seriously. Cummings also manages to deliver on the creature feature staged mayhem.

With surprise deaths and a cracking twist while not played as serious as the likes of Dog Soldiers or dramatic as The American Werewolf in London if you buy into the sly, ironic take on the genre you're in for a howling ride.

WOLF OF SNOW HOLLOW is a difficult film to describe in a meaningful way. Yes, on the surface, it's a werewolf movie. A small town, with an understaffed and undertrained police force, is forced to contend with a supernatural killer. Can the committed but anger-management challenged sheriff (Jim Cummings) coral his team long enough to track down the creature?

It's a horror movie, yes. But really, it's not that terribly scary. It isn't horrifically gory (but it's a little gory), so you don't have that guilty pleasure. It's also a comedy (surprise!), but not quite a knee-slapper. It isn't a parody movie in the vein of SCARY MOVIE; it mines most of its humor in the bumbling antics of the police and other townspeople.

None of this sounds like a recipe for a very successful movie, and yet there is something about WOLF OF SNOW HOLLOW. Writer/director/star Jim Cummings is a singular filmmaker. He's created a cop-hero who is far from ordinary. He wants to do a good job, but is nearly crippled by either self-doubt/self-loathing or by his own incredibly loose cannon temper. His father, also in law enforcement (and well played by Robert Forster in one of his final roles), counsels him repeatedly, but Cummings is a mess. It's a very interesting and unusual characterization; one that actually feels fresh and surprising. His fellow cops are loyal to him (even the ones smart enough to see his flaws and worry), but he even struggles to see that his peers are on his side and not working against him. The werewolf is almost an externalization of the lycanthrope within him. (Although, to be sure, the movie is not as psychologically heavy as what I just described!). So we watch the movie rooting more for this flawed guy to get his act together rather than to see the werewolf tracked down.

Cummings is ably supported by Forster and by Riki Lindhome, a promising and smart detective who also very much has Cumming's back.

The movie moves at a brisk pace, which is good, since what it doesn't have is a lot of tension. Even though the cops are bungling, we always assume they'll "get their werewolf." Most characters are not terribly well developed and we don't invest much emotionally into what the creature is doing to the town.

Really, in the end, it's just an odd, quirky, singular little film that I enjoyed probably more than I should have. Tough to describe, and difficult to recommend to just anybody, I'm still very glad I saw it. I'll certainly be checking out Cumming's previous effort THUNDER ROAD, and probably anything new he comes up with.