Tove

This biopic about the artist Tove Jansson opens the Festival, which focuses on her relationship with her great love, not fully reciprocated. Leaving on a secondary plane other relationships that seem more interesting to us, such as the one she maintains with her father, this biopic is conventional. There is an unrequited double relationship, but the script unbalances her interest. Everything is in its place, but nothing stands out especially, except the work of the actress Alma Pöysti.

Well I watched it, but as someone who was/is enchanted by the Moomins even into adulthood, I felt cheated. I personally have very little interest in most people's sex lives, but I am especially uninterested in the sex lives of people who would have So Much more interesting things to talk about. She obviously grew up inspired by the countryside, and there's a lot of that in the Moomins. This was unexplored. And then there was the delightful mother role, who obviously inspired the character of Moomintroll's mother, but whose character was shamefully unexplored. How anyone can make a film like this about something so fascinating and just focus on sex and longing for romance is TOTALLY BEYOND ME. I was quite disappointed. I am just not very interested in knowing about people's sex lives. Not even if they were gay in a time when it as frowned upon by some. I am far more interested in their intellect and ideas. I consider this film to be full of missed opportunities. They didn't even explore why Vivica, the lover/theatre director had the fantastic idea of making a children's play about the Moomins, which in itself must have been a new, breakthrough genre of theatre. That was genius. If I had made this film it would have been better, and I don't say that lightly.

The Finnish film Tove (2020) was directed by Zaida Bergroth. It stars Alma Pöysti as Tove Jansson, "one of the most beloved Finnish writers/cartoonists/artists," according to a knowledgeable reviewer.

Tove was the creator of the Moomins, important characters in Swedish-language books and comic strips. (Jansson was a member of the Swedish-speaking minority in Finland.) She also wrote novels and children's fiction.

Alma Pöysti is a brilliant actor, and she makes Jansson's character come alive. This is important, because Pöysti is on the screen almost all the time. The movie rises or falls based on her skills.

The movie has two major plots. One plot revolves around the fact that Jansson wanted to be a recognized artist, not a cartoonist. Another plot involves Jansson's sexuality.

We saw this film at Rochester's wonderful Dryden Theatre, presented by ImageOut, the great LGBT film festival. (Of course, all safety protocols were in place.)

Tove has an IMDb rating of 7.2. I thought it was better than that, and rated it 8.

I wish they could have found more subject matter, to make a film about a great artist and author, than to shove as many "bohemian artist drinking", "look at me, I'm dancing", and lesbian sex scenes, into this film as possible. It gets unfortunately dull pretty quick.

Tove: Tove Jansson (Alma Poysti) wasn't just the creator of the Moomins, she was an artist, a writer, a playwright. Tove illustrates this as it covers her life from 1944 to the late 1950's. Her passion for people and for the Arts is vividly depicted, as is the poverty of her early days, denied grants she paid her rent with paintings. She finds her studio/apartment after Helsinki is bombed in 1944 and turns that into a work of art as well. Though the Moomins brought her financial security she felt it took away from her real work and her demanding sculptor father Viktor (Robert Enckell) criticised it as not being art. Her love life was unconventional, she had ongoing affairs with politician/philosopher Atos Wirtanen (Shanti Roney) and theatrical director Vivica Bandler (Krista Kosonen). Vivica's polyamory caused her heartbreak, she had even left Atos for her. The relationship was central to her life and work until she could finally find love elsewhere. A moving tale of Art, Love and Friendship. Directed by Zaida Bergrothy from a Screenplay by Eeva Putro and Jamo Elonen. 8/10.