Tove

Simply made, yet well crafted, "Tove" tells the story of the author's life in the years directly following the second world war, and the relationships and influences that led her to fame.

Unfortunately (and it always feels rather mean to write this about a film based on real life), there simply isn't enough drama in the story to make it really engaging

It does somewhat fall into the "lesbian period drama" trope, but a little bit of gay scandal isn't a reason to seek out a film in 2022. And based on the reactions of characters in the film, it was entirely tolerated in Helsinki's "artistic" circles anyway.

Husbands don't seem to mind affairs, struggling artists still seem to have the means to visit Paris, and already-published authors of children's cartoons seem to make a big fuss about how they would rather be a painter.

People should be more upset by divorce and deceit and failure. "Tove" is just too nice.

Tove: Tove Jansson (Alma Poysti) wasn't just the creator of the Moomins, she was an artist, a writer, a playwright. Tove illustrates this as it covers her life from 1944 to the late 1950's. Her passion for people and for the Arts is vividly depicted, as is the poverty of her early days, denied grants she paid her rent with paintings. She finds her studio/apartment after Helsinki is bombed in 1944 and turns that into a work of art as well. Though the Moomins brought her financial security she felt it took away from her real work and her demanding sculptor father Viktor (Robert Enckell) criticised it as not being art. Her love life was unconventional, she had ongoing affairs with politician/philosopher Atos Wirtanen (Shanti Roney) and theatrical director Vivica Bandler (Krista Kosonen). Vivica's polyamory caused her heartbreak, she had even left Atos for her. The relationship was central to her life and work until she could finally find love elsewhere. A moving tale of Art, Love and Friendship. Directed by Zaida Bergrothy from a Screenplay by Eeva Putro and Jamo Elonen. 8/10.

I seldom give 10's but this is a brilliant movie, wonderful ly acted and directed and cinematography just fantastic.

It touched me deeply in its rawness and honesty and though not familiar with this artist before, was taken aback by the beautiful artistic work and the main characters journey into finding her way and her identity through her work.

I stand by scandavian movies and series being the best and possibly grossly undervalued.

This biopic about the artist Tove Jansson opens the Festival, which focuses on her relationship with her great love, not fully reciprocated. Leaving on a secondary plane other relationships that seem more interesting to us, such as the one she maintains with her father, this biopic is conventional. There is an unrequited double relationship, but the script unbalances her interest. Everything is in its place, but nothing stands out especially, except the work of the actress Alma Pöysti.

The story focuses on Tove Janssons formative years as an artist, during which time she also developed her most known characters, the moomins a lot. The film is well made, acting is top notch (especially Alma Pöysti in the lead role) and left me with a warm feeling. Don't expect a dramatic epoch or an intense drama with unexpected twist and turns.