Paddington

I saw "Paddington" with my granddaughter (almost four) and it's hard to be sure who enjoyed it most since this is such an utterly charming and entertaining movie.

Visually it is a delightful CGI representation of the eponymous bear (politely voiced by Ben Wishaw) and deploys some neat cinematic devices; script-wise it combines humour, word play, and sharp allusions to the plight of the immigrant; while acting- wise we have a slew of marvellous British performers including Hugh Bonneville, Sally Hawkins and Julie Walters as the adults in Paddington's new family and Nicole Kidman who has other plans for our furry friend.

In a movie full of delights, the bathroom scene is a classic. A sequel or even a series is inevitable and would be most welcome.

One of the things I resent the most in modern children's film and stories and in modern animation is that they can be visually enthralling but have not magic, no soul or no charm. I also dislike the fact that too many fables and old-books stories are brought to the screen with no soul and respect for the original characters and stories.

To my delight, this is not Paddington's case.

Paddington is a brilliant exception to the dullness, soulless bunch of animated movies for kids out there. This is so mostly so because the original story is there, Paddington and the the Brown's family's souls and personalities are there, they feel modern and contemporary, but not too far removed from the original. Pablo Grillo's animation is fantastic per se, but there are many amazing animators out there; what sets this film animation apart is the magic infused into it, so we come to see Paddington as Paddington, not as a puppet, not as a CGI character, not as a fictional. Paddington feels real in this movie, as real as any of the actors.

The ambiance of the film is whimsical, it mixes elements that are very modern but also capturing a bit of the old London where the original story is set. The film has a great tempo, is full of fancy and fun, innocence and naughtiness, havoc and tenderness, action and stillness, happiness and sadness, adventure, laughter and family love.

The cast in this film is great, per se, but that not always guarantees a good movie in the end. However, all the actors are great and believable in this film. I especially liked Nicole Kidman in her evil sassy ruthless manipulative and sweet villain role.

The music is also fantastic with plenty of Latin rhythms throughout the film. Paddington is Peruvian, after all.

Paddington is not only a very sweet, fun an enjoyable film. It also has a great message about accepting those who are different and welcoming those who need of our care because have nowhere to go; two things that we should be reminded of in these troubled times when refugees are sometimes treated as an "it" not as Paddington. There should be more Brown families in the world.

I was expecting another dumb movie for kids. To my delight, Paddington is a a tender fun-filled magical film that made me feel a kid again.

There's plenty to be cynical about where Paddington is concerned. The first feature film about the iconic bear - red hat, blue coat, suitcase in hand - was first announced in 2007, and went through a gestation period that's extraordinarily long even for a heavily animated film. The trailer's (literal) toilet humour seemed to confirm that it was pitched firmly at kids. And last, but certainly not least, the cast experienced a shake-up of fairly seismic proportions when Colin Firth announced in July that - with the unanimous consent of all concerned - he would no longer be voicing Paddington. All signs pointed towards a disaster of a movie, one stitched together to cash in on rather than celebrate the phenomenon of Paddington, a little bear who has lived in books, TV series and cuddly merchandise around the world.

It's a flat-out joy to discover, then, that Paddington is very far from a disaster. Indeed, it's an unmitigated delight of a family film. Of course, "family films" don't really cater to everyone in the family a lot of the time - the phrase is a euphemism applied to movies that adults must put up with or suffer through for the sake of entertaining their children. But Paul King's Paddington, based on the beloved books by Michael Bond, really does have something for everyone and is, incidentally, an utterly lovely movie about families to boot. The young will be bowled over by the adorable bear who tumbles through London and into the hearts of his adopted family. The young at heart -and even a few older, crankier people - will find much to enjoy in the film's cheerfully subversive script.

Our journey begins in Darkest Peru, where a young bear (voiced with pitch-perfect charm by Whishaw) lives happily with his Aunt Lucy (Staunton) and Uncle Pastuzo (Gambon). He inherits from them a healthy love for marmalade and London, as well as a floppy, red felt hat left behind decades ago by English explorer Montgomery Clyde (Downie). When an earthquake destroys their idyllic home, Aunt Lucy urges her nephew to strike out to London. Many jars of marmalade later, he finds himself in the iconic train station that gives him his name. He meets the Brown family: risk- averse Henry (Bonneville), dreamy Mary (Hawkins) and their children, Judy (Harris) and Jonathan (Joslin). With Henry insisting that Paddington can only stay while he looks for a more permanent home, the bear begins investigations in London - unaware that Millicent, an obsessive, possibly crazy taxidermist (Kidman), has very specific reasons for wanting him to visit her museum.

Strictly speaking, there isn't anything all that new or original about Paddington. We've seen the trope many times before - in trying to find a new home, a misfit changes the hearts and minds of the people who will eventually become his family. The narrative of the film is also little more than a patchwork of wacky incidents and hijinks: Paddington floods the bathroom while trying to come to terms with the "facilities"; Paddington apprehends a criminal through sheer good luck and his incredibly honest nature; Paddington and Henry infiltrate the top-secret Geographers' Guild to hunt down Mr. Clyde.

And yet, King has crafted something quite charming and magical around the bare bones of his story. The film practically radiates love for the sweet-tempered, unfailingly polite bear at its heart. A life-long fan of the ursine hero, King peppers his script with smart references to Bond's books, from Paddington's trademark 'hard stare', used to embarrass people into behaving better, through to the meddling interference of nosy, thrifty neighbour Mr. Curry (Capaldi). He's also updated and deepened the story to give the elder Browns their own emotional arc: Mary's determination to open her heart and home to a stranger is what eventually leads Henry to getting back in touch with his wilder, more fun-loving side. The film also looks quite spectacular, whether Paddington is surfing down a flight of stairs in a bathtub or we're allowed a dollhouse glimpse at the Brown family as they go about their lives.

Most importantly, King infuses the entire film with a practically joyous strain of comedy and wit. Pratfalls and sight gags are accompanied by deliciously silly allusions to William Shakespeare and Mission Impossible. Even the film's supporting characters get their own hefty share of comedy, whether it's housekeeper Mrs Bird (Walters) distracting a security guard by means of a booze throwdown or Mr. Curry falling instantly for Millicent to a smooth burst of Lionel Richie. Millicent herself is an inspired creation. Prowling through the film, togged out in figure-hugging snakeskin and wielding scalpels, she brings to mind and subverts the icy-cool blonde archetype most beloved of Alfred Hitchcock.

The sharp script and stunning visuals would mean little without a cast wholly committed to their roles, and King has struck gold with his offbeat casting choices. Bonneville, a veteran of Downton Abbey, has no problem playing Henry's constant anxiety over his children, but also gleefully flings propriety to the winds as he slips into tunic and apron for a spot of howlingly funny undercover business. Hawkins lends Mary - the loving, tender heart of the household and Paddington's biggest champion - a soulful gravitas. Great as they are, however, the MVP here is Kidman. Her fantastically manic performance as Millicent reminds us why it's a damn shame that she hasn't been in a comedy for years - she's so cheerfully unhinged in the film that she steals pretty much every scene she's in.

It doesn't matter whether you're a fan of Bond's books, someone who only knows Paddington as a cuddly soft toy, or a neophyte who has never heard of this walking, talking, marmalade-loving bear. Paddington is a big, warm bear hug of a film, one that will enchant children and tickle adults, even as it grabs just about everyone by the heart with its charm and humour.

I have to state this before continuing with this review, prior to seeing this I was very reluctant and hesitant as to what I was due to view. After growing up hearing the stories and watching the animated tales of Paddington Bear, I was unsure as to whether a CGI-heavy live- action tale could really establish a story that portrays the bear in all his charm, well my predictions were woefully inaccurate. 'Paddington' is a very well-executed adaptation of the titular bear for a 21st century audience. From the producers of Harry Potter, 'Paddington' delivers a family-friendly and charming atmosphere whilst conveying an endearing and gloriously comedic tale about a bear and his adventures in London. One of the late and great films of the year, Paul King's irresistibly warm story creates a sense of nostalgia whilst boasting a quintessentially British feel and pitch-perfect humour that can be enjoyed by people of all ages.

Based on the works of author Michael Bond, "Paddington" tells the story of a talking bear (Ben Whishaw) from "darkest" Peru who stows away on a cargo ship to start a new life for himself in London. Once there, he becomes involved with a family named Brown (Hugh Bonneville, Sally Hawkins, Madeleine Harris, Samuel Joslin), who take him into their home on a temporary basis, and a villainous taxidermist (Nicole Kidman) intent on literally "stuffing" the bear for an exhibit in a natural history museum.

Written by Paul King and Hamish McColl and directed by King, "Paddington" is a seamless blend of live action and animation, cheery in tone and beautiful to look at, thanks to the highly stylized art direction and production design that adorn the film. The humor ranges from the brittle to the overly broad (Bonneville dressed as an old scrubwoman sounds a discordant note in an otherwise fairly sophisticated screenplay). The movie also includes some subtle little homages to "My Fair Lady," "Home Alone," "Mission Impossible" and, most notably, Walt Disney's "Mary Poppins."

Fast-paced, well acted, and with warmth and charm to spare, "Paddington" is a whimsical treat that should appeal almost as much to oldsters as it does to youngsters.