The Silent Twins

I went into this movie thinking it would be a story of triumph and redemption after a hard isolated life, and it was in a way... This story is much darker than I'd anticipated. These two girls had clear struggles and no one seemed to be able to help them. They lived in their own world of beautiful fantasy, while the world around them was cold and at many times disturbing. I almost stopped watching because I had not been ready to feel the strange unsettling nature of this film, but I'm very glad I didn't.

This story will stay with me for a good while.

Hard to watch at times. Fascinating. Heartbreaking. True.

The movie is captivating as an entertainment, but a quick google search informed me it bears little on reality, despite the filmmaker's claim it's based entirely on facts; and the facts call for anything but entertainment. The problem is that she avoids the horrific story of the sisters, making a movie out of their fantasies stemming from post-traumatic psychosis. During a talk she said she wanted to dispel the general narrative of the "evil twins" and tell the story of artists. Indeed they're incredibly perceptive if what is depicted is true: the film begins with psychological insights by the girls of which most adults would be incapable, and which I found hard to believe.

The director abruptly ended the talk on the note that the surviving sister is still "creative", having republished her book and written a short story. I didn't get a chance to ask whether she's made any real psychological progress. The movie depicts her looking happy while taking ballet lessons.

There are certainly interesting themes like the bond between the sisters and how one mysteriously died out of a wish to free her twin sister - again, I only became aware of that during the talk. The film itself is diluted by pop songs and such.

The story calls for a director like Haneke.

I am an identical twin. Understanding them was easy. I felt that bond as a child. The language they created, the words they conveyed to one another without speaking, the worlds they lived in, and the metaphorical dance they endlessly performed was something my twin and I had. The difference was that we grew out of that special closeness, the bubble that we inhabited eventually popped. The film takes us on a similar journey, flawlessly, as if the twins produced it themselves. The direction, script, acting, costumes, art direction, score, and cinematography all masterfully come together to recreate their perfectly delicate and complicated twin-dom. This is a brilliant film, a delicious character study that will touch you deeply... if you let it.

In a world that's alien and quite distressed, two girls decide how their time will invest, shunning prejudice and hate, they are the masters of their fate, no matter how hard others push and poke and press. In a world that they create to hide and shelter, they're each other's guardian, trustee, curator; but fighting against the tide, just brings torrents that collide, with the damage acting as a separator.

What an incredible piece of filmmaking with two outstanding leads by two incredible actors. For me, I'm happy for the director to have used some poetic licence, if I want the facts verbatim I'll watch a documentary or read a biography, but I'm a lot more engaged with a presentation that allows some interpretation and inspires me to investigate further. Those two performances are top drawer!

Greetings again from the darkness. Twins often have their own language or way of communicating. However, sisters June and Jennifer Gibbons of Wales took this to a new level, creating a mysterious dark connection that no one else every understood. Andrea Siegel has adapted the screenplay from Marjorie Wallace's book, and Polish director Agnieszka Smoczynska (THE LURE 2015) delivers the style and creep factor, while missing out on answering the questions raised with the story.

The young sisters are seen giving a fake radio broadcast, and we get a glimpse of their awkward behavior during childhood ... behavior that left their parents and siblings feeling helpless. Letitia Wright (BLACK PANTHER, 2018) and Tamara Lawrance (KINDRED, 2020) take over as teenage June and Jennifer, respectively. While the young ones are well cast, it's the work of Ms. Wright and Ms. Lawrance that keep this one watchable despite the meandering. The awkward behavior of adolescents evolves into bizarre behavior of teens, and ultimately criminal behavior and some type of mental illness.

Pure elation of a new typewriter is all too quickly erased by irritation and anger that leads to fighting, or worse. Director Smoczynska does well to use stop motion animation periodically in helping to explain what's happening with the two girls. Child psychologists have no luck breaking through and the sisters are ultimately separated and locked away at Broadmoor psychiatric hospital by age 19. By this time, it's difficult not to view them as psychopaths.

It's interesting to watch as these two survive on the fringes of society in near mental isolation, and use writing as a creative outlet to unleash their inner thoughts. We never really know if we should have empathy for the girls, and that becomes even more difficult given their later behavior. Journalist Marjorie Wallace (played here by Jodhi May) documented her interactions with the sisters, but we can't help but wonder if this story is better told in documentary form - despite the strong work from Letitia Wright and Tamara Lawrance.

Opens in theaters on September 16, 2022.