One Week

One Week is the movie that I've been waiting for my whole life.

Michael McGowan has created a beautiful piece of Canadian art. The style is very reminiscent of great artists like Bruce McDonald and Don McKellar. This film certainly pulled at my heart strings having been to most of the places in this film. As well, Joshua Jackson's performance was stellar.

I feel so lucky that my wife and I had the pleasure of viewing this film on opening night which received quite a reception and was topped off with a standing ovation. I've never clapped at a movie before.

Sincerely, Christopher Landry

I just arrived home from seeing this film and I am very glad I went. If you get a chance go see it, or rent it when it comes out on DVD, I highly recommend it. I feel that One Week manages to be a thoughtful yet crowd-pleasing examination of a somewhat cliché expression without being overbearing or preachy... there are also some very very funny moments. The film uses celebrations of Canada, ranging from quirky to touching, to help weave around and through the big question/quest. Is it uniquely Canadian? Well I think in many ways "Canadian" is a moving target, and the elements of Canadiana used in One Week are strongly tied into the traditional ideas of Canadiana - the defining role that the natural environment has played in the personal and collective development of the nation. The vastness, beauty and wildness, and the beckoning of the unknown. Scenery aside, no matter who you are the story is one of an emotional journey one that some may recognize more than others and that all can understand and appreciate. Having said that I think the internal reflections and questions the film poses will make it resonates especially well with those who have experienced solo travel.

I thought I'd post a comment on this as most of those commenting appear to be Canadian, and so I thought an alternative viewpoint may be useful.

I first encountered this movie as a trailer somewhere - I can't recall where/when, maybe a flight or similar. I remember thinking "Josh Jackson, haven't seen him in a while" (I hadn't seen any Fringe at that time) and "Lots of nice footage of Canada". And then promptly forgetting about it. A couple of months ago I got the opportunity to finally watch One Week, and I was overwhelmed. The movie has a very simple premise, and an equally simple theme, yet the direction, cinematography, script, acting, and soundtrack all conspire to convey an impressive depth.

The story itself I found powerful, and was drawn along. To be fair, parts of it did have a certain relevance to me, but I think that anyone willing to try to fully emote with the Ben character cannot help but be touched. Josh Jackson gives an excellent performance, producing a believable and likable character with whom you cannot help but empathise.

Initially I was put off by the strange narration, however over time it grew more important in telling the story of Ben Tyler and the characters he meets, and by the end had flourished into a character all of it's own. Furthermore, the narration as well as other characters insert a certain black comedy, largely stopping the storyline from getting boring.

Not being Canadian, I undoubtedly missed many of the 'in' jokes and references; I don't think that this adversely affected my enjoyment one whit.

A significant theme of the movie was that the world (and especially Canada) is a beautiful place, and the direction and cinematography capture this exceptionally. I haven't seen any movies recently which have created as visceral a reaction in myself - I freely admit that I was in tears at times.

Overall, I highly recommend One Week. Try to watch it when you're feeling a little melancholic or down, and with an open mind just to absorb the story and the scenery, and I'll be very surprised if you don't also enjoy it immensely.

This is a very Canadian movie, not only in the use of the gorgeous cross-country scenery that provides both a backdrop and a reflective commentary on the main character's personal search but also because of it is patently outside the realm of the "regular" Hollywood (i.e. American) fare. This is not to suggest that only Canucks can enjoy or appreciate this wonderful, warm-hearted, evocative, simple story because the plot line and embedded themes are universal and timeless.

There is a leisurely quality to this narrative and a kind of inevitability to the whole story that makes it poignant yet full of strength at the same time. The voice-over done by a sonorously voiced Campbell Scott works so well that far from being intrusive as most add-ons are, it (he) becomes a character in his (its) own right.

This is one of those "festival sleepers" that will never have wide distribution but which will delight and uplift any who see it.

I think that director Michael McGowan really loves his main character, Ben. Ben is beautifully played by Joshua Jackson, a part which requires him to react to a lot of things. Ben seems quiet about most things, but not necessarily content. When told that he has cancer and only a short time to live, he's suddenly a man on the cusp of something. It takes only a silly message under the rim of a Tim Horton's coffee cup - "Go west" - to set him in motion. For the first time in his life, he doesn't just fall back into something familiar and comfortable - he takes action. He rejects, at least for the time being, the virtual death of invasive cancer treatment, and goes on a quest for the life he's never really experienced. And when he runs out of "west", as he's afraid he'll do, he goes even further. The road trip in this movie is the road trip, ever further west, to a destination of the spirit. To others, it seems as if he's running away. But he's not. He's running toward something. When his girlfriend and family try to reel him in to safety, to "us", he resists. In a moment I silently cheered he cries out, in frustration, to his girlfriend: "It's not about us! It's about ME!" That may sound selfish, but it's not. It simply means that there are places where other people cannot go. One thing I liked about this film is its adult take on its subject matter. Although frequently funny, it is also contemplative and suggests that, without being ostentatiously heroic, our actions can inspire others. While I was watching the film I was thinking that if it was about only this and nothing else I would have been satisfied. But a film about a man who doesn't stop while it's still safe - but who goes all the way. That appeals to me on a personal level.