एक वर्चुअल वर्ल्ड डिज़ाइनर का बेटा अपने पिता की तलाश करता है और अपने पिता द्वारा डिज़ाइन किए गए डिजिटल दुनिया के अंदर का ही हो जाता है. वह अपने पिता की भ्रष्ट रचना और एक अद्वितीय सहयोगी से म... सभी पढ़ेंएक वर्चुअल वर्ल्ड डिज़ाइनर का बेटा अपने पिता की तलाश करता है और अपने पिता द्वारा डिज़ाइन किए गए डिजिटल दुनिया के अंदर का ही हो जाता है. वह अपने पिता की भ्रष्ट रचना और एक अद्वितीय सहयोगी से मिलता है जो डिजिटल दुनिया के अंदर ही पैदा हुआ थाएक वर्चुअल वर्ल्ड डिज़ाइनर का बेटा अपने पिता की तलाश करता है और अपने पिता द्वारा डिज़ाइन किए गए डिजिटल दुनिया के अंदर का ही हो जाता है. वह अपने पिता की भ्रष्ट रचना और एक अद्वितीय सहयोगी से मिलता है जो डिजिटल दुनिया के अंदर ही पैदा हुआ था
- 1 ऑस्कर के लिए नामांकित
- 10 जीत और कुल 52 नामांकन
Lizzy Mathis
- Siren #4
- (as Elizabeth Mathis)
सारांश
Reviewers say 'Tron: Legacy' is celebrated for its breathtaking visuals, innovative special effects, and immersive 3D experience. The Daft Punk soundtrack enhances the film's atmosphere, receiving widespread acclaim. However, the plot is criticized for being predictable, shallow, and clichéd. Characters are often seen as underdeveloped, and the narrative fails to match the visual grandeur. Disappointments arise from the original Tron character's portrayal and the father-son dynamic. Despite these issues, the film is appreciated for its nostalgic elements and universe expansion.
फ़ीचर्ड समीक्षाएं
I'd never seen the original 'Tron', nor did I really know much about it. I'd only heard the movie referenced in other things on occasion (like that one episode of The Simpsons where Homer's trapped in the Third Dimension and asks if anybody saw the movie 'Tron', and everyone answers "No". I was in the same boat as them). The previews for 'TRON: Legacy' looked visually stunning, and I'm happy to report it does not disappoint in that regard. Everything seen inside 'The Grid' is a wonder to behold/a visual feast. But is this the only good thing the film has going for it? Well...yes and no. As far as the characters/actors who portray them are concerned, Garrett Hedlund is decent as Sam Flynn. Yes, he has to utter some clunky dialogue along the way and is a bit stiff at times, but he serves the role well enough. At times he reminded me of Hayden Christensen as Anakin Skywalker (what with the pulling out of lightsabers...I mean discs, donning of cloaks, etc), though thankfully he's not half as bad as that guy.
Jeff Bridges gives a solid performance as Sam's dad, Kevin Flynn, and the father/son relationship he has with Sam is central to the film. The only thing that detracts from his performance is his character's digitized clone, Clu. No matter how hard they've tried to create a youthful-looking Jeff Bridges using computer magic, he *still* looks like a "cartoon" (as someone in the audience put it when I saw the movie at the theatre). While it's annoying, it would have at least been tolerable had it been limited to just the scenes inside The Grid (though it still would've raised the question of why he looked so fake while everyone else looked so real). However, the movie starts in the real world with a "young" Kevin Flynn telling his son the story of Tron/The Grid, and you can plainly tell the drastic difference between a real and fake Jeff Bridges. It's so obvious and very distracting.
Meanwhile, Olivia Wilde kicks butt and looks great doing it (in her neon light-up skintight catsuit and her asymmetrical wig) as the warrior, Quorra. She seems to be having WAY more fun with this role than she ever did in her role of Thirteen on the TV series House. Quorra's joyous laughter at odd times gives her an endearing quality, she has a slight naivety about her in regards to some things (which allows for some comedic moments) and displays a sense of childlike wonder (especially in the film's final shot). Wilde and Hedlund share some good scenes together, and her character at least gets *some* development...which is more than I can say for the albino-like "Siren", Gem (Beau Garrett, who looks visually interesting...but there doesn't seem to be much else going on with her). Faring better is Michael Sheen as as Castor/Zuse. While he does tend to "ham it up" a bit, at least he provides one of the film's more memorable performances.
Apart from the animation of Young Kevin Flynn, there are a couple of other 'minuses' of the film, like the dialogue (which at times isn't great) as well as the fact that the beginning is somewhat slow/kinda boring and things don't really get moving until we are transported along with Sam inside The Grid. However, once we're in there...the visuals most certainly make up for these minor quibbles. The movie looks STUNNING. There's the "games", which mostly seem to involve throwing discs (which resemble Xena's round killing thing) at each other, causing those who are hit to "derez" (ie. Cease to exist). Then there's the Light Cycles, Light Runners, and all modes of "Light" transportation which make for thrilling action/chase sequences. Another 'plus' of this film is its excellent score which adds SO much to the movie's atmosphere. While some fans of the original film may or may not like this one, for someone like myself (who this movie introduced to the 'Tron' world for the first time), it was quite entertaining and probably the best 'Tron' sequel you're ever going to get.
Jeff Bridges gives a solid performance as Sam's dad, Kevin Flynn, and the father/son relationship he has with Sam is central to the film. The only thing that detracts from his performance is his character's digitized clone, Clu. No matter how hard they've tried to create a youthful-looking Jeff Bridges using computer magic, he *still* looks like a "cartoon" (as someone in the audience put it when I saw the movie at the theatre). While it's annoying, it would have at least been tolerable had it been limited to just the scenes inside The Grid (though it still would've raised the question of why he looked so fake while everyone else looked so real). However, the movie starts in the real world with a "young" Kevin Flynn telling his son the story of Tron/The Grid, and you can plainly tell the drastic difference between a real and fake Jeff Bridges. It's so obvious and very distracting.
Meanwhile, Olivia Wilde kicks butt and looks great doing it (in her neon light-up skintight catsuit and her asymmetrical wig) as the warrior, Quorra. She seems to be having WAY more fun with this role than she ever did in her role of Thirteen on the TV series House. Quorra's joyous laughter at odd times gives her an endearing quality, she has a slight naivety about her in regards to some things (which allows for some comedic moments) and displays a sense of childlike wonder (especially in the film's final shot). Wilde and Hedlund share some good scenes together, and her character at least gets *some* development...which is more than I can say for the albino-like "Siren", Gem (Beau Garrett, who looks visually interesting...but there doesn't seem to be much else going on with her). Faring better is Michael Sheen as as Castor/Zuse. While he does tend to "ham it up" a bit, at least he provides one of the film's more memorable performances.
Apart from the animation of Young Kevin Flynn, there are a couple of other 'minuses' of the film, like the dialogue (which at times isn't great) as well as the fact that the beginning is somewhat slow/kinda boring and things don't really get moving until we are transported along with Sam inside The Grid. However, once we're in there...the visuals most certainly make up for these minor quibbles. The movie looks STUNNING. There's the "games", which mostly seem to involve throwing discs (which resemble Xena's round killing thing) at each other, causing those who are hit to "derez" (ie. Cease to exist). Then there's the Light Cycles, Light Runners, and all modes of "Light" transportation which make for thrilling action/chase sequences. Another 'plus' of this film is its excellent score which adds SO much to the movie's atmosphere. While some fans of the original film may or may not like this one, for someone like myself (who this movie introduced to the 'Tron' world for the first time), it was quite entertaining and probably the best 'Tron' sequel you're ever going to get.
While the performance delivered by the son in this movie might not be Oscar-worthy, the allure of this film does not rely heavily on its acting prowess. It lies in the striking and ground-breaking visuals, accompanied by the captivating music score that is truly an auditory treat. The avant-garde aesthetic elements are profoundly impressive, pushing the boundaries and setting the film ahead of its time.
This cinematic production is a feast for the eyes and ears, immersing you in an experience that is sure to leave you in awe. The bold and imaginative visuals coupled with the profoundly moving soundtrack create a mesmerizing amalgamation of sight and sound. This movie transcends beyond the realm of conventional storytelling, offering an immersive and captivating spectacle that tantalizes the senses.
What sets this movie apart is its simplicity in terms of plot. It does not delve into a complex narrative or convoluted character development; rather, it revolves around the concept of visual and auditory satisfaction. It's an experience that encourages audiences to sit back, relax, and simply absorb the breathtaking visuals and mesmerizing music. It's a unique approach that breaks away from the typical expectations of what constitutes a movie, redefining it as a symphony of artistry that takes place on the silver screen. This movie is not just a film-it's a spectacle that stimulates and soothes, a true pleasure to watch.
This cinematic production is a feast for the eyes and ears, immersing you in an experience that is sure to leave you in awe. The bold and imaginative visuals coupled with the profoundly moving soundtrack create a mesmerizing amalgamation of sight and sound. This movie transcends beyond the realm of conventional storytelling, offering an immersive and captivating spectacle that tantalizes the senses.
What sets this movie apart is its simplicity in terms of plot. It does not delve into a complex narrative or convoluted character development; rather, it revolves around the concept of visual and auditory satisfaction. It's an experience that encourages audiences to sit back, relax, and simply absorb the breathtaking visuals and mesmerizing music. It's a unique approach that breaks away from the typical expectations of what constitutes a movie, redefining it as a symphony of artistry that takes place on the silver screen. This movie is not just a film-it's a spectacle that stimulates and soothes, a true pleasure to watch.
This film is the best example of "style over substance", but wow, what substance. It has some of the best production design and soundtrack I have ever witnessed. Visually and aurally speaking, I would even call it a masterpiece. It is like no other techno-futuristic cyberspace I have ever seen depicted. However, it is let down by a dull main actor and an unpolished story that didn't fully convince me.
Great great movie always get chills from the music and when he first uses the bike. Love the atmosphere of Sam Flynn's life and how much love he has for his father at the end of the movie. Fantastic message in the movie where we as people think things are important in our life such as work or possessions but nothing is more important then family 👍.
Everything about this film works. The visuals, writing, acting, everything. There are very few wrong things I can find with Tron, especially the soundtrack which is timeless even almost a decade later. I still remember watching this film in theaters and not regretting it at all. I highly recommend this film for fans of anything quality.
From the pacing to the cinematography this film is astoundingly well made, and truly deserves more recognition. It is timeless in every meaning of the word.
From the pacing to the cinematography this film is astoundingly well made, and truly deserves more recognition. It is timeless in every meaning of the word.
क्या आपको पता है
- ट्रिवियाThe crowd voices during the disk battle in the beginning of the movie are actually the voices of the audience during the panel for the film at the 2010 San Diego Comic-Con. The audience was instructed to stomp and chant to prompts shown on the large video screen, and the sound was recorded by techs from Skywalker Sound.
- गूफ़Flynn's Arcade was supposedly locked up when Kevin Flynn disappeared in 1989. However when Sam is walking through the arcade, one of the machines is Mortal Kombat (1992) which was not released until 1992.
- भाव
Kevin Flynn: Bio-digital jazz, man.
- क्रेज़ी क्रेडिटAt the beginning of the movie, the title only says "TRON". Not until during the ending credits does the name "Legacy" get included in the title when it reappears.
- कनेक्शनEdited from The Phoenix Portal (2005)
- साउंडट्रैकSeparate Ways
Written by Steve Perry and Jonathan Cain
Performed by Journey
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $17,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $17,20,62,763
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,40,26,211
- 19 दिस॰ 2010
- दुनिया भर में सकल
- $40,00,70,675
- चलने की अवधि2 घंटे 5 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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