Shanghai

We've seen this in spy movies before: men do things because it is their duty, for whatever reason they feel it is, until they meet a woman. Then it all goes haywire. Most of the time, people love this kind of script and when you have the cast that you have: Cusack, Chow, Watanabe, Morse, Morgan, you expect to love a good old fashioned spy movie that also teaches about the period before the Japanese entering the second world war. Asian sensibilities in the romantic noir period: win!

However, the biggest sin of the movie was, believe it or not, the editing. John Cusack is not a fantastic actor, but he is good enough. Ken Watanabe is always good, no matter what kind of movie you cast him in, and all of David Morse, Yun-Fat Chow and Jeffrey Dean Morgan had marginal roles, yet well acted. However the editing of the material was horrendous, to the point where you didn't actually get what the movie was about, who was who and what were they doing. For Western audiences that do not know the history in the region - as myself - would be especially difficult to understand where the plot is going and what are the different factions and what their goals are.

I wanted to like the movie, a detective noir about spies in Shanghai before the Japanese declaration of war and the reasons why Americans might not have found out in time about the Pearl Harbor attack: women! :) but it didn't work out that way. Instead it felt a little bit like another bit of Asian/Cusack melange: Dragon Blade, which was just as epic and just as clumsy a production.

Shanghai takes place just before Japan entered the World War Two. Paul Soames (John Cusack) comes to China to look for his friend who, like him, worked for the American intelligence effort. From that basic setting we end up getting a good mystery thriller, with all the usual good stuff. Glamorous women, elegant locations, the looming threat of war, betrayals, reveals, backstabbing and more.

One of the film's strengths are its actors. I haven't seen Cusack in anything for a while, but he's still in great shape and gives a good performance as your typical silent neo-noir investigator hero. Li Gong is also very good as Anna Lan-Ting, the resident femme fatale.

Truth be told, I kind of wish the script was a bit better so that these people could have really stretched their wings. As it is, it's not bad, but it's not really all that original either. You can figure out the mystery pretty early if you know anything about history, the biggest twist when it comes to characters also comes near the beginning, none of the romance subplots really surprise and as a whole, while I was entertained, I wasn't really that thrilled.

Shanghai is a good film to check out if you're a fan of wartime period pieces and want to see one that, for a change, doesn't take place in Western Europe. It has great actors, a decent script, excellent production values and a tight enough pacing to make up for its unoriginality.

This film is about the lives of several spies from America and China in the turbulent Shanghai in the 1940's.

"Shanghai" is a mesmerising film that successfully recreates the 1940's feel of Shanghai. The film is engaging throughout, with no unnecessary scenes. It is also straightforward and easily understandable, which is a rarity for spy dramas. It is also captivating, as it beautifully captures the stress of people living deceitful lives, not knowing who to trust, without any back up. Even your best friend can be someone entirely different, befriending you only for intelligence.

Gong Li is great in "Shanghai", she radiates beauty and charm, and yet at the same time her extraordinary elegance seems to be begging for pity and mercy. She is rightly cast for her role.

This movie captures that period of 30's Shanghai quite well. Well I wouldn't be the best person to judge considering I know little about that time, but from what I had seen in this film, it was very intriguing.

This espionage/war film gets your attention. The plot is not too complicated, has a nice pace, good performances and an international cast. John Cusack is decent in this role, Gong Li is gorgeous as ever and her English seems to have improved. She captures the screen with her grace and beauty, but also a believable performance. Chow Yun Fat is equally as good. Ken Watanabe - a good performance though he really needs to work more on making his accent understandable as I still have a little trouble with him, but nevertheless makes a good icy character.

The last act creates the suspense very well, though I'll have to admit, though I found the ending dramatic and decent, it might have been more interesting if they actually filmed what happened instead of doing the voice-over, but hey I guess budget constraints and time can get in the way, so I'm alright with it I suppose.

This is a visual feast. It is good to see many actors of different nationalities blend in for what is a cross country story. Japan/China/Germany. Franka Potente has a role here too, which I enjoyed as well.

The only problem with the film, though it wasn't it's fault, was that the version I watched did not have English subtitles when they were talking in Chinese. At first, I thought that this was part of the movie, as you weren't meant to understand it, but there are important scenes near the end where I had no clue what they were saying. It didn't mean I didn't get the rest of the plot or what was happening, but that could have given me a bit more to work with and more juice as well. Oh well, it's not their fault.

This is an enjoyable movie, and it captures that sense of mystery, mistrust, betrayal and fear that you experience during an espionage/war film. Though this isn't essentially a war film in that it's main focus is about blowing up people etc, it is about the struggle of invasion and the effects of it. Recommended.

I hope it gets a wider release in the US and here in Australia because it is a good film.

Shanghai impressed me as a very well-made film. This tale of espionage and double dealing kept me hooked throughout. Shanghai compels the viewer to pay attention in order to piece together a jumble of unclear relationships and alliances. There are many acts of betrayal in the story and they unfold from start to finish. The film also gets high marks for its depiction of pre-World War II Shanghai. The audience get a good visual sense of the cosmopolitan characteristics of the city and in fact, even its delights, like its bars and casinos, compare favorably with those in other modern cities. The acting in this film deserves commendation. Though I am not much of a John Cusack fan, I found his performance believable and not overdone. Li Gong and Yun Fat-Chow are also well cast. Their demeanor came across as natural. I would recommend this film to anyone without reservation.