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Joaquin Phoenix and Woody Norman in C'mon C'mon (2021)

भाव

C'mon C'mon

बदलाव करें
  • Johnny: To visit planet earth, you will have to be born as a human child. At first, you'll have to learn to use your new body, to move your arms and legs, to pull yourself upright. You will learn to walk and run, to use your hands to make sounds and form words. Slowly, you will learn to take care of yourself. Here, it is still peaceful but there the colors, sensations and sounds will wash over you constantly. You will see so many living things, plants and animals, beyond imagining. Here, it is always the same, but there everything is in motion, everything is always changing. You will be plunged into earth's river of time. There will be so much for you to learn and so much for you to feel, pleasure and fear, joy and disappointment, sadness and wonder. In your confusion and delight, you will forget where you came from. You will grow up, travel, and work. Perhaps, you'll have children, even grandchildren of your own. Over the years, you will try to make sense of that happy, sad, full, empty, always-shifting life you're in. And when the time comes to return to your star, it may be hard to say goodbye to that strangely beautiful world.
  • Jesse: [interviewer voice] Have you ever thought about the future?
  • [normal voice]
  • Jesse: Ahh yeah, whatever you plan on happening never happens. Stuff you would never think of happens. So you just have to c'mon c'mon, c'mon c'mon c'mon.
  • Johnny: I'm not fine and that's a totally reasonable response!
  • Jesse: Be funny comma when you can period.
  • Jesse: It's Saturday... I Get To Be Loud On Saturday
  • Jesse: That's very stupid. You're just the stupidest stupid person, ever, like. You have the lesser brain capacity than an actual deceased dead person.
  • Jesse: Be funny, comma, when you can, period.
  • New Orleans Interviewee: Sit down and close your eyes and try to find yourself - because I feel like that's what you really have to do to know what you want. Like, find a way that you feel comfortable finding yourself. You know - you gotta find to find.
  • Johnny: Did you have your toothbrush, cos I don't see it?
  • Jesse: No.
  • Johnny: Come on, I told you to pack it. What, you didn't bring it?
  • Jesse: Mmm... I didn't. Do you have trouble expressing your emotions?
  • Johnny: Well, I'm feeling pretty frustrated right now.
  • Johnny: [narrating] I don't like feeling this, but I feel like he's spoiled, or I am.
  • Viv: You're losing a mom who adored you. She just did. And I'm losing one who never understood me.
  • Paul: [removing his shoelaces] I Know How To Do It
  • Johnny: He's been such a trouper I feel like I owe him a good time.
  • Johnny: [to Jesse] Are you laughing or are you crying? I can't... I can't tell. I wanna have the appropriate reaction.
  • Johnny: [narrating] I ask for trust, cooperation and permission without knowing where the experience will lead the subject. I can and will leave a place, a situation, a problem, but the people I interview cannot. The work offers the interviewer access and a reason to stay in a world that's not my own, *complete* distraction from my own life, a sense of invincibility, a sense of invisibility. I traffic in hope without the ability to know what will happen in the future. The work offers the subjects a chance to speak of things they have never spoken of, a chance to see themselves as subjects worthy of time and attention. The work offers the subjects the creation of an image of self, the distribution of which they cannot control, on a global scale, in perpetuity.
  • Johnny: [to Jesse] Slow down.
  • Viv: [on phone with Johnny] Do you think I'm horrible now?
  • Johnny: No, no, I'm... so much sympathy.
  • [chuckles]
  • Johnny: He
  • [Jesse]
  • Johnny: , um, keeps asking me why we don't talk.
  • Viv: Oh! Cool! I like this kid.

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