Tiger Stripes

Much like Carrie White of the Stephen King novel and later film, Zafan is the first in her class to experience her period, and somehow, the school is aware of her situation.

Classmates mock her and the girl begins to exhibit some very strange behavior. A bathroom scene where she is attacked by a group of girls from her school results in a demon like possession and a Muslim supposed cleric arrives to perform an almost Catholic style exorcism. The man is obviously a con artist with business cards and social media presence.

The Malaysian scenery is beautiful and the lead actress is excellent.

I was not happy with the ending but Tiger Stripes is a decent horror film.

"Zaffan" (Zafreen Zairizal) is a young girl merrily enjoying her childhood until her body decides it's time to grow up - and so she awakens horrified and bloody. Her mother reassures her and off she goes to school - only to find that her friend, the prefect "Farah" (Deena Ezral) is rather disgusted by her new found maturity. It isn't long before "Zaffan" is being ostracised by her classmates and no matter how hard she tries, she cannot re-engage with her pals. The frustration this causes starts to manifest itself in dreams, then in more than those - in physical changes that seem to be rendering her more animal than human - as epitomised by her new favourite snacks! In a rural Malaysian community that is not without it's superstition, her shunning becomes more complete - but what can she do? Can the enigmatic "Dr. Rahim" (Shaheizy Sam) help out with his internet-friendly method and speciality products? The production standards aren't the best, but there's an engaging effort the young and enthusiastic Zairizal as she learns to shin up trees in record time and manage to work well enough with the very limited visual effects. It's not without some humour - especially at the end, and that helps it move along quickly with just enough emphasis on a subject rarely touched upon by cinema anywhere. It'll be fine on the television, and it is worth ninety minutes.

Not too big of a fan of the plot (personally felt some aspects were stretched to the point of comic absurdity), but I thought some scenes were excellent.

Also, the lead girl is superb. She brought to life the struggle with identity and transition from childhood to adolescence quite powerfully. It helps that the supporting characters were all very bad actors, so that her talent was more pronounced and better highlighted.

There's that typical clichéd attempt to tokenize the Indian and Chinese, but luckily it wasn't shoved right in the face of the audience.

The movie itself also felt a bit too overwrought and long.

Is this a horror film? It shouldn't be categorized as such, just because there's a few horror elements.

Responses from general people have been mildly positive but many have been experiencing how this isn't a horror movie and there's not much scares. It's more of a coming-of-age story rather then horror so just keep that in mind. This movie won the Critics' Week Grand Prize and having seen it, I can see why.

Director Amanda Nell Eu does a pretty good job other debut story about the coming-of-age setting of a 12 year old girl going through some bizarre changes and situations with gorgeous colorful camerawork, sound designs, themes and atmospheres, and good performance from the lead actress.

Malaysian cinema isn't often discussed and rarely I have seen films from the country and having known it's culture and background, the movie does a pretty good job on capturing the setting, atmosphere, culture and beliefs with some interesting ballsy choices like discussions of periods and showing Malay girls' sexuality. Throughout, Nell Eu's direction was pretty good on handling the narrative, sound, atmosphere and concepts. While some concepts are a bit cliched of certain horror tropes, the narrative mostly worked.

The performances are pretty good as the child performance are all solid. The sound designs are good, the characters, while a bit thin, remain interesting and engaging to observe, and it has a good score. The movie has horror themes explored but admittedly, since it is more of a coming-of-age story, the horror elements didn't feel as strong or ambitious as it could have been. Including some noticeable bad CGI.

Overall, despite the flaws, I found myself enjoying this movie because of it's ambitious style, concept and the direction it took. Again, this isn't the typical horror movie but it's more of a coming-of-age movie.

Amanda Nell Eu debut effort is a surreal study of a 12 year old girl's coming-of-age experience told against the backdrop of rural Selangor

Tinged with magical realism, the story is a simple slice of life tale with Zafreen Zairizal's impactful performance as Zaffan being the definite showstealer. Told through her lenses, we see her navigate the changes of puberty and the challenges of a small conservative town school life in an ever evolving modern world

The cinematography (by Gaudi Award nominated Jimmy Gimferrer) is excellent, with some breathtaking shots and framing of Malaysia's rainforest and the Titiwangsa range. The background score was also superb, an almost raw tone from Indonesian duo Gabber Modus Operandi.