The Square

This is one of the best films that I have seen in a long time. Joel Edgerton is clearly an amazing talent as he writes and features in this highly unusual version of a somewhat common plot line. The story is full of twists and turns and really keeps you enthralled to the very end. There are high quality Australian actors in this film, who work together to produce some terrific scenes, that are realistic , dramatic and entertaining. The only disappointment was we were one of about five people in the audience. Considering it was a Saturday night and the The Square's first week at the cinemas, I felt very sad for the Edgerton brothers and also worried that if fantastic Aussie films like this one aren't drawing audiences, then what will? Australians need to get behind Australian film, particularly when it is this good.

Aussies aren't known for their film making. After seeing "Not Quite Hollywood" I'm not surprised! But, they really do do some impressive films "Wolf Creek", "Storm Warning" to name a few. Now, "The Square" is another worthy film.

"The Square" ultimately has a moral in it. Don't have a bloody affair! It's simple and yet after affair related films such as "Fatal Attraction", "Dear Wife" we still get idiots doing the dirty on their poor faithful partners! (Always men as well, just an observation). Now down to The Square's realistic, raw directing it may just drill this idea into people with adultery on their minds.

The screenplay, although wildly in-your-face is actually presented as quite believable. the acting is also quite passable and the sub plot with the dogs is so romantic (I say sub-plot, more of a side dish). The Square can be quite shocking at times and the ending left me feeling quite flourished.

I don't think The Square should disappoint you, some might find the pacing a bit lazy but the sharp screenplay should keep you on edge. Give the Aussies a chance mate.

It helps to know absolutely nothing about "The Square" before watching it, just so that it can hit you harder. Nash Edgerton's film depicts an affair between construction foreman Ray (David Roberts) and housewife Carla (Claire van der Boom) which leads to disastrous events. The mud created by the rain in some scenes is nothing compared to what is happening as part of the plot. Many of the shots are not lit entirely, adding to the unpleasant feeling.

Without a doubt, the movie portrays a much grittier side of Australia than we often see in movies. The land down under is often associated with Crocodile Dundee or Aboriginal culture. What "The Square" depicts is closer to what we see in Guy Ritchie's movies, except that the events here are no laughing matter. This is as gut-busting as can be, especially with what happens at the end. But don't get me wrong, it's definitely worth seeing...unless you have a weak stomach.

Also starring Joel Edgerton, Anthony Hayes, Peter Phelps and Bill Hunter.

An Australian made suspense movie thriller directed by a talented Nash Edgerton, which features as supporting actor, his equally talented brother Joel Edgerton who wrote the story. This is the Edgerton Brothers first full length feature film, after writing producing and directing many award winning short stories.

The film quickly sets the tone of an unhappy marriage and an illicit love affair headed for trouble, where a middle aged man Ray(David Roberts), hooks up with a much younger mistress, Carla (Claire van der Boom), who is also in a failing relationship. After that, the plot has so many twists and turns it will keep you guessing right through to the unexpected surprise ending, of which Nash Edgerton is known for in his previous productions.

The movie has plenty of action as the ill fated couple descend deeper and deeper into a depressing turmoil involving money, greed, death and revenge, where there seems to be no way out. All the elements and suspense are here to keep you glued to the screen.

The cast work well together, and with the special effects and stunts, makes for a movie well worth checking out.

As one of those who saw the premiere of this film at the Sydney Film Festival, I can assure you if I was on the "edgerton" of my seat, it was in disbelief as implausibility piled upon implausibility until the film collapsed under their weight.

The film started well, and for a while I was happy to go along with the well-worn Noir formula of the small crime that goes wrong, and all attempts to cover it up only make things worse for the illicit lovers, and the crimes get bigger and bigger. But they also get stupider and stupider, until you just feel your intelligence is being insulted. If, as bilingizard seems to be suggesting, black humour of the order of the Coen Brothers was being attempted, then I suggest some wit (other than that involving the fate of the dogs) should have been attempted. Nor do I think David Roberts was an acceptable lead. The character was dour and unpleasant from the beginning (making it hard to care what happened to him and his paramour) and the performance added no light or shade or leavenings of humanity.

I agree it looks good, and the direction is stylish. But the plot is not just full of holes, but sinkholes that suddenly open up under the feet of the characters, and the audience.