Kuro-obi

The lead actors are real-life Karate masters - Tatsuya Naka (7th Dan JKA Shotokan karate, Akihito Yagi (7th Dan Meibukan Goju-ru Karate), and Yuji Suzuki (1st Dan Kyokushin karate) and action consists of authentic karate techniques.

The acting and plot are engaging on their own - but if you're done some karate in your life, it's even more satisfying.

This is truly a great film. Original and refreshing in its presentation. Sure, the plot can be easily deduced, but the environment, film direction, pure beauty of clean karate used appropriately makes this movie a real winner.

The picture is beautiful, cinematography excellent. You develop a real connection with the characters as well. The movie is also suspenseful and engaging. The fighting scenes are spectacular. It also captures the historic period of 1930's Japan very well too.

You can even learn something by watching this movie. There are lessons of life to be learned and you can come away feeling very satisfied that your time was well spent.

This is one of those movies where after watching it you say, "Wow."

The movie tagline: "Real Fight, Real Karate, Real Japan" just says it all. I waited much to see this on DVD.. The movie lived up to my expectations, which were based on the trailer and the fact that the main "actors" are real karate masters of 1st, 5th and 6th dan.

The story takes place in the 30's, the country is about to go to war. A military troop arrives at a dojo where 3 guys practice karate with an old master and they soon engage in a fight. The soldiers want to take the building but finally they take the karate pupils, after they demonstrated their strength. The old master soon dies and leaves the black belt - representing their dojo - behind so that the most worthy of them can get it. But they have a lot to learn before.. Giryu (Akihito Yagi) is very naive, while Taikan (Tatsuya Naka) is the opposite of him, so they take different routes. The story, the acting, the movie itself could stand on it's own without any fights. The scenery is nice, the drama, the characters are well built, the directing is very simple, yet powerful, honest. The music is also worth mentioning, it was composed by Naoki Sato.

So, what's so special about this movie? That it's real, and it has it all. Great fighters and actors, a meaningful story, a nice movie with a respectful message and representation of karate. The style which - compared to hundreds of movies about flying swordsmen or vengeful kung fu masters - is just not so popular on screen. Maybe that's because it's not about showing off, so it doesn't look that cool at first. Don't expect any wire-work, stuntmen falling ten meters or special effects to exaggerate anything. There is nothing to exaggerate here, because even the simplest, shortest moves look so perfect and powerful that it needs no explanation. This movie makes a lot of things more clear about karate, and gives meaning to it. Reading about the movie on the net I found several karate forums where people praised the actors for being great masters and also nice, humble persons after knowing them. The fact that the movie was also advertised in these circles made it clear that it's not an average action flick. Naka Sensei, who plays Taikan in the movie is an instructor (ranked 6th dan) of the Japan Karate Association and Akihito Yagi (5th dan) is also an instructor and the president of IMGKA (International Meibukan Gojyu-Ryu Karate Association). I hope it wasn't the last movie they appeared in, their charm and talent would be a great addition to Japanese cinema and could further exhibit the true power and meaning of karate traditions.

Disregard kobushi's review. His years of experience practicing karate have apparently clouded his judgment considerably. No one save perhaps himself and a handful of others cares a hoot about the true to life mechanics of real-world karate. Suffice to say his approach to the film is laughable in its narrow-mindedness.

The film presents a deceptively simple and elegantly told martial arts fable, set against a backdrop of an increasingly militarized japan. The fight scenes , tho admirably staged and completely credible (and shocking in their immediacy), are merely the seasoning on a powerful tale of good vs. evil. The stylistic flourishes and acrobatic excesses which plague most other martial arts movies are completely absent, and that is a welcome and long overdue development. The script seamlessly fuses the protagonists' journeys of self-discovery with the setting in which the story unfolds. The director's calm, measured approach is refreshing in its economy, a rare thing in a martial arts film. There is a charming honesty about the whole project that makes it difficult to resist..

As the two protagonists wrestle with their own diametrically opposed natures and strive to discover the secret of their training, the inevitable standoff between them is subdued but satisfying, like the film itself. The supporting characters (and I'm thinking mainly of the evil army general), though two-dimensional, are well-written and performed. The acting is uniformly excellent, a laudable accomplishment since apparently many of the martial artists are non-actors..

More than likely the film will be derided by the ADD generation, but i thought it was a welcome return to the style of old Japanese classic films (Reminiscent also of early Bruce Lee movies, in content as well as in spirit). It isn't pretentious or abstruse enough to be labelled an art film, and it shuns the spectacle of mainstream schlock. Kuro-Obi is a humble, poetic film both funny and moving.. and is adorned with a beautiful musical score.

a resounding 8/10

Awesome flick. I have nothing to add to the other reviewers comments, except that with 40 years of studying Goju Ryu Karate (the martial art depicted in the film) - I LOVE IT! No, the ending fight scene isn't the most realistic, but I think we're dealing here with an artistic representation. This I a piece of cinema, not MMA. Kuroobi joined After the Rain as one of my favorite Japanese films, and favorite films, overall. Great spirit in the film and it poses a number of philosophical questions that we, as karateka, daily struggle with as we try to make karate an integral part of our lives. Karate is life, life is karate. This is part of the struggle depicted in the film. While this definitely isn't a kid's night movie (the themes are a bit too mature for that), it does lend itself to peer discussion or use as a teaching tool with adult students.