The Crew

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Liverpool crime boss Ged Brennan (Scot Williams) has built a successful and respected life for himself on the back of a life of crime but bad intelligence on his last scam lead to it all being a waste of time. Even worse, a figure head of crime in his local area has just turned up dead and the hunt is on for who did it. But Ged's planning to get back into the game with his biggest heist yet- but the threat of betrayal all around him is becoming a real problem.

All the ingriedients were here for a perfect crime film- realistic and brutal, The Crew on paper must have seemed perfect. But while it's far from an awful attempt to bring the world of the Liverpool crime scene to life, it still feels like a bit of a mess and like it falls short of what it first set out to do. And even worse, it seems to be one of those films where the trailer has made it look more exciting than it really is.

The main problem is how disjointed and incoherent it all feels, with the main story and the sub plot seeming to morph over each other and taking up too much time, and with the film running at maybe a bit too ambitious just under two hours, this is even more of a problem. While I understand the film intended to be brutal and hard hitting, a tooled up gang in forensic outfits filming their slaughter of a group of drug addicts in a flat, a scene where a male and female junkie are made to perform sleazy sex acts for and on two crooks with bisexual leanings and a leary Scots character who gets his thrills from strippers and fat hookers all feel a tad gratuitous and added merely for shock value. Far from awful, but could have been a lot better if done with a bit more restraint and focus. **

The Crew goes where many British gangster flicks tends to skirt around. It's an adaptation of Kevin Sampson's novel Outlaws (he wrote the screenplay too), and really shows off an attention to detail that paints a graphic and nihilistic picture of gangster life. It plays on moral bankruptcy rather than trying to spin out pithy one liners and any pretence of cool.

Nothing good happens to anyone; violence and lust doesn't make people happy, poetic justice slips through when you least expect and some neat twists give it a decent narrative that is a lot smarter than the usual brit gangster flic.

Bodes well for Awaydays!

Longtime crime boss Ged Brennan(Scot Williams) is done with the criminal underworld when he feels his luck is running out. But to fund a legitimate business, he has to rely on his crew in order to successfully pull off one final robbery. But one of his crew member and butt buddy has a business of there own, which is getting into the illegal drug business which Ged won't even touch with a 100 ft pole. So when one of his trusted crew member goes to a rival heist group in order to get in, it really jeopardizes Ged's final heist. With betrayal all around Ged, he must use his wits and everything he learned and with the help of his former adversary Franner(Stephen Graham) to get everything on track. This is a good crime movie, but at times it felt way longer than it should have been. This film is about 123 mins, but they could have easily cut 20 or maybe 30 min and it would have been a fast paced and better. Sometimes the slow pace makes a movie better, but this isn't the case for "The Crew" and it felt that it started to drag in sometimes and incoherent. The plot was creative, but not original but I just didn't care about any of the characters except maybe Ged. But this is cause everyone else besides Ged, is annoyingly retarded so you don't care what happens to them. I mean in movies like this you know who the bad guys are, but for instance in Guy Ritchie's movies, he actually makes them funny and likable, but this isn't the case for "The Crew". This movie may please audiences that enjoy crime/drama movies, but it just didn't have anything that really got my attention.

4.5/10

I really do dream of a better time for British cinema. This film is a glimpse of what could be. This film like all good movies focus' on a good story line, actors in roles they suit and a good pace for its style. A simmering tension through the main characters crumbling self confidence. The edge comes from some brutal violence thrown into boil. Added with the right taste, again for the type of movie it is. Along with a dash of hot lesbian action, a couple of twists and a quintessential scouse feel. Usually i think scousers get a bad representation as comedy or annoying characters but this time everyone one had a natural feel to them. In summary i would highly recommend it to any man and their dog, especially the dog.

Another British film from the early 21st Century and like so many other Brit flicks it revolves around a bunch of hardened gangsters

" Wow Theo I think you might have to elaborate ? "

Do I have to ? To be fair it's not one of those embarrassing Guy Ritchie inspired comedy gangster movies that tries and fails to bring a smile to the audiences face . Well it does but these scenes are so intermittent and forgettable that they're forgotten about by the half way stage of the next scene

You certainly won't feel like laughing much because this is foul mouthed brutal stuff . Characters are incapable of opening their mouths without a stream of expletives come gushing out . That's not when they're torturing , beating or murdering one another and some scenes merely exist to shoehorn some explicit mindless violence just in case the audience get bored without ten minutes of graphic violence . Perhaps the producers should concentrated on developing the story a bit more

This is one of two problems with THE CREW . As other people have been quick to point out the film is trying to be complex but just ends up confused as rival firms cross , double cross and triple cross one another so much so that you'll be lost as to why the latest victim is getting ripped off or tortured . By having a Serbian gang as one of the protagonists you're also reminded of LAYER CAKE and how much superior that was to the Ritchie wannabes

The second fundamental fault is that the entire look of the film . Again other commentators have brought it up and that is the film never appears cinematic and resembles something shown on Channel 4 at tea time . Did someone mention HOLLYOAKS ? Try and imagine HOLLYOAKS with the F and C words in every sentence along with frequent maimings and murders and you've got a rough idea what THE CREW resembles on a visual level