शिकागो, इलिनोइस में 1968 के डेमोक्रेटिक नेशनल कन्वेंशन में विद्रोह के आसपास के विभिन्न आरोपों से घिरे हुए सात लोगों की कहानी को दर्शाया गया है.शिकागो, इलिनोइस में 1968 के डेमोक्रेटिक नेशनल कन्वेंशन में विद्रोह के आसपास के विभिन्न आरोपों से घिरे हुए सात लोगों की कहानी को दर्शाया गया है.शिकागो, इलिनोइस में 1968 के डेमोक्रेटिक नेशनल कन्वेंशन में विद्रोह के आसपास के विभिन्न आरोपों से घिरे हुए सात लोगों की कहानी को दर्शाया गया है.
- 6 ऑस्कर के लिए नामांकित
- 59 जीत और कुल 195 नामांकन
फ़ीचर्ड समीक्षाएं
You know what isn't superb?
This was splendid! Although I don't know much about what's going around in U.S cause I'm from India, I felt it. I felt emotions from all over the place. The intensity was really high, the characters were so very well written with depth. The acting was really powerful and the casting... just marvellous choices there...
Sacha baron Cohen, Joseph, Eddie redmayne and co. just wonderful, just wonderful.
I think this film can be relatable for any country. This film captured the struggle of justice so well... the lines were so very well written! And the ending!!! So powerful!!
Aaron Sorkin really is an absolute genius! He wrote this so well, such great dialogues, I absolutely love how his characters talk.
The cinematography too was absolutely incredible! So fitting!
Just brilliant, best film of 2020 for sure.
Sacha baron Cohen, Joseph, Eddie redmayne and co. just wonderful, just wonderful.
I think this film can be relatable for any country. This film captured the struggle of justice so well... the lines were so very well written! And the ending!!! So powerful!!
Aaron Sorkin really is an absolute genius! He wrote this so well, such great dialogues, I absolutely love how his characters talk.
The cinematography too was absolutely incredible! So fitting!
Just brilliant, best film of 2020 for sure.
Legal historians and courtroom drama fans will have a field day with this Aaron Sorkin film which depicts the trial of eight radical protesters who made a name for themselves in Chicago during the 1968 Democratic National Convention. A disparate array of left-wing activists who took it upon themselves to demand an end to the Vietnam War instead became involved in the ghastly legal aftermath of the riots and thus faced criminal charges for allegedly instigating the violence. This film portrays the sham trial that took place.
Jospeh Gordon-Levitt, who has not been in anything good for a long time, is solid as the lead federal prosecutor who reluctantly takes on the assignment of trying to put the radical protesters behind bars. Mark Rylance's modest, down-to-earth demeanor makes him a rather peculiar fit to portray defense attorney William Kuntsler, the famous defense attorney well-known for his outspoken courtroom oratory and publicity hound antics. Frank Langella is flawless as Julius Hoffman, the judge who presided over this trial and whose combustible temper and tenuous mental faculties made him a ready target for ridicule from many, including those involved in the case. Edie Redmayne is excellent as Tom Hayden, the more pragmatic but equally passionate protester and defendant. Sacha Baron Cohen and Jeremy Strong are both stellar as defendants Abbie Hoffman and Jerry Rubin, respectively. Finally, Yahya Abdul Mateen II is eloquent as Bobby Seale, a Black Panther Party co-founder and the lone African-American defendant in the case.
There are discreet details about the trial I was hoping the film would cover. There is no mention of Bobby Seale's many colorful nicknames he assigned to the judge. It mentions the poet Alan Ginsberg only as a fellow protester, when in fact he was also called as one of several celebrity witnesses. So was the musician Judy Collins who began singing an anti-war song during her testimony. These, however, are minor oversights because the fundamental essence of this circus of a trial is effectively captured in the film. Unlike much of Sorkin's earlier work, the dialogue in this film is less grandiose and more straightforward. There are less pyrotechnics and more re-creation here. I mean that as a compliment. It's the perfect portrayal of a trial which turned out to be a low point in the history of American jurisprudence. It also expertly captures the schism within the American left and how the idealists and pragmatists often locked horns even back in the 1960s. Gripping, frightening and instructive in today's world, it is not to be missed. Highly recommended to all.
Jospeh Gordon-Levitt, who has not been in anything good for a long time, is solid as the lead federal prosecutor who reluctantly takes on the assignment of trying to put the radical protesters behind bars. Mark Rylance's modest, down-to-earth demeanor makes him a rather peculiar fit to portray defense attorney William Kuntsler, the famous defense attorney well-known for his outspoken courtroom oratory and publicity hound antics. Frank Langella is flawless as Julius Hoffman, the judge who presided over this trial and whose combustible temper and tenuous mental faculties made him a ready target for ridicule from many, including those involved in the case. Edie Redmayne is excellent as Tom Hayden, the more pragmatic but equally passionate protester and defendant. Sacha Baron Cohen and Jeremy Strong are both stellar as defendants Abbie Hoffman and Jerry Rubin, respectively. Finally, Yahya Abdul Mateen II is eloquent as Bobby Seale, a Black Panther Party co-founder and the lone African-American defendant in the case.
There are discreet details about the trial I was hoping the film would cover. There is no mention of Bobby Seale's many colorful nicknames he assigned to the judge. It mentions the poet Alan Ginsberg only as a fellow protester, when in fact he was also called as one of several celebrity witnesses. So was the musician Judy Collins who began singing an anti-war song during her testimony. These, however, are minor oversights because the fundamental essence of this circus of a trial is effectively captured in the film. Unlike much of Sorkin's earlier work, the dialogue in this film is less grandiose and more straightforward. There are less pyrotechnics and more re-creation here. I mean that as a compliment. It's the perfect portrayal of a trial which turned out to be a low point in the history of American jurisprudence. It also expertly captures the schism within the American left and how the idealists and pragmatists often locked horns even back in the 1960s. Gripping, frightening and instructive in today's world, it is not to be missed. Highly recommended to all.
Ridiculous ensemble cast, and Sorkin's slick lines to support. Plus i LOVE a courtroom drama. This is liberal stuff with a capital L.
Hoffman and his fellow defendants face off against a Government prosecution and a brazenly unsympathetic judge, Sorkin's screenplay works its magic through the sheer spectacle of the courtroom proceedings. Through testimonies and circumstantial evidence, it becomes clear that the accusations of a conspiracy are baseless, most obvious in the case of Bobby Seale (fiercely portrayed by Yahya Abdul-Mateen II), who is charged along with the Chicago 7 without any reasonable evidence of collusion.
The confrontations between Hoffman and Tom Hayden (a steady, confident Eddie Redmayne) resonate as they explore the tensions between achieving progress through traditional, "respectable" means, versus disrupting the status quo by overturning a failing system.
This movie would have already been a must-see film for its captivating ensemble, Sorkin script and rousing story. But its sincere plea for a more free and fair democracy makes it all the more essential in a pivotal election year for the US.
Hoffman and his fellow defendants face off against a Government prosecution and a brazenly unsympathetic judge, Sorkin's screenplay works its magic through the sheer spectacle of the courtroom proceedings. Through testimonies and circumstantial evidence, it becomes clear that the accusations of a conspiracy are baseless, most obvious in the case of Bobby Seale (fiercely portrayed by Yahya Abdul-Mateen II), who is charged along with the Chicago 7 without any reasonable evidence of collusion.
The confrontations between Hoffman and Tom Hayden (a steady, confident Eddie Redmayne) resonate as they explore the tensions between achieving progress through traditional, "respectable" means, versus disrupting the status quo by overturning a failing system.
This movie would have already been a must-see film for its captivating ensemble, Sorkin script and rousing story. But its sincere plea for a more free and fair democracy makes it all the more essential in a pivotal election year for the US.
" I have never been on trial for my thoughts", this one line sums it up about the whole movie. Watch the movie, not only for 5 reasons given by Yayha Abdul Mateen, but the writing, the thoughts, and deliverance. When I decided to watch this movie, it was only for the reason of Aaron Sorkin and star cast and with very limited knowledge of the events which took place in 1968 in chicago. However, with in first 30 minutes of 2 hours, it took me back to days when a one minute long monologue of Jack Nicholson in "A Few Good Men" gave goosebumps to an adult of 18 years of age who was not very fluent in english and not very familiar with american judicial system or revelation in " Charlie Wilson's War" , which was an another vantage point of looking at geo-politics happening in my country and region.
The Trial of Chicago 7 may not have a room to depict drama as seen in previous work of Aaron Sorkins, however in 2 hours and 9 minutes, Aaron and cast of the movie has depicted whatever they could. The script not only provided a dimension to the trial, but the struggles of the main 7 character and the bianess they encountered from the Judicial System.
The Court Room thriller, which also based on real event has become alive with this movie and surely will take back you to the days of "Primal Fear", "12 Angry Men", " Philadelphia", " A Few Good Men" , in which words, thoughts, and real human expression influenced an individual's thinking process.
The entire cast of the movie has performed their best and Aaron Sorkins in his second direction venture has given a classic. The movie which for first few minutes appeared to be political satire eventually turned out to be a great political case, as told by Sacha Baron Cohen.
The Trial of Chicago 7 may not have a room to depict drama as seen in previous work of Aaron Sorkins, however in 2 hours and 9 minutes, Aaron and cast of the movie has depicted whatever they could. The script not only provided a dimension to the trial, but the struggles of the main 7 character and the bianess they encountered from the Judicial System.
The Court Room thriller, which also based on real event has become alive with this movie and surely will take back you to the days of "Primal Fear", "12 Angry Men", " Philadelphia", " A Few Good Men" , in which words, thoughts, and real human expression influenced an individual's thinking process.
The entire cast of the movie has performed their best and Aaron Sorkins in his second direction venture has given a classic. The movie which for first few minutes appeared to be political satire eventually turned out to be a great political case, as told by Sacha Baron Cohen.
This movie succeeds in what it sets out to do, which is to make you mad at how the powers that be conspired to tip the scales of justice against these protestors. I was a little concerned at first that Aaron Sorkin's script would get too cute, with the way it was introducing the protestors. But as Sorkin movies goes, it turns out pretty well. For a movie that's set almost exclusively in a courtroom, it's never boring. I especially liked Sasha Baron Cohen and Mark Rylance here. It's a solid if not spectacular movie.
क्या आपको पता है
- ट्रिवियाSacha Baron Cohen admitted he was "terrified" of having to do an American accent for the film. He had used a few different variations of the accent before for comedic reasons, but never for a dramatic role. He knew the real Abbie Hoffman had a unique voice, having a Massachusetts accent but also having gone to school in California, and was worried he would "sound wrong". Aaron Sorkin had to reassure him that the role was "not an impersonation, but an interpretation", which Baron Cohen claimed did not help much.
- गूफ़At the start of the trial, Bobby Seale claims that the eight defendants are called the "Chicago Seven". In reality, they were originally called the "Chicago Eight". The defendants became known as the Chicago Seven after Seale was severed from the case.
- भाव
Judge Julius Hoffman: And the record should reflect, that defendant Hoffman and I are not related.
Abbie Hoffman: [sarcastic] Father, no!
Judge Julius Hoffman: [bangs his gavel] Mr. Hoffman, are you familiar with contempt of court?
Abbie Hoffman: It's practically a religion for me, sir.
- साउंडट्रैकTruly, Truly, True
Written by Wayne Carson Thompson (as Wayne Thompson)
Performed by Jon & Robin
Courtesy of Sundazed Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Trial of the Chicago 7?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- El juicio de los 7 de Chicago
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- चलने की अवधि2 घंटे 9 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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