Dead Like Me: Life After Death

I guess one could label me a fan of this series, since I own both season 1 and 2 DVD box sets and today I purchased this movie. However I am not here to put frosting on the cake. Any TV series is better than the movie from any point of view. Take into consideration that the writers can afford a few episodes that fail over a two year season. One tends to remember the great episodes and push aside the crappy the ones. So in a nutshell you cannot compare any movie to the series.

I was happy to see they managed to get about 80% of the original cast back after 5 years of doing nothing. I enjoyed the movie but it lacked revelations. There was no cosmic secrets answered about the show. It merely asked more questions and some to most of the characters seemed to take a back seat. I was hoping they would use the opportunity to expand on the "Reaper Society" and I kind of thought that was where the plot was heading but somehow failed to push through.

The focus of the film is on Georgia and Reggie and unfortunately characters like Mason, Roxy, and Daisy become less significant than they should be in this film. The subplot with Cameron Kane wasn't well developed and makes the movie fall short of the mark.

So why did I give the move a seven out of ten? That in my honest opinion is a "C" average. It is just OK but could have been better. Sadly due to the nature of the story that reapers never grow old they won't be able to make another. The actress Ellen Muth is showing her age. I sincerely hope she can move on to better roles but I am afraid she will always be haunted by the series and movie.

This movie was so disappointing in so many ways. No Rube. No original Daisy Adair. Mason was given nothing to do. Roxy did not behave as the original character would. And the new head of the Reaper Squad was a two dimensional character with no back story and no real presence in the story. The show had no real story line. Nothing made sense - the actions of the characters did not fit the story's ground rules. The script had none of the raw edginess and dark humour of the TV show. The pacing was irritating - very amateurish. After watching the whole series we looked forward to a wrap up of the show (ala "Serenity"). It would have been better to have let this show remain in purgatory than leave a bad taste in one's mouth. A waste of a creative premise and an excellent original cast.

Network: Direct to DVD movie; Genre: Comedy/Drama; Content Rating: R (profanity, dark comic violence, sexual content); Available: DVD; Perspective: Contemporary (star range: 1 – 4);

For reference I'd recommend any reader of this briefly skip over to my review of the original Showtime series "Dead Like Me", where the show's freshness, originality, creativity and strong voice inspired me to a 5 out of 5 star rating. The direct-to-DVD feature "Dead Like Me: Life After Death" opens with a well-done, but redundant re-cap of the show's premise already captured so well in creator Bryan Fuller's movie-quality Pilot for those unfamiliar with the series. But then again, if you're unfamiliar with the show you wouldn't be interested in this movie.

Stunned at the unexpected loss of former team leader Rube (Mandy Patinkin contractually unable to be in the film), workman-like grim reapers Georgia Lass (Ellen Muth), Roxy (Jasmin Guy), Mason (Calum Blue) and Daisy Adair (Sarah Wynter replacing "24" sister Laura Harris who was hopefully off making the far better horror/comedy "Severance") are whisked off to a new life managed by unsavory new boss Cameron (Henry Ian Cusik, "Lost"). All seems great at first, limos take them to an upscale restaurant replacing Der Waffle house and Cameron quickly replaces their trademark post-it notes with blackberries, but Cameron plays fast and loose with the reaper code of conduct and the new "do-what-you-feel" attitude starts to have dire results. The first of which causes George to miss a reap which traps a teenage boy in a coma and brings George face to face with the boy's secret girlfriend: her sister, Reggie (Britt McKillip all grown up now).

Series episodes were structured like a wheel, centered around a theme with every character branching off as a sprocket to illustrate a different element of that theme (a la Sex and the City). "Life" is all over the place. One minute it's about George's reluctance to take reaping into the 21st century and her distrust of Cameron, then it launches off into a story that is essentially a rehash of the season one episode "Reapercussions" (which in 45 minutes covered this ground with more imagination). It throws in a random subplot involving Delores (Christine Welles, not her usual shiny self) giving her cat Murray a swan song only because the two are fan favorites.

"Life after Death" is a shallow, cynical cash grab from MGM with a hastily assembled cast and a script, by showrunner John Masius and co-writer Stephen Godchiux, that could have used several trips back to the writer's room. "Dead" heads will be disappointed all around by this venture. For starters all of the characters have been hollowed out and turned into one-note bits dispensing cringe-inducing one-liners, particularly Mason who is now just a goof. Georgia is no longer the antisocial, sardonic voice of a generation, but a protagonist, functioning in society, doing what's right as any protagonist does.

Surprisingly enough, much of "Life" belongs to McKillip. Suddenly thrust into the lead, the young actress does a fine job with it, it's that – even in the series – the entire Joy/Reggie storyline was an unnecessary, and poorly conceived trapdoor escape from the fantasy of the grim reaping story that seemed to move the show backwards. In the series it gave the show one tiny toe grounded in domestic drama, by expanding it in the movie, it very often swallows the production entirely in melodrama. I can see teenage girls crying and screaming at each other anywhere, but I can't see a bizarre Rube Goldberg series of events set in motion by a Graveling that leads to someone's death anywhere but "Dead Like Me".

Speaking of the Gravelings, a certain surprise revelation regarding George and the Gravelings at the end of the 2nd season is disappointingly not addressed at all in "Life". From Mandy Patinkin's rock solid performance to Stewart Copeland's whimsical music to Laura Harris portraying a ditz like Daisy Adair with a perfect (and rare) steely-eyed determination that everything she says is right – there are more things that I can count, big and small, from the show that are missing from this production.

Maybe the most dispiriting thing about "Life" is how unnecessary it feels. Given the chance to bring a loved TV series back from the dead for a last hurrah is a golden opportunity and should inspire the showrunners to swing for the fences. "Life" looks like a tired afterthought that forgot what it used to do so well in the first place. It makes no effort to close the series out with a bang or to extend the stories into exciting new territories. Although, it is kind of fun to see the show's informal theme song, "Boom Boom Ba", making another appearance. "Dead Like Me" fans deserve a whole lot better than "Life After Death".

* ½ / 4

Dead Like Me: Life After Death, is a good entry into the series. Though not quite as fun or engaging as the series was, it was quite enjoyable to see the characters again, and how they have all grown, matured, and subtly changed. It felt a bit restrained in comparison to the episodes which had a bit more energy and emotional content. However, the quality of dialog, special effects, and visual design are all very good.

Surely, this film won't be as enjoyable to individuals who are not familiar with the series, as they won't perceive the subtle character differences, and certainly won't understand why the reaper team is so frustrated with the new team leader of Cameron Kane. Nor will neophytes to the series pick up on the fact that George's mom has also grown and matured significantly, or why it was such a big deal that she reveals her secret to her sister. And despite the fact that they did an excellent job of introducing "the world" that the story is built upon, the significance of Der Waffle Haus, Happy Time, and even Murray the cat, are all lost.

Overall, it was a satisfying experience, and yet leaves me regretting the series was canceled so prematurely. Dead Like Me was such a refreshing show, with its dark humor, yet its light and happy sadness. The ensemble cast, weird deaths, and character arcs, are all sorely missed. In fact, I canceled my Showtime subscription when I heard they had canceled the show. I hope there are additional installments into the franchise, but I fear that this is it. And if that is the case, it was a satisfying way to tie it up, unlike the unceremonious cut it received five years ago.

I was so surprised to find this movie because I was a big Dead Like Me fan from the start and was looking forward to seeing a wrap-up of it. Unfortunately, I was mostly disappointed. First off, there are some changes to some of the characters personalities. Of course, Daisy, comes to mind. They had to have another actress play her because Laura Harris either couldn't or wouldn't. People complain that Sarah Wynter is poor at depicting Daisy but I'm not so sure it's all her. When the original Daisy would open her mouth, something interesting came out. Not so with this movie. Daisy's lines in general are just boring. Along with that, there are a few changes in the way the original characters act as if whoever wrote the movie didn't participate in the series and didn't have a good grasp as to what it was all about. I thought perhaps they had different writers but the ones who worked on this also worked on the series. I don't want to give spoilers so I'll just say that some things that happen, esp. the ending with their "replacement" character for Rube, seem completely out of character for all of them. It just comes off as stupid and ridiculous. Another thing is, if they couldn't get Mandy Patinkin, they shouldn't have even bothered with this. He's too important for the composition of the characters to go without and the Henry Ian Cusick part was mostly annoying and pointless. I also wasn't too crazy at how George's mother's change in demeanor from sardonic, cynical and sarcastic to upbeat and recovered from her daughter's death was kind of jarring even though it made sense being after a five year period. There's also a edgy quirky darkness that the original had that is sadly missing here. The best most interesting part of the movie is what happens between George and her sister, which I don't want to say to, again, spoil anything but it is the part that makes this movie worth watching.