Comedy that is both queer and Queer. The focus is far more on the former here. That changes in some of Torres' more recent outings but this is my favorite of all of those. Fantasmas a close second.
Often the tales here that Torres conveys (literally, see the set design) deal with some very tiny item being exposed as having a huge amount of attitude to it.
Maybe for some that is also Queer, as in a stereotype along the lines of a Hairdresser on Fire. But I think there are just plenty of individuals of whatever gender/sexuality who qualify, whether they are trouble magnets, self-appointed style/culture/park police or just people living a lot larger than they appear.
See also Bibo, the robo-assistant in Torres' current HBO series.
That is a drama queen can be anyone from a R2D2 with ADHD to an incel to a Happy Meal prize. The smaller the package, the bigger the drama.
Perhaps this was comedy born out of necessity for Torres as a struggling artist/writer living in small NY apartment, maybe he collected more figurines than the mother in "Glass Menagerie." I do NOT think this show is just more middle-aged adolescence; there is more to his comedy than playing verbally with tiny toys.
Interesting to note the wild 1-to-10 swings here even under the Prolific Reviewer tab. Begs to jump to conclusions? Too big a leap, best to avoid.
Anyways this worked for me, the set design is a bit of a trip. He's meticulous in his delivery, and after awhile the format feels pretty familiar, but he does have a few clever turns. A step aside to imagined animals, and having to rewind the conveyor belt. Everything is seen on stage on screen to as an homage to the omnipresent cell phone camera.
So, I guess recommended if you've been to a museum in the past year (and certainly if you ever saw the Tilda Swinton live exhibit), while if half of your viewing time is horror movies and/or sitcoms, maybe start with Los Espookys instead??!?
