Sitting in Limbo

This powerful BBC film encapsulates the traumas endured by the Windrush generation. It makes for uncomfortable but topical viewing. I'm proud to be British, but, for the first time in my lifetime, feel truly ashamed of my country's behaviour. Films like this are vital - they help educate and ensure recklessness like this is not ever permitted to happen again.

The drama never felt overdone. A more subtle approach was taken and it pays off. Life is full of lighthearted, enjoyable moments, especially when family are involved. Such moments are beautifully captured here, juxtaposing the deeper, darker themes of anguish, hopelessness and betrayal. Fabulous lead performances too.

It is a "must make" film and as such it is important that it is made - that the word gets out there. And... importance can be synonymous with quality - but only to a certain level. Documentaries can, to a large extent, be valued more on the message they convey than their artistic merit.

Sitting Limbo hovers between two genres; the informative and the artistic - as do many other "life story films". The genre is problematic as the end result is; either likely to be accused of diverging from facts under the "artistic licence" OR being true to history and respecting the facts to the point dullness.

Sitting in Limbo certainly edges toward the documentary format - it, unfortunately has not hit the sweet spot in the middle ground. And so recommendations become dependent on preference of style:

If you consider facts superior in importance to dramaturgy - chances are you will appreciate Stella Cor.radio's work. If, on the other hand, you value artistic accomplishments above facts - chances are you will feel Sitting in Limbo runs a little dry.

There is one argument which would make the above redundant, that is; IF the pacing of the film was an artists attempt to lure the viewer into similar frustration as that of our protagonist. If the "why is nothing happening" frustration is actually part of a greater master plan. If so, the greatness is likely to be appreciated by few - but would motivate some very high scoring. In any event - be prepared to feel frustration.

The other reviews here describe it all. This is an outrage that a man who came to UK when he was 8 would get treated like an illegal at the age of 58! What is wrong with the bureaucrats at UK immigration? Are they total idiots. This poor guy got placed in a detention centre like a prison, he loses his job. Immigration offered to 'repatriate' him back to Jamaica! Outrageous! A story of racism, prejudice & mistreatment. And he is not the only one who has been victimised by a department clearly being run by nasty characters with limited humanity or intelligence. A fine piece of drama to tell a story that will remain a record of truth. And this all happened only 3-4 years ago!

This is a shocking true story of Anthony Bryan who was a victim of the Windrush scandal. A honest hard working man who had spent 50 years living and working in the UK. Married with children who were UK citizens who's life was ruined over a three year period.

Despite overwhelming evidence to the contrary the British government seemed determined to deport Mr Bryant to Jamaica based on what amounted to a lost passport.

Sadly not all victims of the Windrush scandal were as fortunate as Mr Bryant many were wrongfully deported and many are still awaiting compensation.

The performances from the whole cast are terrific in particular Patrick Robinson in the lead roll. 8/10

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

The true life story of Anthony Bryan (Patrick Robinson), a man who spent his whole life living and working in the UK, after moving here with his mother at the age of eight, only to find himself caught up in the crossfire of the government's 'Hostile Environment' policy, where he was suddenly challenged to produce documentation that he was legally living in the UK. What followed was an unthinkable nightmare, as he found himself plunged into an unduly punitive cycle, where he was forced to report to a government agency each week, before being rounded up and held in a detention centre in Dover, hundreds of miles from his home.

It's easy to think horror stories are things that just get stored in the deepest reaches of the human mind, purely fictional things that exist purely in the back of our souls. It's unimaginable that any of us could truly find ourselves plunged into a 'living nightmare', which we have no control over or power to stop, and yet only a few years ago, that is exactly what happened to Anthony Bryan, and numourous other members of the 'Windrush' generation, as news and politics was filled with rhetoric about 'getting tough on immigration.'

Although director Stella Corradi and writer Stephen S. Thompson do not shy away from dramatizing the effect on Anthony's nearest and dearest, including wife Janet (Nadine Marshall), daughter Eileen (Pippa Bennett-Warner) and son Gary (C.J. Beckford), it's still ultimately his personal, living ordeal, and so it's lucky that lead star Robinson manages to deliver a performance of such quiet understatement, an honest, hard working, law abiding man suddenly hounded with such Gestapo like force, before losing his liberty and getting caged up like a criminal, and the subsequent impact on his mental health and sanity.

Shamefully, the whole Windrush scandal largely went over my head, but this is the first time I've seen the full horror of what actually went on, and it really gets under your skin. An uncomfortable, but well made, well acted and very effective piece indeed. ****