Ichi

Ichi is one of those films that make you remember that cinema is actually art and not just a tool for Western propaganda. It is very beautifully done, elegant and subtle. Especially if you like anime and manga you will enjoy this piece of art.

Ichi is supposed to be a remake of Zatoichi but for some reason I feel that its more like the 1st Crimson Bat movie.

I think a lot of the negative reviews is because of its inevitable (since it claims to be a zatoichi remake) comparison to Zatoichi. The characters are of course blind but while the zatoichi characters have mannerism such as the way he acted, the facial expressions and the way he talked. This Ichi is totally devoid of all personality. Ichi's features range from wooden stoic to wooden sadness to wooden expressionless. Her speech is in monotone and her action/motion are no different from people with vision, except for the cane.

However if you compare it to Crimson Bat it becomes better. The plot and character becomes almost similar, abandoned by parent and took up Goze as a living. Travelling in search of the parent. The unseeing open eyes and expressionless face (although Crimson Bat still shows more personality). Even the gambling sequence where she wins by listening to the dice.

The actions scenes with Ichi are not bad, nice quick and slow motioned sequence. One cut type kills. But the action sequence are far in between. But the part where she fights the main baddie is weak.

A well shot movie thats worth a watch. Just don't compare it to Zatoichi.

I had totally forgotten about Zatoichi until I saw some of the other reviews. But there were no similarities btw the two films, and I don't think there were supposed to be either. So this film stands on its own merits (or lack thereof).

Ichi starts off kind of weak, with some hokey dialogue. But the hokey dialogue does play off as somewhat endearing btw Toma, the insecure samurai trainee and Ichi, the cold and bleak musician. The story and the relationship btw Toma and Ichi are developed decently, so we are kept interested in the movie throughout. However, the film's pacing is rather clunky and some of the symbolic imagery and the profound dialogue isn't set up well and comes across rather forced. It's almost as if the director is making up for plot holes by inserting random bits of poetic images and dialogue that aren't set up well and don't make that much sense.

The action is more or less decent, but the climactic fight scenes are too short and simplistic. All in all, it's not a great action film, not a great romance, and not a great drama, although it aspires to be all three. It's a film that's OK for killing time with, but I wouldn't set aside any part of your day with it.

Swordplay movies can come with pretty high standards, and the kind of production that might have been forgiven with 50s and 60s epics have to be rethought as we approach modern treatments. Fact is, ICHI is a fairly traditional version of the Blind Swordsman, though Haruka Ayase has a one-two punch of strong acting and good lucks. Dressed in rags, glowering, and compelling, Ayase is entirely convincing. Takao Osawa has winning chemistry with co-star, playing the drifter who had accidentally blinder his mother years before.

The swordplay sequences are shot in mixed slow and regular motion, digital blood spurting everywhere. Despite the carnage, her blade is always clean, her fingernails perfectly manicured, and always looking breathtaking under the worst of situations. ICHI is not, however, about realism; it's an adventure-romance, and anyone looking for complete accuracy will be disappointed. The real problem comes with the villains - Riki Takeuchi, usually good with pulp roles, overdoes his role as baddie - a fault that's shared by other antagonists.

The most satisfying swordplay yarns have original writing along with thrilling fights, but ICHI only the second part of the formula. As a result, the story is agreeable albeit rather ordinary.

Having seen other movies about the Zatoichi legend and having been less than entertained and having ended up ejecting the disc about half way through, it was with some hesitation that I sat down to watch this 2008 take on the legend.

I will say this this 2008 version was particularly stylish and interesting compared to the other ones I have seen. It stands out as it is heavier on the action and the acting, than the older movies that are heavier on the melodrama.

The movie is easily summarized for those not familiar with the legend of the blind swordsman. Ichi (played by Haruka Ayase), a blind traveling musician, is seeking out her mentor, and on her travels she meets up with Toma Fujihira (played by Takao Osawa) and the end up in a feud between the Yakuza and a gang of thugs.

"Ichi" has some good action scenes and sequences that were nicely choreographed, and they used a great combination of slow-motion and regular motion camera work to enhance the action. And the sword fight scenes were spices up with spray blood, although there wasn't actually any gore, so it was tastefully done. Oddly enough, though, with her skills with her sword, Ichi never got any blood on her and was always pretty and clean.

The movie was driven by a good story, and helped along by some pretty good acting. I must applaud Haruka Ayase for her portrayal of Ichi, because it was really nicely done; emotional and beautiful. The movie did suffer from the acting of Shidô Nakamura who played Banki, the leader of the thugs, it was overdone and very staged.

There was a lot of good camera work in the movie, and lots of nice scenes. They made good use of the scenery in the movie, and the sets were working quite well. And the costumes and props were working well in favor of the movie as well.

For a live action Manga, then "Ichi" was a good movie, entertaining and full of action. I was glad that I watched this, despite of my former bad experiences with the older movies. Recommendable for those who like feudal Japanese swords fighting movies.