Nimic

So goes the first lines in Yorgos Lanthimos' odd little 2019 short: "Excuse me. Do you have the time?" The answer, at a runtime of 12 minutes is.... maybe? For fans of Lanthimos... Yes?

Nimic, like the title suggests, is slightly off, not quite right, not quite 'mimic,' and nothing here is quite resolved. Apart from, that is, a mood, a surreal little ride, a feeling of unease.

Father, the film's blank protagonist (tricky ground here), meets a woman on a subway, only to find himself followed, 'Mimicked,' and the absurdity of this, like in many of Lanthimos' films, is accepted by his family.

So perhaps too should the viewer when watching Nimic.

"Nimic," Romanian for "Nothing" - is a word also present in the film: from the way its characters fill voids, wear dull expressions; the film's narrative itself with no concrete answer. What should be expected here is the fun of the experimentation, the cinematography (a great camera whip), the soundtrack, and simply that.

The somnambulistic universe inhabited by Lanthimos/Fillipou characters is not limited to closures through the wide-angle lens use. It extends to a reactionary critique of home, family, affectivity, de-historicizing (contra, say, Bergman's similar doublings in 'Persona') the pathologies that afflict it by stretching the doppelgänger effect ad infinitum and by reducing structures to communicative breaching experiments.

Lanthimos had been working hard to prove his talent for psychological horror, although you can say the favourite was an execption! but this short film is an worthy promise to a long one... maybe the best one we ever seen from lanthimos...

I couldn't stop thinking of "The house that Jack Built" while watching this short. The choice of music, Matt dillon himself who appears in both everything looked somehow familiar.

Yorgos Lanthimos said, "it's time for lesbian representation." A thought provoking short with a wonderful cast and outstanding cinematography. He needs to make more shorts with his impressive mind.