The Invisible Man

Immerse yourself in a not uncommon story of a woman fighting an aggressive and violent male predator, where the assaults can come out of the blue, often do, and for little or no reason, or justification (not that there could ever be any).

An outstanding lead from Elisabeth Moss in a genuinely suspenseful piece of cinema with a refreshing perspective on a tried and tested theme.

This is a film about an abusive relationship and what is does to the tormented, well... except it's not. Around halfway through the story turns away from a suspenceful psychological thriller and shapes itself into a rather generic, mainstream, twisty and predictable piece.

After seeing this I thought the movie works because of Elisabeth Moss's work as lead actress. Her Cecilia is present in almost evey scene and her acting range, her connection to the character and her talent is what elevates this film a couple steps above your typical low-budget thriller. Also speaking of budget, the film is VERY good looking for just a 7 million. I've had some fun with this, I wish it could have gone a different path but it's what it is I guess.

Very good film, really tense in parts. We made the mistake of watching the trailer beforehand which gives away most of the movie.

I loved this movie so much. I loved Elisabeth Moss's performance if her acting didn't work then we wouldn't believe there is an invisible man but she sells it. I like the cinematography in the movie. I love the tension in each scene and they do a very good job of capturing tension throughout the whole movie. They have an absolutely stacked cast and they all do an amazing job. I think they did a pretty job at the score it really worked in the tension of the scenes and it elevated each scene and the whole movie and it flowed with each scene it never felt off at all. I only have two problems with the movie a bit of the dialogue is bad at times and there are times where the decisions that were made were not logical at all besides that I think it is pretty good. Overall I loved it and would recommend it to anyone.

Cecilia Kass (Elisabeth Moss) is trapped in a highly controlling and violent relationship with technology mogul Adrian Griffin (Oliver Jackson-Cohen). Escaping from his fortress-like home, she lives in fear of his retribution. So she is much relieved, if a little surprised, at the report of his suicide. Now living with old friend James Lanier (Aldis Hodge) and his teenage daughter Sydney (Storm Reid), Cecilia can finally start to relax. But as strange things start to happen, is the ghost of Griffin back to haunt her? Or is it really all in her rapidly disintegrating mind, as her sister Emily (Harriet Dyer) and James suspect?

Australian writer/director Leigh Whannell is famous as the writer behind the "Saw" and "Insidious" franchises. So he knows a thing or two about crafting horror movies. And in this Blumhouse production, after a clever attention-grabbing opening, he really takes his time in building an understanding of Cecilia's mental state. When things start to happen, they happen so stealthily that I needed to hit the rewind button a couple of times (no cinema experience for this one I'm afraid). Cinematographer Stefan Duscio keeps slowly panning away from Cecilia across the room to show empty corridors before slowly panning back again. It's superbly effective and was comprehensively creeping me out!

When the set action pieces do occur then they are satisfactorily exciting, albeit wildly implausible. I did not see some of the "Surprises" coming, making them jolt-worthy. And the denouement really delivered for me, reminiscent of Hitchcock's style.

Now most famous for "Mad Men" and "The Handmaids Tale" on TV, Elisabeth Moss has delivered a range of impressive film performances including in "High Rise" and - as most closely related to this role - in "Girl, Interrupted" as mental patient Lisa. It's a star turn, no doubt about it.

This movie was intended by Universal to be part of the "Dark Universe" series. But the Tom Cruise flop "The Mummy" unfortunately put paid to that. Which is a great shame. If they'd started with this one, then they might have had a hit on their hands. With a post-credits "monkey" (there isn't one in this movie by the way) they could have lined up into the follow-up movie and started the ball rolling.

It's a rollicking action flick that had my attention throughout. This is all helped along by a very effective soundtrack by British composer Benjamin Wallfisch, using strange atonal electronica to heighten the suspense.

However, the initial question it poses - haunting, 'all in the mind' or something else - gets clarified a little too early for me (and - note - is spoiled by the trailer), so the movie falls short of being a classic for that reason.

There's one aspect of the movie that really irritated me. And that is that there was no credit whatsoever for the idea of H.G. Wells that originated this story. There's a discussion of that here: since Wells died in 1946, his copyright will have expired on his works 70 years later. This is definitely NOT a retelling of his story, but in reusing the novel's title it would seem at least 'polite' to include a "Based on an idea by H.G. Wells" in the credits somewhere.

All in all, this is still a bit of a B-movie, but its a bloody good one! Utterly preposterous at times, and with decision-making that would feel at home within the Trump presidency, it's an entertaining rollercoaster of a movie. Definitely comes with a "recommended" from me and I'll look forward to a re-watch at some point.

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