Sukai kurora

It is hard to write a coherent review of The Sky Crawlers without revealing major plot twists, but I will try. I advise you to see the movie without reading too much about it beforehand so that you can enjoy and think about what happens without bias. Do stick around for the epilog after the closing credits.

The Sky Crawlers is a thought-provoking alternate history that will appeal to literate science fiction fans. Mainstream audiences will undoubtedly be bored and confused by what happens in the film. The film examines weighty themes such as the meaning of war and the nature of memories. I was reminded of the recent death of famous amnesiac "HM" while watching The Sky Crawlers, as some of the characters suffer from a similar type of memory loss. Why they suffer this loss is one of the twists that will either spark heated discussion or bewilderment afterward. Like most good science fiction, The Sky Crawlers presents somewhat ambiguous characters and ideas. It is up to the viewer to interpret the meaning.

What worked: The CGI aerial combat sequences were amazing—dizzying and spectacular, with intricately designed air vehicles that spurred the imagination. The characters' emotional depths were thoroughly mined—although not always pleasantly so. The character design and art direction were top notch—the CGI segments were almost photo-realistic, and the 2D segments were beautifully drawn and lighted, too. The Basset Hound was cute.

What didn't work: The pacing was slow—this is a psychological drama, not an action adventure—and could have benefited from some judicious editing. Although I found the transitions from CGI to 2D and back to be perfectly fine, particularly after getting into the rhythm of the film, many viewers will likely find the transitions jarring.

If your tastes run more towards Blade Runner or A Clockwork Orange, you will probably appreciate The Sky Crawlers. If your tastes lean more towards Star Wars or The Incredibles, I advise you to see something else.

It's astonishing how much heart and soul writer Hiroshi Mori and Ghost In The Shell director Mamoru Oshii managed to incorporate in this gently told, unique story despite the remote, but at the same time also strangely deep nature of it's characters. The discreet use of the beautiful visuals serves the movie - not the other way round - and though pretty slow-paced and without major cataclysms Sky Crawlers manages to keep up a fascinating and unique atmosphere till the very end.

I think everyone with a heart and an open mind will recognize this one as a rare gem.

7/10

The Sky Crawlers seem to live up to its name, that it really took its time to tell a story, but in doing so, allowed for the narrative to sink in. After all, it's brought to us by Mamoru Oshii, and as far as his filmography goes, this Japanese maestro's works is often deep, and have more than enough room for multiple viewings, each time allowing you to take away something different, or unnoticed from the previous time round.

Adapted by Chihiro Itou from Hiroshi Mori's story, you could see the themes that this movie had that would interest Oshii to be at the helm. They are nothing relatively new, as fans would see some similarities in the characters' struggle about their own existentialism, and what I enjoyed most, the connected thread between war and peace. It's like the notion of having to prepare for war that you get to enjoy some peace, and I guess every National Serviceman would have heard that at one point or another during their tour of duty.

While one can find some distinct parallels from Americanized films that pay homage or blatantly ripping off Oshii's earlier works, what I thought could have been toned down, was how toward the end, subtlety wasn't the rule of thumb, and almost every theory got explained verbatim. There were enough unanswered questions along the way to tickle your brain, leaving you guessing and drawing your own conclusions, but there were at least two crystal clear moments that decided to tell all and show all, taking away most of the fun. So in a way, you have less room to maneuver your thoughts during that after-movie discussion with friends.

I could imagine and understand any kid sitting inside a theatre hall having absolutely no patience for this masterpiece. Except for the opening sequence which had packed in the action at Top Gun pace, one's notion that this was going to be a war-action movie gets thrown out the window within 10 minutes. Naturally it has the potential to go in that direction by playing up and extending the aerial dogfights, but to do so would be to dumb this film down a lot of notches.

Granted its characters are pilots, and kid pilots at that, "Kildren" (I would like to think of it as Killer-Children) who don't seem to grow up, get careers in Corporations that seem to be waging war on behalf of nations, and pilot propeller-powered warplanes to engage their enemy in attacking and defending routines. Heck, there's even a Red Baron equivalent as the resident bogeyman too! They smoke, they kill (up in the air) and they make love, with nary an adult batting an eyelid, that you would deem them all turning a blind eye to their kids' shenanigans (of course there's a reason for this). Imagine the adults being quite nonchalant, and some even supportive, of kids fighting wars while they go about their daily lives, being quite unaffected other than being a feature in news bulletins.

So we follow the adventures, and mysteries weaved amongst the characters of Kannami Yuichi (voiced by Ryo Kase), base commander Kusanagi (Rinko Kikuchi of Babel fame, who had also collaborated in Oshii's omnibus movie Kill under the segment Assault Girl 2). The remaining supporting characters serve out their primary purpose, such as Tokino (Shosuke Tanihara) as the wingman/buddy, and Mitsuya (Chiaki Kruiyama, Kill Bill's Gogo Yubari) as the tell-all mouthpiece, which I thought that even without, the coda after the end credits roll would have summed it all up nicely.

This is Japanese anime, so its quality is excellent, with some really photo-realistic moments, and aerial dogfights that look as real as if they really built those planes and shot them in mid air. John Woo would also be proud at how balletic the shoot-em-ups can get, pulling back its punches as well to avoid any explicitness in its violence. The main theme of the soundtrack is extremely hypnotic and would linger on you for some time after the end credits roll. After all, it's by Kenji Kawai.

This is not an action movie, period. If that's the kind of movie you're expecting, then my advice would be to save your ticket money. If you're looking toward something that's more contemplative, and dealing with themes that would make you think along the way (until the two mentioned moments where the hints get more obvious), and maybe even appreciate life a little more, then march up to the box office when this opens next week. Highly recommended, and definitely a contender when I compile the top ten list for the year!

The Sky Crawlers: (Sukai Kurora):7 out of 10: This is an adult anime...In fact this is a very adult anime. No there isn’t copious amounts of fan service or blood. (In fact the film is rated PG-13 primarily for smoking.) Instead Sky Crawlers has a very quiet, reserved pacing. It’s a two hour anime that feels like it clocks in at over three hours. Not boring per se but very deliberately paced with adult conversations, adult music and an overall adult tone that reminds one of Before Sunrise with occasional airborne dogfight to break up the relationship introspection.

The plot is both light (I will reveal that here) and quite heavy (I will let the movie itself surprise you with its philosophical underpinnings). On the light side is there is a special group of teenagers who are pilots that never grow old. The movie refers to them as Kildren and much is made of how they are just kids; but if you drive, fly, have sex, drink, and smoke a pack every 10 minutes of screen time your are at best a teen and in reality a young adult.

These Kildren fight in retro WW2 style aircraft against each other in an air war with no winners and no other casualties all to apparently satiate the public’s need for conflict. (Think Star Trek’s “A Taste of Armageddon”). There is a new pilot, a wingman and a couple of androgynous love interests with deep secret pasts. There is even a Red Baron character rumored to be an adult and a constant source of tension and conversation in both the dogfights and on the ground.

The Animation is simply awe inspiring. The CGI work is better than many a Hollywood blockbuster and the 2 dimensional cell shaded characters fit both the pacing and the mood of the film. The attention to detail is quite amazing overall.

Overall the film is recommended for fans of adult drama and serious anime. I do confess I did wish for longer sky battles, more realistic violence and even some fan service. It is ironic that one of the most adult anime I have ever seen suffers from a lack of adult thrills with its PG-13 rating.

Just occasionally, you'll find a film where thew execution of drama over powers your awareness that the film is animated.

The Japanese style is arguable the most exploitative of animation, which is why Mamoru Oshii's rather minimal and refined approach which he brings to The Sky Crawlers is extraordinary in it way. The film is rather static with little physical movement, elongated cutting, wide open Kurosawa type shots, psychological use of color, light and shadow, and a haunting and mystic score. The film is kind of cold, but with a scene of mystery which makes it seductive. Even when we are up in the air with dozens of aircraft, gunfire, and spectacular balls of fire, the film maintains it's sense of calm. Oshiii handles it almost like a ballet. This is not a kids movie, and it's not for those with a short attention span. It it a deep slow psychological piece.

The ending is one that may divide an audience. Some will see it as giving The Sky Crawlers a sense of moral function, while others will argue that it makes the whole thing seem useless. I won't take either side. All I'll say is that I enjoyed the flight.