Tolo Tolo

Another film with the comedian Checco Zalone as the protagonist. The film is different from the various advertising clips around for some time. Is a non-racist film, in the end Checco makes it clear that we are all the same and there are no color distinctions; we are all human. To be a record-breaking box office film, I expected more.

You can tell that this is the fruit of a deeply well-though creative and sociological process. Zalone takes about 2 to 3 years to complete a movie project and this allows him to have such results. The movie is full of great jokes which only Italians can fuly appreciate (I guess), some of them very witty, others apparently low-level but that make sense for the character's attitude. The obvious theme of the movie is immigration and it is well depicted together with all the hypocrisy around the topic. I watched it as an Italian with other Italian friends and know by experience how precise the social commentary adn satire of the film was. The idea of the trailer for the movie was also the touch of a genius, as its apparently politically incorrect tones made also a ton of bigot or shallow people to go and watch it at the cinemas: the movie is clearly the opposite of racist (as any human being with decency or a glimpse of culture could not support such a stand).

Really poor comedy. Zalone tries to replicate the previous successes but he collects a huge and embarrassing failure.

Not my movie of choice but delighted to see the cinema theatre in my hometown getting full in and out. Having lived in Africa for 10 years I found characters and dynamics to be pertinent.

As usual, Zalone tries to "educate" the audience by impersonating characters who reflect some of the worst Italian stereotypes and behaviors. This time the main theme is immigration from Africa. The movie is full of irreverent jokes and gags that aim to politically correctness, hypocriticals, racists, do-gooders, embedded reporters, politicians, fashion-addicts and fascists. Although one would expect some drama (given the issues addressed), this is a comedy and my advice is: Don't take it too seriously. Personally, I didn't like the end and I must admit that Zalone's previous movies (directed by Nunziante) were probably better made. However, the movie is enjoyable and gives some food for thoughts.