The World Unseen

Cinematographically perfect,location likewise,casting could not have been better,the pace of the tale was brilliant. I loved this film,it was film-art. I loved it and was pleased that the ending wasn't 'Hollywood or Bollywood'. I couldn't have agreed more with the previous reviewer. More tastefully executed films like this please ! It is a must see and worthy of 10 gold stars by any standard. I have never seen a film that has touched on the lives and times of immigrant East Indians in South Africa,before and I found it to be an eye-opener and quite profound. I suspect that there must be a multitude of similar tales in need of being told from all British Colonies of the time.I'm not about to make excuses nor sympathies as I think it ridiculous to apolgise for the behaviours of past peoples. I endeavour personally to never repeat such practises myself! Nor should you.

Before I Can't Think Straight, there was this film. Both were written and directed by Shamim Sarif, and starred Lisa Ray and Sheetal Sheth - a combination that assures excellence.

In a background of oppression in South Africa in 1952, we view a struggle for personal freedom.

Amina (Sheth) wants to be free to live her life as a lesbian without bigotry. Miriam (Ray) wants to be free of a demanding and philandering husband. Jacon (David Dennis), a half-black wants to love a white woman (Grethe Fox).

We can only assume that it works out for two of the three characters, and that will have to satisfy us.

For anyone looking for an innovative or breakthrough film here, look elsewhere. This is a formula film with a capital F and you can predict its progress in the first 3 minutes or so. Sometimes that is OK if the ride is exceptional. This time it is so-so.

The upside: Good if standard cinematography/camera work and editing, believable sets. The subplot with the white bank employee and the mixed race cafe owner is more interesting and suspenseful than the main plot.

The downside: This comes from just how much this film relies on cookie-counter elements. No white or Indian male (save one who appears briefly) or conventionally minded woman is allowed to have a redeemable feature. They are quickly established as people that you will not have sympathy for. Likewise the setting in institutionally suppressive South Africa 1952 is just sooo perfect to inject a touch of brutality and righteous indignation and a hint of a political edge to a very tired story line.

This sets the stage for the predatory/touristy lesbian tomboy to enlighten the frustrated housewife. Yawn....

Then we get the blues-jazz piano intro, some poetry, endless, furtive longing glances, the questioning of values and life goals, the symbolic-suggestive one liners, the moments of crisis, the resolution and the folk song over the ending credits. All formula. Been there, done that.

The World Unseen is an outstanding movie about the topic of apartheid in the last 20 years of 1900 placed in south Africa. The interpretation of the actors and actresses is perfect, In particular Lisa Ray is perfect in playing the role of ingenuous wife submitted to the husband's rules. Even Sheetal Sheth in her character is very heart-warming. The story is exciting and rich of twists and involves the spectator make him aware of the pain of character. I suggest to the movie to everyone interested in this kind of plots especially to whom is interesting in lgbt movies. There is also the book of this movie that is amazing as well.

I just saw this film at the London Film Festival. It sold out in two days and they are putting an extra screening!

This film tell the touching journey of one woman trying to find the courage to be herself in an oppressive (but not overly so) marriage with a bit of help from another, wildly independent and free-spirited woman. The background is 1950s South Africa and its despicable apartheid policy. Throughout the film are stark reminders of what that meant for blacks, whites and the Indian community.

No clichés here, just wonderful brush-strokes forming a charming and riveting film.