Happy-Go-Lucky

Mike Leigh's done it again ... for fans and detractors alike! Poppy, his latest creation, sails through this slice of life with a smile on her face, fun on her mind and kindness in her heart.

Irritating? I didn't think so. On my good days, I rather hope there's a little of her in me.

For me, she was quite brilliantly brought to life by the excellent Sally Hawkins. Ironically, if she calls to mind any other inhabitant of Planet Leigh then it's probably Jane Horrocks's rather more sour Nic (or was it Nat?) in Life Is Sweet.

And Poppy has much to be happy about. A true friend, with whom she shares a not-too-shabby flat in a Finsbury Park that I shall not stoop to comparing with the N4 district of my own experience. A job she was born to do, among supportive colleagues. An enjoyable social life, memories of travels past, a cool reetro bike (for a while, at least ... ) and a wardrobe straight out of (ahem!) an Australian's nightmare all go to emphasise the message given by the film's title.

Into her life ambles driving instructor Scott, played by the ever-welcome Eddie Marsan, and the real fun begins. If Poppy can be said to stroll across the surface of life's duckpond without even getting the soles of her cowboy boots wet, then Scott is a man slowly drowning. The film's strongest plot line (this *is* Mike Leigh!) charts the evolving relationship between these apparent opposites,and the interplay really lights up the screen.

To say more would dent your enjoyment should you decide to go and see for yourself! If you go by bike, remember to lock up securely or - better still - maybe your best friend will take you along in her "mad" yellow car.

However you get there, why not let Poppy's attitude infect you for a few hours after you leave? It probably will anyway ...

In Camden, the elementary school teacher Poppy Cross (Sally Hawkins) is a very optimistic thirty year-old smiler that has been sharing a flat with her girlfriend and also teacher Zoe (Alexis Zegerman) for ten years. When her bicycle is stolen, Poppy decides to have driving lessons in the Axle School of Motoring with the rude, bigoted and bitter instructor Scott (Eddie Marsan). Meanwhile she has trouble with her back in the trampoline and she decides to take classes of Flamenco dance with a Spanish teacher. When her pupil Nick (Jack MacGeachin) bullies other students, Poppy feels that the boy is having troubles at home and asks for the assistance of the social worker Tim (Samuel Roukin) and they start to date each other. However her attitude of happiness and joy is misinterpreted by Scott.

"Happy-Go-Lucky" is a simple movie of Mike Leigh with one of the sweetest and most beautiful characters I have ever seen. Sally Hawkins is simply fantastic performing a character that tries to bring smile to the world, and I loved her. The story discloses a couple of days in the life of this remarkable character that seems to be inspired in some of Frank Capra's characters. Her counterpoint is Scott, with a magnificent performance of the always effective Eddie Marsan. The winner of this duel is unfortunately the sadness and bitterness of Scott that shakes the happiness of Poppy in a realistic conclusion of this great little movie. My vote is seven.

Title (Brazil): "Simplesmente Feliz" ("Simply Happy")

This film is about a London school teacher who is constantly happy, and even childish.

I was hoping "Happy Go Lucky" would at least be a feel good happy movie. With this expectation, I was devastatingly disappointed by what I saw. Poppy is a person who does not take anything seriously. Instead of being cute and comical, she comes across as being very annoying and even offensively stupid at times. She and her friends engage in tireless and pointless conversations, making the whole film really boring. The driving instructor is unlikeable as he is uptight and rigid, but his scenes are the comparatively most captivating out of the whole film.

I don't see the reason for the rave reviews for this film. It's ever so boring and irritating.

I think most of us know a person who is perpetually happy and optimistic, and so annoyingly so that you resent them for being happy when you're not, and you consciously or unconsciously try to smash their rose-tinted glasses. I would add a "or maybe that's just me" but Happy-Go-Lucky is the story of such a person, and how she affects everyone around her.

Gawd, Poppy's annoying. This is quite the "love it or hate it" movie depending on whether you're more like her or like the angry and negative driving instructor she antagonizes with her cheerfulness. But as long as you can hold down the bile, it can be fascinating to watch her interact with the spectrum of people she encounters, since they all fall at various points between her and the instructor. From tolerant, to accepting, to nonchalant, to envious, they run the gamut and it's pretty easier to associate with one of them.

At first I thought Sally Hawkins' performance was going to be one shrill note throughout the movie, but no, there are fortunately moments of quiet drama too. In any case, I have to admire someone who can act so constantly cheerful without any traces of irony. I find Mike Leigh's movies quite hard to sit through, since they're usually about people and their interactions, and to appreciate the movies you have to strive to understand their people. Patience and understanding are not qualities I have in copious amounts; I generally prefer characters that I automatically empathize with.

This movie is a rare oddity in that it annoyed me and yet it was still a good watch. It's a movie that I would recommend to people but lordy, I don't wanna watch it again.

Having read some critiques to the extent that this was a film about a naive, childish woman who refused to take life seriously, I was hesitant whether I'd be able to bear this movie.

Luckily, it turned out to be one of the most entertaining cinema experiences since quite a long time.

Poppy isn't the person refusing to become an adult which her misanthropic driving instructor Scott accuses her to be. Our time indeed seems to bring about such people but they could hardly be more different than this lovely young woman. The first scene, with the girls drunk and chatting nonsense, is perhaps a bit misleading on this issue. (In fact, several people left the cinema during this scene, seemingly annoyed of all the giggling.) Rather, Poppy is wise and strong, trying to see the positive in everyone and everything. Humour, and sometimes benign derision, are her ways of keeping sulkiness out of her life. But, as everyone with a heart should feel, that is a gift, not a deficit. What damage can it cause to have a nice word or a smile for your fellow humans? On the other hand, she doesn't shut her eyes on the sad sides of life, such as a traumatized homeless man or a boy beaten by his mother's new partner, and one understands that she is deeply sad about not being able to help Scott, even if she would have had every reason to simply hate him for his bad temper, his racism and his stalking.

The director has done a superb job with this production; it is packed with intelligent, witty dialogs and convincingly drawn characters.

Our world needs a lot more people like Poppy, or at least -- if they don't possess her strength and optimism -- people who are sympathetic with her values instead of feeling threatened by humaneness. Yes, life is difficult and often sad, so let's tackle it with a smile!