Kettiyollaanu Ente Maalakha

I would definitely recommend this movie as the actors and actresses potray the character really well! Also the subject is talked about which is seen as a taboo is the keralian society so very happy eventhough baby steps that it is being acknowledged and in a very compelling manner. Loved every moment of the movie 👍

Started with a small story title, the movie has ended up with a good message along with the thrills, as well as aspects of married life. All the characters were "living" in the same including asifka, veena and the "mother of sleevachan". one of the best big movie comparing the theme.

Asif Ali's best performance ever.

Perfect casting of Veena Nandhakumar as the heroine.

Characterization of Sleevachan has been amazing and there are a few beautiful nuanced emotional scenes set squarely within his character sketch.

The initial portions of the movie seem to have taken quite some inspiration from the detailing aspect of Dileesh Pothen movies. The visual presentation of the early morning routine of the rubber farmer was impressive in it's detailing/novelty.

The soul of the movie is very positive and uplifting. You will leave the theatre feeling good.

Characterization of the sisters, mothers, uncles etc have all been convincing. In general, the vibe across these characters is positive, making for a pleasant viewership.

Listin Stephen continues on his knack for producing successful movies. Subject choice is indeed very interesting, and the movie has been able to deliver on the challenge.

Background score has aligned well with the movie.

"Kettiyolaanu ente Maalakha" Malayalam movie.

High range village with its innocent villagers, form this presentation. Sleeva, the middle aged bachelor, doing the daily farm work.. have his daily dose of alcohol in the evening... to lead his contented life. His family pressure forced him to get married. Sleevachan's misguided ideas about sex, his in-experience in the carnal knowledge..all leading to a marital-rape.... later family disharmony...is the one line story.

This kinda highly tensed bridegroom seeking help and doing blunders....all remind us of Dineshan of "Thalayina Mandram". Script touches on socially relevant issue of necessity, of premarital counseling and sexual education.

Asif Ali as Sleevachan did well. Other characters also were good on screen.

7 on 10 for this, no twist, clean entertainer.

Careful planning could have made, this 'message' filled presentation, more indulging.

' To love and then marry... Or Marry, then love ' is the subtle question posed to the audience.

Ask yourself... !

I was so enchanted to see Asif Ali enact the role of Sleevachan, a good-natured 35-year-old man with zero knowledge on how to deal with matters of sex and marital life, with such diligence and changing gradation that it was difficult for me to praise the importance, timeliness, and social relevance of this romantic drama. But I will make an attempt because Nissam Basheer would want me to as he has concocted a delicious recipe out of a sensitive topic. Marital rape and the indifference surrounding it in the state of Kerala and elsewhere in India has been handled with such deft in Kettiyollaanu Ente Maalakha (English: My Wife is My Angel) that it needs to be seen by everyone who is affected by it. Which is every human being, slightly limited only by their age. When Sleevachan is forced to marry someone not as a partner for himself but as someone who would take care of his old mother, he does not even look at his prospective wife when he goes to meet her and her family. The indifferent self-centered nature of this man is admired by that person (Veena Nandhakumar) who later becomes his wife, and so starts a conversationless tale of marital discord unknown to the people outside of the four walls of their yet-adorned bedroom. The anxiety and discomfort displayed by Ali and the voiceless concern shown by Nandhakumar (who might still need some acting classes) both enrapture you as you become a part of this Christian family where sisters-in-law have a say at everything and brothers-in-law are silent spectators and only care about the food. Everyone is nonchalant about what's going on and that's the way it is because sex is still taboo in India and no one talks about or teaches one about the things that one should do with their partner after marriage. Never breaking the obscenity line and only adding humour to the mix, writer Aji Peter Thankam only improves his social drama by making it more important as the plot goes deeper into the lives of Sleevachan and his pretty wife. There is so much to process in Kettiyallaanu Ente Maalakha, I would like to recommend it twice. Once with your partner and the second time with your whole family. It's totally worth it. TN.