The Descendants

The Descendants is a tragic and heartfelt family drama set against a backdrop of the sights and sounds of modern Hawaii. The music is wonderful, and the scenery of several Hawaiian islands is amazing.

George Clooney is outstanding as the father of a family torn apart by tragedy. His character deals with unsettling secrets of his dying wife and his broken relationships with his two troubled daughters. Forced to deal with the consequences of neglecting his family, Clooney does a great job capturing conflicting and powerful emotions.

Shailone Woodley does a wonderful job as the rebellious older daughter, who captures the anger and hurt of a teenager betrayed by her mother and abandoned by her father. Her relationship with her father is the heart of the movie, and they slowly learn to rely on each other for support and strength in dealing with the loss of their mother/wife.

The film has a wonderful supporting cast that adds humanity and heart to the tragic story. Nick Krause stands out as the oldest daughter's friend, who adds a touch of laughter and perspective to the film. His open and carefree personality grates on the characters initially but helps them to eventually gain perspective on the tragic events.

Overall, the Descendants was an excellent movie that captures the raw emotions of a family dealing with betrayal, pain, and loss and learning to draw together for love and support.

I love the freedom oozing from Alexander Payne's films. The clarity and simplicity of the idea and its execution. All the answers and unity found under a grieving cloud. George Clooney's Matt King is, quite simply, superb. The humanity of the man mingling with his contradictions. So refreshing to spend time with this immediately recognizable man. I couldn't help but loving him. If it's true that Clooney dominates the film, he is surrounded by compelling characters. His eldest daughter, played by the remarkable Shailene Woodley for instance or her boyfriend, a winning Nick Krause, contribute to make "The Descendants" one of the best films of 2011.

This is a great movie, no doubt about it. But given the combination of golden globe, Oscar buzz and positive feedback on IMDb, I expected much more.

The story and the premise of the movie is perfect. In fact, the tagline caught my attention enormously: "trying to reconnect with daughters." That is exactly the type of movie I like. Instantly, I could tell this was a movie about character development and human connection, usually the type of movies with the greatest potential.

Unfortunately, it was merely decent, but not special. It felt like the movie built up so much potential, but failed to release it at a certain point during the movie. The whole movie, for me, felt too introductory in nature. Not necessarily the plot, because the plot does evolve, but the overall "feel" of the movie felt preliminary to a bigger and more dramatic event which never happened.

It's not easy to explain my feelings towards the movie because the fault wasn't necessarily technical or specific. But it did linger around and distracted my viewing somewhat. I felt like there was still more to explore in both Clooney's character and the character of his daughters. Also, I think this element alone impacted on Clooney's performance. His performance was good, definitely, but again, because I felt like there was more to be explored, naturally, I also felt like his performance could have been added to (but not necessarily improved).

Given the Oscar buzz of this movie, I have to compare it to other movies of a similar nature. And unfortunately, I didn't feel like there was sufficient connection between the characters...although the potential to reach that connection was established, it was not acted upon in my opinion. Unfortunately I have to say there have been better developed "re-establishing connection" movies.

In summary, this is an enjoyable movie, but it is missing some important elements which deteriorates the viewing experience to some extent.

I do not know the book inspiring the film. But the film is real seductive for the fresh honesty. For the performance of George Clooney. For atmosphere and for the realism of the clash between generations. The delicate humor, the nice performances, the story are few virtues defining a beautiful film about family, death, secrets, courage, reconciliation with yourself, new beginning and duty. So, a beautiful film.

I watched it at the movies in 2011 and it was immediatly my least favorites of Clooneys', an actor I like; my least favorites of Paynes', a director, I owed so much great times.

Then, I crossed its paths 2 or 3 times on tv for years, without much change but when I fully watched it again in full, alone, in 2025...it struck me as one my 10 key personal movies and stories.

Movies are brilliant objects, they do not change but we evolve around them and one day, we either puzzle out or puzzle into them.

That one eventually clicked, I saw characters, and not actors anymore: I had lived through some of the events and understood and felt a lot. Its writing and dialogues are mature and his subjects unique. We will all be concerned, if not already.