गुलाबो सिताबो

A very heart warming story yet a political satire executed in a much much monotonous manner. From nuisances of the two main leads, Shoojit Sircar gave a delicate message regarding greed and possession. The different shades of human nature highlighted in a humorous manner. The Cinematography of the movie was really awesome. The way the shots have been taken throughout Lucknow, it gave birth to a different cinematic perception. It includes some great performances like the ones from Big B, Vijay Raaz and Shristi Shrivastava. But I found Ayushman Khurana's performance a bit underwhelming in comparison to his previous performances. That may be due to the fake accent which he tried to make while delivering dialogues. Still the movie itself is one of a kind and beautiful like any other Shoojit Sircar's film. Do give it a watch.

Gulabo Sitabo (2020) : Movie Review -

A confined and narrow topic gets a little funny treatment but couldn't fight its own mess somehow. Gulabo Sitabo is the same old topic about Greed and excessive hunger hence making the narrative and ending very much predictable. However, it creates a little fun with the help of characters and situations. It goes on to touch cheap level sometimes but otherwise it generates humourous laughters. There are plenty of loopholes in the plot around the characters and legal procedures which could have been handled with precautions but wasn't helped.

Gulabo Sitabo tells a story of Mirza (Amitabh Bachchan) who has married an older woman for the sake an Ancient Mansion and one of his tenant Baankie (Ayushmann Khurrana) who is also looking for his share and opportunities to get something which never belonged to him. Later, the predictable conflicts such as Politics, Legal Actions and Archeology departement's interest make a solid mess. This mess somehow is enjoyable at some level. Gulabo Sitabo begins on a slow note wasting so much time on introduction of the characters and after spending almost 40 minutes on that the real fun begins. But the treatment given towards the end is not upto the mark considering the potential of the subject.

Ayushmann Khurrana as Baakie is strictly decent. His accent works very well but only of you are familiar with Lucknow's traditions. Amitabh Bachchan as Mirza is Fantastic and undoubtedly the Best Performer among the cast. Vijay Raaz, Brijendra Kala and rest of the supporting cast does a fine job. Music is too dark and therefore looks dull despite the fact that it was highly situational. Dialogues and Cinematography are okay.

Shoojit Sircar gets the conviction right but somehow his storytelling is outdated and typical. Also, Gulabo Sitabo has plenty of loopholes in the story, characters and screenplay. Some characters behaves so dumb and that too without any reason or clarification. The legal events too doesn't make much sense. Shoojit Sircar could have worked on these shortcomings and Gulabo Sitabo would have definitely became a Must Watch product. For now it is a Good film and one time watchable thing which could have easily came from any ordinary bollywood director with ordinary cast. Ayushmann Khurrana continues his chain of Good films but the level of standard is one down this time.

RATING - 6/10*

Every actor in this movie did justice to their respective roles. The cinematography was done elegantly to capture the rawness. Music was inciting calmness.

But all of this was dragged down by an extremely slow pace. Watch this if you can be patient or iur are gonna loose interest in first 30-40 mins.

Gulabo Sitabo is a well-crafted satirical film with a picturesquely crumbling mansion at its center. It's a film rich in details, be it the characters, relationships, desires, lust, insecurities, or the ploy. Amitabh Bachchan plays the grouchy 'Mirza' with a character actor's delicacy and attention to detail. Ayushmann Khurrana once again brings something new to the table with his body language, which portrays sadness and bitterness borne out of poverty. Vijay Raaz is effortless as ever, and Brijendra Kala is also terrific. Shrishti Shrivastava deserves a special mention. Last but not the least, Farrukh Jafar is an absolute delight to watch. Despite few dull moments and a bit slow, the film manages to string all the loose ends well together in the end. The thoughtfully well-written songs in the backdrop add texture to the film. In short, the film explores different traits of the mortals with an underlying message through a simple, quirky, and enchanting story in a subtly humorous way. In case you miss it, the director's nonchalant reference of the chair depicts it all in the end.

Amitabh Bachchan is one of the greatest actors that I can imagine, and with each new film he proves it beyond the slightest shadow of a doubt. In this film, he plays Mirza, a disgustingly greedy old miser, and his transformative acting elevates his name a little more in stature, if that sounds possible anymore. Hardly recognizable under heavy prosthetics, he erases everything he can possibly be associated with to become Mirza in a performance that is incredibly well-detailed and yet looks so unaffected and lacking in self-consciousness. With his blurry and indistinct speech, quiet tone, lame and gawky gait, and the watchfulness in his eyes as he attentively listens to his costars, Bachchan mumbles his way through the film and captures with amazing precision the external fuzziness of this pathetic old man but also the clarity of his indecent, acquisitive intentions. What he does with a role that could so easily have become a caricature is beyond words, but above all, at the end of the day, it's just such a commanding act - watching him is a true cinematic experience in and of itself.

This is, by and large, the trump card of Gulabo Sitabo, an amusing satire which could have been a stupendous movie had it just edited out some of the massive overdetailing and the many subplots. The film boasts of respectable production values, great sets and decorations, and the dialogue is really very good. The irony is just palpable in this film, which has many characters all of whom are immoral and quite ridiculous in their own way and with their different misdemeanors. The music is also great, and the score is good albeit too obvious and redundant at points. Among the other actors, Ayushmann Khurrana enjoys playing unlikable as Bachchan's foe, but it is clearly Farrukh Jaffar, in a miniscule role spread out across the film (which still gives her top-billing, probably courtesy Bachchan), who steals the show with her incredible dialogue delivery. She is a delight all the way. The conclusion of the story is comic and tragic in its irony, presenting a nice message on the price of greed, which often makes people lose much more on their way to reaching much less. Still, it is Bachchan who makes it a must-watch.