IMDb रेटिंग
6.9/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn aging Shakespearean actor takes on one of the bard's most challenging roles. Based on Utpal Dutt's play "Aajker Shahjahan".An aging Shakespearean actor takes on one of the bard's most challenging roles. Based on Utpal Dutt's play "Aajker Shahjahan".An aging Shakespearean actor takes on one of the bard's most challenging roles. Based on Utpal Dutt's play "Aajker Shahjahan".
- पुरस्कार
- 3 जीत और कुल 4 नामांकन
Preity G Zinta
- Shabnam
- (as Preity Zinta)
Jisshu Sengupta
- Gautam
- (as JIsshu Sengupta)
Hu Xin
- Girl at the Diwali celebration
- (as Hue Xin)
फ़ीचर्ड समीक्षाएं
Being a Bengali,i love watching Bengali movies but watching Amitabh Bachchan in an English movie is a treat.And one more thing which attract me towards this movie The Last Lear is Priety Zinta.The way she dressed,her makeup,she carries herself beautifully.I find her very beautiful in saaries with a big bindi on her forehead. She looks so beautiful in the movie,the funniest thing is i used to copy her most of the time but can't look exactly like her.For me,she is the most beautiful actress in our bollywood.The movie is based on Shakespeare's play,the way Rituparno explains the story of Harish played by Amitabh Bachchan is just mind blowing.All must watch the movie,the movie can't be missed.
" Tragedy in the form of King Lear's play is not new to Shakespeare fans. However , Rituparno used King Lear as a character sought to be played by Harish (Amitabh) ; a veteran stage actor primarily on Shakespeare's plays. However, the basic crux of the film "The Last Lear" is neither about Shakespeare primarily nor King Lear. So what was it all about ? Well here you go – 1. Dying Art form and the desire to perform one last time – Harish played by Amitabh is an ex stage artist on Shakespeare's plays. He now lives a retired life in unknown alleys in Kolkata along with his live in partner 'Vandana' (Shefali Chaya). Harish is a purist who had a last desire to perform the lead role of the tragedy King Lear, however his past did not allow him to play it. Hence there is a fire in his belly to perform Lear which will never come as films today have killed stage plays. Hence Harish hates films and differs to agree it as an art form. The film moves on where 'Siddharth'(Arjun Rampal) offers him a script of a character known as 'Maqbul', once a renowned skillful clown who goes jobless because of invasion of TV in life of kids, commits a crime and absconds.' Maqbul' then lives in the hilly slopes, secluded looking for a perfect opportunity to run away from life and Police. The character of 'Maqbul' reciprocates that of Harish himself and he agrees to play the lead role in his first film. 2. Women – Like most Rituparno films Women play a pivotal role in the "The last Lear". There is a common facet here, viz. Men taking Women as a moral right to bully and try to control them. The film shows the same act of bully with the nurse of Harish, with the co-actress 'Shabnam', with 'Vandana' as Harish's live in partner. This flow is shown in common across the society. 3. Tragedy – King Lear divides his property among his daughter and ultimately becomes insane in strange circumstances. 'Maqbul' too is tragic who falls from a cliff while escaping Police in the climax and so does Harish who refuses to take a dummy action lead and dictates to do the last climax of Maqbul himself and get's his backbone fractured. 4. Film within Film – Maqbul's story drives the main film. There is a film within a film. Harish is basically 'Maqbul' in some ways. 5. Confusion and gaps in contemporary Indian film production – Its diwali when the film finally premieres. This is not strategic but due to a planning blunder. Siddharth the director does not want to meet media, The lead Heroine Shbanam (Preity Zinta) runs away to Harish as he is bedridden and overall the lead 'Maqbul' is missing too.
However, I would be candid in saying that this is a very complex film and if someone does not like Shakespeare much he would be bogged down by the numerous dialogues which the film uses. See this film if you love Amitabh and just admire the acting skills of him. For sure, it's also one of the best performances by Arjun Rampal as the young director. Rituparno did a great job but this for me is not his best work but definitely in his top 10. As I leave you in the wonderful world of the clown Maqbul and his dying arts I ask you all, how will you fell if you give 30 years to a profession and excelled in it, but just to realize that today your expertise is history; a null and void past. What you would have done if you were Harish/Maqbul ? Would you have taken a second chance to do your best , one last time ? If yes, then you too are the Lear ! "
However, I would be candid in saying that this is a very complex film and if someone does not like Shakespeare much he would be bogged down by the numerous dialogues which the film uses. See this film if you love Amitabh and just admire the acting skills of him. For sure, it's also one of the best performances by Arjun Rampal as the young director. Rituparno did a great job but this for me is not his best work but definitely in his top 10. As I leave you in the wonderful world of the clown Maqbul and his dying arts I ask you all, how will you fell if you give 30 years to a profession and excelled in it, but just to realize that today your expertise is history; a null and void past. What you would have done if you were Harish/Maqbul ? Would you have taken a second chance to do your best , one last time ? If yes, then you too are the Lear ! "
I've run into comments about this movie that call Amitabh Bachchan a scenery-chewer in this movie. I'd say he's not. That makes it sound as if you're going to get Prithvirraj Kapoor in Mughul-e-Azam -- but Amitabh's character, Harish Mishra/Harry, not AB, is himself something of a scenery-chewer, and in fact in The Last Lear he gives a nuanced performance of maybe the best character I've seen him play in this career phase, and maybe ever.
(Most coincidentally -- the current New Yorker Magazine - Nov. 19, 2007 -- has an article, "The Player Kings," about this kind of bigger-than-life Shakespeare guy,Orson Welles and Laurence Olivier.)
It's wonderful to see major "Bollywood" stars take on straight acting roles in English. And for some time I hoped Preity Zinta, cast as Shabnam, an actress Harry's co-star in the film he is making, would be given something like this to do that used the mature intensity I thought I saw in her.
Importantly and fascinatingly to me, The Last Lear takes the 75-year-old Harish Mishra and us eventually and starkly into some of the themes of King Lear, not that you have to know the play to be affected by his performance as a retired/withdrawn Shakespearean stage actor in Calcutta, persuaded to take his first film role by Siddarth, the hotshot young director played by Arjun Rampal.
I'd say it's only in the last maybe 20 minutes of the movie that you might start having a cascade of recognitions about the Lear themes here. This guy is irritable and cranky -- plenty of scorn for the movies heaped on Arjun -- but also wise, loving, and fully responsive to life. In a great scene on an outdoors shoot in the mountains, you see true delight replace bluster when the old actor, on a film set for the first time, catches on to the filmmaker's way of using shots of unguarded conversation to compose his story.
What makes this powerful old guy verge on boorish in one situation - he declaims Prospero's big speech about his mastery of the spirits to the back of the house in his own smallish living room, to teach Arjun something or other -- makes him a wise counsellor for his co-star Preity in the next, when he uses what he knows about both life and art to push the unhappy and inexperienced young film actress to shout her anger out to the faraway mountain top, and we can feel and see her grief unlock and blood start to flow.
The movie begins explosively on the Diwali when the film is having its opening, with a fight in a fancy flat between Preity, Harry's film co-star, and a man she lives with who is hectoring her offensively about where she's going. She's going to visit Harry instead of attending her premiere, and he now some kind of invalid. Her character is strong and self-possessed, somebody a woman would want for a real friend. She's also somewhat bottled up.
In the course of a long night with fireworks in the background Shabnam, Shefali Shetty as Vandana, Harish's long-time companion, and Divya Dutta as Ivy the night nurse, form a world in Harry's old Calcutta flat, furnished like the home of a London stage actor at mid-century, and the story leading up to the accident on a film-shoot in the mountains unfurls along with their own stories.
The back-story scenes of Siddarth and Harry meeting in Harry's flat, quoting Shakespeare and bonding over watching guys relieve themselves against the wall outside on the closed-circuit TV Harry has installed, are comical and moving.
As the night goes on - it's really a night of metabolization of what has happened -- the night nurse is fired and then offered tea, and she's agitatedly trying to get hold of a boyfriend who, like Shabnam's man, is a persecutory, entitled jerk, full of offensive accusations, and the two older women -- try hard talk her out of submitting to him.
By dawn when Preity crosses the threshhold into Amitabh's room, I think you start to get it about his tragic flaw - I am not spoiling things if I tell you it has to do with his pride - as well as the flaws in someone he's trusted -- that's ended him up in a tragic situation, and thus you're prepared for the brilliant full emotional finish that follows.
One thing I'd hope for from another viewing is a better understanding of what's going on with a shocking decision made by Arjun's character.
I haven't said much about Shefali and Divya, but they are wonderful. Vandana is loving, loyal, angry, exasperated -- if the spirit of Cordelia is in the story, it's distributed between her and Shabnam; Divya is adorable -- she supplies a comic presence -- and touching as a girl who probably can't help going down a tube she's been warned about, off into her own tragedy in the name of love.
I hope the actors found this first English-language movie as rewarding to make as I found it to watch at a film festival, but I also hope this finds theatre release in English-speaking places if it doesn't, that will be a tragedy.
(Most coincidentally -- the current New Yorker Magazine - Nov. 19, 2007 -- has an article, "The Player Kings," about this kind of bigger-than-life Shakespeare guy,Orson Welles and Laurence Olivier.)
It's wonderful to see major "Bollywood" stars take on straight acting roles in English. And for some time I hoped Preity Zinta, cast as Shabnam, an actress Harry's co-star in the film he is making, would be given something like this to do that used the mature intensity I thought I saw in her.
Importantly and fascinatingly to me, The Last Lear takes the 75-year-old Harish Mishra and us eventually and starkly into some of the themes of King Lear, not that you have to know the play to be affected by his performance as a retired/withdrawn Shakespearean stage actor in Calcutta, persuaded to take his first film role by Siddarth, the hotshot young director played by Arjun Rampal.
I'd say it's only in the last maybe 20 minutes of the movie that you might start having a cascade of recognitions about the Lear themes here. This guy is irritable and cranky -- plenty of scorn for the movies heaped on Arjun -- but also wise, loving, and fully responsive to life. In a great scene on an outdoors shoot in the mountains, you see true delight replace bluster when the old actor, on a film set for the first time, catches on to the filmmaker's way of using shots of unguarded conversation to compose his story.
What makes this powerful old guy verge on boorish in one situation - he declaims Prospero's big speech about his mastery of the spirits to the back of the house in his own smallish living room, to teach Arjun something or other -- makes him a wise counsellor for his co-star Preity in the next, when he uses what he knows about both life and art to push the unhappy and inexperienced young film actress to shout her anger out to the faraway mountain top, and we can feel and see her grief unlock and blood start to flow.
The movie begins explosively on the Diwali when the film is having its opening, with a fight in a fancy flat between Preity, Harry's film co-star, and a man she lives with who is hectoring her offensively about where she's going. She's going to visit Harry instead of attending her premiere, and he now some kind of invalid. Her character is strong and self-possessed, somebody a woman would want for a real friend. She's also somewhat bottled up.
In the course of a long night with fireworks in the background Shabnam, Shefali Shetty as Vandana, Harish's long-time companion, and Divya Dutta as Ivy the night nurse, form a world in Harry's old Calcutta flat, furnished like the home of a London stage actor at mid-century, and the story leading up to the accident on a film-shoot in the mountains unfurls along with their own stories.
The back-story scenes of Siddarth and Harry meeting in Harry's flat, quoting Shakespeare and bonding over watching guys relieve themselves against the wall outside on the closed-circuit TV Harry has installed, are comical and moving.
As the night goes on - it's really a night of metabolization of what has happened -- the night nurse is fired and then offered tea, and she's agitatedly trying to get hold of a boyfriend who, like Shabnam's man, is a persecutory, entitled jerk, full of offensive accusations, and the two older women -- try hard talk her out of submitting to him.
By dawn when Preity crosses the threshhold into Amitabh's room, I think you start to get it about his tragic flaw - I am not spoiling things if I tell you it has to do with his pride - as well as the flaws in someone he's trusted -- that's ended him up in a tragic situation, and thus you're prepared for the brilliant full emotional finish that follows.
One thing I'd hope for from another viewing is a better understanding of what's going on with a shocking decision made by Arjun's character.
I haven't said much about Shefali and Divya, but they are wonderful. Vandana is loving, loyal, angry, exasperated -- if the spirit of Cordelia is in the story, it's distributed between her and Shabnam; Divya is adorable -- she supplies a comic presence -- and touching as a girl who probably can't help going down a tube she's been warned about, off into her own tragedy in the name of love.
I hope the actors found this first English-language movie as rewarding to make as I found it to watch at a film festival, but I also hope this finds theatre release in English-speaking places if it doesn't, that will be a tragedy.
The last lear is simply amazing as it shows the brilliant combination of two great people.Amitabh Bachchan and Rituparno Ghosh are two legends in their own field. Last Lear is a movie about how Amitabh Bachchan, also playing the lead role in the film wants to be a great stage actor.Preity Zinta,Arjun Rampal,Shefali Chhaya were among the other casts in the movie.Believe me,all have given tremendous performance. in the film.Amitabh Bachchan needs no word to describe his acting.The way Harry suddenly breaks into the Shakespeare characters time and again is superb. The ending of the movie is so very touchy and awesome that the character of Harry just consumes one.A movie that is most definitely worth watching but not so if one does not fancy watching something that does not have songs, etc and more so if one doesn't like Shakespeare.The story is very good supported by equally good acting.The movie and its maker deserves all applause and appreciations!
The Last Lear is a very special film for cinema lovers.What makes the film so special is the coming together of director Rituparno Ghosh and the legendary Amitabh Bachchan along with Preity Zinta,Arjun Rampal and Shefali Shah. No doubt the film is really good as could be seen during its world premiere at Toronto International film festival,where it received tremendous reception and was highly appreciated.Amitabh Bachchan who plays the role of Harish,a Shakespeare age stage actor is brilliant in the film.This could be said to be his best performance till date.All the stars in the film,be it Preity Zinta,Arjun Rampal or Shefali Shah,are exceptionally good in the film. People should see the film to see Amitabh Bachchan's brilliance.He is simply awesome and with each of his movies shows a completely new face of his acting skills.Rituparno Ghosh has taken all the efforts in portraying the characters in the rightful manner related to a Shakespeare drama that unfolds and does not have a dull moment ever.
क्या आपको पता है
- ट्रिवियाThe film was also referred to as "King Lear" while in production.
- भाव
Harish 'Harry' Mishra: You get samples in a fabric shop not on stage. You never know when your best moments will happen.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- ₹1,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,41,388
- चलने की अवधि
- 2 घं 10 मि(130 min)
- रंग
- ध्वनि मिश्रण
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