अपनी भाषा में प्लॉट जोड़ेंA retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.A retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.A retired cop seeks revenge against an elderly man he's convinced is the Nazi who slaughtered his family during WW2.
- पुरस्कार
- कुल 2 जीत
Alexander Newton
- Young Joseph
- (as Alexander Newton)
Veronica Milagros
- Bonita
- (वॉइस)
- (as Veronica Diaz)
फ़ीचर्ड समीक्षाएं
My wife and I had heard of Joshua Newton's film being developed many years ago, and we were saddened by Roy Scheider's untimely death. With new technology, the film was able to be finished.
We were not disappointed. Beautiful Blue Eyes is constantly moving, always moving forward type of movie. The historical uniforms, trucks and equipment look very authentic.
So many people associate the Holocaust with Auschwitz alone, yet mass shootings were also a large part along eastern Europe. This movie illustrates another side of the Holocaust.
We strongly encourage everyone to watch this gripping film.
We were not disappointed. Beautiful Blue Eyes is constantly moving, always moving forward type of movie. The historical uniforms, trucks and equipment look very authentic.
So many people associate the Holocaust with Auschwitz alone, yet mass shootings were also a large part along eastern Europe. This movie illustrates another side of the Holocaust.
We strongly encourage everyone to watch this gripping film.
I was lucky enough to receive an early screen for Beautiful Blue Eyes and I was hugely impressed with it. The portrayal of Joesph and the fallout from his traumatic past was conveyed with tremendous sincerely and emotional honesty.
I thought Roy Scheider was mesmerising, the film providing a harrowing swan song for the late great actor. I liked the intercutting of past and present and thought the presentation of Joseph's trauma was very effective. The ending was particularly haunting and will leave viewers with much to think upon long after the film has ended.
Given the horrific backdrop of the Holocaust and the sensitivity it requires, I thought the film handled the subject matter respectfully and portrayed the scars created in the aftermath poignantly. I would highly recommend watching this.
I thought Roy Scheider was mesmerising, the film providing a harrowing swan song for the late great actor. I liked the intercutting of past and present and thought the presentation of Joseph's trauma was very effective. The ending was particularly haunting and will leave viewers with much to think upon long after the film has ended.
Given the horrific backdrop of the Holocaust and the sensitivity it requires, I thought the film handled the subject matter respectfully and portrayed the scars created in the aftermath poignantly. I would highly recommend watching this.
It's difficult to be too critical of the movie because the production coincided with not only the death of the great Roy Schieder, but also the director's father (a holocaust survivor) upon which Schieder's character is based...but:
This is a simply poor piece of filmaking that is close to risible due to the decision to use the holocaust as a background to make a quasi-action pic. Based on a Q&A with the director and his son (who co-stars), it seems that the holocaust is simply another way for Newton to get his directing kicks: as he said, a project he thought up while waiting to direct a "divorce thriller." Rather than a serious investigation of what his father's experience meant, Newton takes it as reason to portray gratuitous violence and hone his camera skills. A set-up that could lead to a veritable graduate seminar of fascinating themes and conflicts is dispensed with in order to follow a ridiculous whodunit.
Poor editing, acting (with the exception of Schieder and, surprisingly, Newton's son) and an absurd plot are hallmarks of many films, but few manage to be offensive, cloying, hilariously melodramatic, painstakingly dull, vain, and just shootstormingly bad. And this is just in a twenty minute section in the middle of the movie. There's actually some kind of anti-brilliance on display here because things start out fairly okay, like a cheesy made-for-TV movie, but develop into "holy cow - am I really watching this?" mode about halfway through.
Sadly, the ineptitude isn't easily available for a Room-like mockery because of Schieder's passing, but there are some classic moments where it would be fun to imagine a packed theater laughing at all of this. Nazis rounding up houses full of people speaking with British accents, the worst storytelling neighbor in cinema history, a fall-out-of-your-seat lesson in compassion through an analogy with a bee, and a visual style that seems like Edgar Wright without the wink would make for some brilliant midnight watching. If you get a chance, find the DVD and skip to the barn scene, but otherwise ignore the obvious planted reviews above.
This is a simply poor piece of filmaking that is close to risible due to the decision to use the holocaust as a background to make a quasi-action pic. Based on a Q&A with the director and his son (who co-stars), it seems that the holocaust is simply another way for Newton to get his directing kicks: as he said, a project he thought up while waiting to direct a "divorce thriller." Rather than a serious investigation of what his father's experience meant, Newton takes it as reason to portray gratuitous violence and hone his camera skills. A set-up that could lead to a veritable graduate seminar of fascinating themes and conflicts is dispensed with in order to follow a ridiculous whodunit.
Poor editing, acting (with the exception of Schieder and, surprisingly, Newton's son) and an absurd plot are hallmarks of many films, but few manage to be offensive, cloying, hilariously melodramatic, painstakingly dull, vain, and just shootstormingly bad. And this is just in a twenty minute section in the middle of the movie. There's actually some kind of anti-brilliance on display here because things start out fairly okay, like a cheesy made-for-TV movie, but develop into "holy cow - am I really watching this?" mode about halfway through.
Sadly, the ineptitude isn't easily available for a Room-like mockery because of Schieder's passing, but there are some classic moments where it would be fun to imagine a packed theater laughing at all of this. Nazis rounding up houses full of people speaking with British accents, the worst storytelling neighbor in cinema history, a fall-out-of-your-seat lesson in compassion through an analogy with a bee, and a visual style that seems like Edgar Wright without the wink would make for some brilliant midnight watching. If you get a chance, find the DVD and skip to the barn scene, but otherwise ignore the obvious planted reviews above.
It's clear the director put heart and soul into this. I just wish more movies had this dynamic level of storytelling. It's a great story. Scheider is great. His young co-star Alexander Newton is does a fine job too.
"Iron Cross" features the late actor Roy Scheider in his last performance. Once again, Scheider's portrayal of his character is captivating and moving. This film is fast paced and will keep you guessing about where the story is taking the audience. The locations that are utilized in the movie make a visual impact upon viewers. Helmut Berger is wonderful in his role as the former officer who is hiding his true identity. The scenes between Scheider and Burger are intense. This is a fine film to end the career of an esteemed actor like Scheider. The soundtrack is outstanding and compliments the plot well. Finally "Iron Cross" imparts a message that is critical to future societies throughout the world. It is important that the memory of this dark time in history is kept in the forefront.
क्या आपको पता है
- ट्रिवियाRoy Scheider's final film.
- इसके अलावा अन्य वर्जनThe original version released in 2009 was later reworked because Roy Scheider had died a few days before all his scenes were filmed. A new version of the film, titled 'Beautful Blue Eyes' after a suggestion from the late Roy Scheider during filming, was released in September 2022; in this version a small amount of CGI and AI voice work has been used to complete the unfilmed scenes involving Scheider as per the original shooting script. The new edit is approx. 30 minutes shorter than the original cut.
- कनेक्शनFeatured in WatchMojo: Top 10 Actors Recreated with Special Effects (2014)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Beautiful Blue Eyes?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $90,00,000(अनुमानित)
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
- 2.39:1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें