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Udo Kier, Christopher Kirby, Götz Otto, Julia Dietze, and Peta Sergeant in Iron Sky (2012)

उपयोगकर्ता समीक्षाएं

Iron Sky

312 समीक्षाएं
7/10

strange - in a weird way.. guilty pleasure?

To start with ... i found that movie to be entertaining. I never felt bored - or regretted watching it.

It is a comedy/satire but not as blunt (as in Saturday Night Live blunt) .. but sometimes more subtle (however - subtle in that context still means pretty much "in your face!")

Considering the low budget (actually i did not check the budget - i just assume) - it pulls off quite a high production value in terms of visuals as well as acting. The story itself is ridiculous and funny .. and the movie knows it.

7/10 for a good time watching that movie ... 9/10 if you are drunk.
  • sjarja
  • 8 अक्टू॰ 2016
  • परमालिंक
6/10

Nazis on the moon, no more or less to it than that

IRON SKY is the perfect example of a modern-day B-movie, an international collaboration boasting plenty of excellent special effects to back up an involved and engaging storyline. It's not often I watch a film and think "there's something I haven't seen before", but it happened with IRON SKY.

The opening sequence is elaborately staged and quite captivating, offering a much better menace than that of APOLLO 18 (which I also watched recently). From there on then the film builds in complexity, introducing multiple shades-of-grey characters who embark on a story filled with twists and surprises.

At the end of the day, IRON SKY is a film all about the visual effects, and they're excellent throughout. Whether you're looking for interstellar warfare, colonised cities in space or more earthly destruction, this movie has it. The CGI is faultless, adding to the impression that this is far more than your routine B-movie.

There's plenty of satire in the film, aimed not just at the obvious targets but at America too - the benefits of a Finnish/German/Australian production. Quite a few of the central performances are decent and the quirkiness never lets up for a moment. For once, IRON SKY is a concept movie with a real story to go with it.
  • Leofwine_draca
  • 22 जून 2014
  • परमालिंक
7/10

Surprisingly good

When I decided to watch 'Iron Sky' I expected to be entertained by a tasteless and offensive piece of trash. Instead I was entertained by a reasonably intelligent and well made sci-fi comedy that also works as political satire. Of course the idea of nazis on the moon is bizarre, but all in all I did not feel offended by the film (I will explain in a minute why not).

In 2018, the US return to the moon. There, astronaut James Washington (Christopher Kirby) loses contact with mission control because he is attacked and captured. His attackers are the guards of a moon fortress where the nazis are hiding who escaped the 'downfall' of the Reich in 1945. The nazis discover Washington's mobile and decide they need more of these devices to finally make their ultimate weapon operational - the weapon that will allow them to conquer earth. Accordingly they send an expedition (headed by their presumptive next Führer Klaus Adler, played by Götz Otto) that lands in New York... There are a couple of really good ideas in the film. For example, Adler has no trouble at all taking over the re-election campaign of the president (Stephanie Paul), who is clearly modelled on Sarah Palin. In this respect reality has of course trumped satire. There are also a few nice quotes of earlier films. When Paul as president sees her campaign faltering, she throws a tantrum that reminds you of Hitler's in 'Der Untergang' (Hirschbiegel 2004). Another film quoted is Kubrick's 'Dr Strangelove' (1964). The anti-racist message of the film is nicely packaged and not too obtrusive; it is one of the things that prevents 'Iron Sky' from being offensive. The other is that the film mocks and ridicules the nazis quite effectively. On the downside, most of the acting (except Kirby's and Julia Dietze's, who plays Adler's fiancee) is no more than alright, and the storyline does get pretty convoluted. Still, all in all I was pleasantly surprised.
  • Philipp_Flersheim
  • 23 मार्च 2022
  • परमालिंक

"I'll See You In Valhalla!"...

As we have always feared, the Nazis have been hiding on the dark side of the moon since the end of WWII. Plotting their triumphant return to power, they have waited these many decades. When an American lunar mission happens upon the enormous, hidden Nazi fortress, it causes problems both on the moon and back on Earth.

In IRON SKY, much has changed since the Reich was booming on our planet, including an African American astronaut, a female President of the United States, and the UN transformed into a World Confederacy! The Fuhrer would be appalled! When a Nazi mission to Earth takes them to New York City, the real fun starts.

The best way to describe this movie would be to liken it to what Mel Brooks might have created in his prime. It lampoons racism, sexism, fascism, political idiocy, high fashion, etc., by being an utterly over the top satire thereof. Plus, it's very well made, in addition to being hysterically funny! The main characters are perfectly ridiculous, yet not annoyingly so. The acting / dialogue is mostly dead pan, making it far more effective than a more slapstick approach. The result is a crackpot sci-fi parody wrapped around a mega-spoof. Highly inventive and entertaining...
  • Dethcharm
  • 27 अग॰ 2019
  • परमालिंक
7/10

Good fun

US astronauts disturb a Nazi moonbase, and the Nazis launch an expedition to earth to pick up a computer tablet to power their final invasion using a super-fuel mined from the moon.

Hectic spoof sci-fi that's totally illogical, full of plot holes, and yet turns into a good satire. Effects are done really well, plenty of other movies referred to (including the music), and closest in spirit probably to Flash Gordon from 1980.

It does hurry itself along, so the pace is good but at the expense I think of decent character based gags. The acting was good, particularly the females - the lead was very charming, and the president and her sidekick were mean and brisk.

A final plus is that some US reviewers don't like fun being poked at their awful political system.

Overall not great, but it was refreshing.
  • begob
  • 10 मई 2015
  • परमालिंक
4/10

Trailer is better than the film!

  • kaskasport
  • 16 फ़र॰ 2012
  • परमालिंक
7/10

Iron Sky is a fun little Sci-fi movie. Watch it, if only for the sake of curiosity

I saw the Iron Sky recently in a preview screening. And, I quite liked it.

For those that do not know, Iron Sky is a Sci-fi action comedy from a team of Finnish "independent" film makers lead by Timo Vuorensola as the director. Iron Sky tells a story about 'freaking space Nazis from the dark side of the moon coming back to earth'.

For what it is, the movie works fine. It's not a masterpiece of dramatic cinematic flavor on line with Citizen Kane or Pianist with some deep philosophical dialog. No, its more in the line of campy Nazisploitation and over-the top action, as one would come to expect. And as one would expect, the movie is absolutely ridiculous. It has its many fun moments and true laugh out loud scenes, specially made for those viewers who are into internet/computer/pop culture related stuff, which presence makes sense considering the guys who made this film are "self taught" young film makers who basically 'grew up' making movies of their own, and are the children of the Internets.

Iron Sky has a really good cast who deliver consistently strong performance throughout the film. With Udo Kier being my absolute favorite who sadly goes somewhat underused with his too old to care and strictly for business Nazi führer of the moon guy... (Oh well, I still have him as the Yuri in Red Alert 2.) Weirdly, Götz Otto being the go-to baddie of the movie, delivers somewhat dry and unnoteworthy performance. And I think it felt this way was because there was a subtlety in his acting which sadly vanishes under rest of the silliness in the film.

Now as expected from the guys who previously did the Star Wrek comedy films, they made absolutely brilliant CGI effects for Iron Sky. I rarely could tell which stuff were done with practical effects and which were done with CGI, which is a very good thing. There are many moments which I knew were definitely done with computers, but still were a blast to watch. Nothing there is jarring or unnecessary feeling, like in majority of the other CGI motion pictures of today.

Now there are some few shortcomings in the film of course, few minor stuff here and there, but also one bigger aspect that was quite difficult to overlook. And that is that the Iron Sky skips around, a lot. It felt like there were tons of shots missing from between the key scenes. You'll watch the characters do something and have it immediately cut to a later moment in time, or to a completely different scene all together. The movie leaves a lot for the viewers to fill in. That was not too difficult for me one I adjusted. It's a bit distracting, yes. But if you manage to push it past, you'll find interesting plot unfolding. Now while I had no difficulties following the movie, I can also see someone used to the regular Hollywood "tell it to the audience" type movies being lost with this film. While the important scenes needed for the plot are still very much present, the sudden jumps might leave the viewer lagging behind, you might get some whiplashes watching this film.

However, there is a very understandable excuse for that, which the director himself told us in the theater on the Q&A session after the film. And it's that way because they had to cut stuff from the script as they simply had no money to realistically do most of them. Iron Sky had a budget of only of 7 million Euros, which compared to other proper big movies, is nothing. They said that every scene they did had to be done in the way of "we'll shoot this if we get the money to do it". And considering that, it's amazing they managed as much as they did.

Iron Sky is a fun little movie that definitely differs from your average schlock. I'd recommend to watch it, if only for the sake of curiosity. (And ridiculous Nazis.)

And what about the the ending? Who wins? Oh, you'll have to watch the movie to find out. You might get a surprise. It might make you stop and think... I know it made me.
  • WhatPayne
  • 3 अप्रैल 2012
  • परमालिंक
5/10

Outsiders must have made the trailer.

  • teemu-eramaa
  • 11 अप्रैल 2012
  • परमालिंक
8/10

Utterly absurd, but wonderful space romp

I loved all the cgi in this movie. See it on a big screen, it will be worth it. I guess you could compare it to movies such as Starship Troupers (1997) or Mars Attacks (1996). Iron Sky is a great example of what can be achieved with cgi. You may even laugh out loud. You will certainly smile for an hour and a half.
  • robertemerald
  • 31 मार्च 2020
  • परमालिंक
7/10

Odd but entertaining

Seems like a total parody movie. Has elements of many great movies wrapped into parody situations adding crazy outcomes. Entertaining to say the least.
  • ColbyButler
  • 17 जन॰ 2020
  • परमालिंक
2/10

Most Disappointing Film of the Year

Perhaps I'm getting old. I fail to understand some of the marks for this film. 8? 9? 10?

To my jaded eyes, I've rarely left a movie theatre feeling such disappointment.

Like many people anticipating this movie, I saw the trailer and thought it would be an instant classic. Perhaps not among lovers of the mainstream but certainly one of those films you learn to love and love being among a select number of people who've seen it. I thought it might be this year's 'Tucker and Dale vs Evil'.

It wasn't. It wasn't even close to matching that peerless film.

I'll be brief: Iron Sky is a fantastic looking film, wonderfully shot, but bogged down by one of the most woeful scripts I've witnessed in an age. I fail to comprehend how movie makers continue to pump moving into the fabric of a film whilst ignoring the fundamentals of the script. The problem is highlighted by the credits at the end. Two writers of the screenplay, five people in the scriptwriting 'team', an additional credit for the 'dramaturgist, polishing' and two more credits for additional material. The result is a film that lacks a compelling narrative arc. It's very much the sum of its mismatched parts. Some scenes are excellent but others barely hang together and often left me squirming in my seat at the sheer banality of the writing. I felt sorry for the actors who struggled with the material, especially Julia Dietze who was excellent as the nominal heroine, and Götz Otto as the villain. I might make special mention of the soundtrack which was relentless throughout and overwhelmed many of the scenes.

Yet what's most disappointing is that the film sets itself up as a satire on American politics. The choice of making the President a future version of Sarah Palin might have been inspired but it was largely wasted and instead of the film ending as it might have hoped with a statement akin to the close of Strangelove (a film it self-consciously references on a few occasions) the result is closer to those terrible over the top farces of the 1960s where chaos is let loose on the screen leaving the audience bewildered and ultimately bored.

I really hate writing a review like this but I can't recollect the last time I've so been disappointed with a film. I've not seen a film that looks so good with such possibility in such a long time. It's a shame that so much good work is lost because of the lack of a half decent script.
  • smoochpapandreas
  • 28 मई 2012
  • परमालिंक
8/10

Funny and different

I saw the film yesterday in Oslo and I must say I thought it was exhilarating, fresh and different. It's also one of those films that you either love or hate, I do not think it is one that you can be indifferent to.

The German language adds a nice touch, and the way it is used helps a lot with creating a believable atmosphere to some scenes. The actors are doing a good job of portraying the stereotypes that they need in order for the humor to work. The humor is pleasantly free from political correctness. And there are many nice references throughout the film, so if you have been living in a cave (or on the moon) for the last seventy years, I doubt you will find it as funny as I personally did.

The CGI is stunning when at it's best. It is not perfect everywhere, but all in all it is quite convincing. The style can best be described as toned down and with natural colors that work very well for this film.

The story is funny if you let it stand on it's own and accept it for what it is. Let yourself be entertained. I am sure that if you have a very critical mindset when going to see this film you will probably find something to pick on. Things could probably be a bit better and more consistent in a + $100M film, but I do not think we would see this expressive freedom in a + $100M film...

The soundtrack was also well thought of and added the needed atmosphere trough the whole film. Not one tune seemed misplaced and I thought it was very impressive.

I liked Iron Sky a lot, and I would recommend it in a heartbeat. I believe this film has the potential to be the cult film of the year. And I think it will do well for itself on cinemas around the world.
  • rune-307-115177
  • 2 मार्च 2012
  • परमालिंक
7/10

Much better than it ought to be

  • neil-476
  • 2 जून 2020
  • परमालिंक

Excellent parody!

Excellent parody! If you would wanted to watch a Star Wars type of movie you would be disappointed for sure, but if you appreciate the subtle irony then this your flick. I am sure that not much US Americans would enjoy it, because America is the greatest and you know, they have no mistakes! :) They only have jokes like: Hiroshima joke, Nagasaki joke, Vietnam joke and so on. And these were not acts of extreme fascism, but just peaceful and liberating intervention. ;) I liked this movie be not only for the good sarcasm, but also for the truths that have been said. This is a good German response to the Tarantino's Indigenous Bastards.
  • iik71
  • 28 मई 2012
  • परमालिंक
7/10

Heil Adler! - what a hoot!

This is a refreshingly funny B-movie - but watch the Dictator's Cut not the original theatrical cut, it makes much more sense. Several of the cast of 1 1/2 Ritter were reunited to make this fun film, but Udo Kier is at his campest best at the Moonfuhrer (and, of course, you have to ask whether he will suffer the grisly, bloody end he has endured in many of his films). The whole basis of the film is that a black American Astronaut encounters the occupants of a Nazi base hidden on the dark side of the moon since 1945. A mad scientist realises that an iPhone has more computing power than all the devices he has available to him, so the astronaut - who pretends to have been Nazified - and a small squad of Nazis - lead by obergruppenfuhrer Adler, the chosen successor for the Moonfuhrer - get sent to New York to look for more computers to aid the proposed Nazi invasion of Earth. Then a spin-doctor recruited to help the US president get re-elected meets the National Socialists and has a brain-wave! Good fun. Not the best film ever made, but a a fun romp on an original idea.
  • AgentSauvage
  • 30 अक्टू॰ 2019
  • परमालिंक
1/10

Terrible plot, not enough action to be entertaining

  • ravingcandy
  • 29 मई 2012
  • परमालिंक
6/10

This could come true - it could happen to you.

To promote the president and maybe pick up a little hydrogen 3 on the side astronaut are sent to the far side of the moon. There they find that they are not the first to do a little mining. Yep, the Nationalsozialistische Deutsche Arbeiterpartei (NSDAP) has been there since 1945. This triggers the plans of the NSDAP to take over the world.

Will they succeed or will they only boost the president's chances for re-election?

I tried hard to keep a straight face during the movie, but they got me going and practically non-stop. One of my favorite spots is when everyone in the UN was trying to find out where the threat was coming from; each country denied it was their people. Then North Korea representative admitted that they are behind it.

The acting was great, the dialog pungent. There was a little too much potty mouth, but it was not enough to be gratuitous. The CGI was quite adequate. The background music was not overwhelming the dialog. They did not try to be too campy. In all, it was a well-balanced movie with a big-budget feel.

It was nice to have subtitles. However, 90 percent of the German used was so fundamental that you could follow quite well at that pace.

I look for more from this team: Original story - Johanna Sinisalo Original concept - Jarmo Puskala Screenplay - Michael Kalesniko Writer - Timo Vuorensola

I will watch it again to see the nuances.
  • Bernie4444
  • 11 दिस॰ 2023
  • परमालिंक
8/10

Hilariously offensive - Reich for the stars

This diesel-punk film picks up on a conspiracy theory of Nazi's on the moon.... Yes, that's right! In 1945 Nazi's launched a plan so epic that it takes until 2018 for it to be uncovered. They have a secret moon base on the dark side of the moon, from where they have been mining resource and building an army of flying saucers that could once again pose a threat to humanity on Earth. US astronauts accidentally uncover the base but soon regret it as they find themselves fighting for their life trying to escape, while also fighting for humanity too. The Nazi's are only a few steps away from global domination, but they decide that now is the time to act - a plan is set in motion for officers to get the equipment they need to launch the full scale war on Earth.

This is an absurd B-movie sci-fi film which takes inspiration from lots of 1950's sci-fi films - this is clearly evident with the steam punk look of the Nazi's moon base which is based on 1950's technology. It is filled with plot holes and bad logic, it's wrong on so many levels - but it actually works in its own way. Intentionally camp and cheesy with lots of hammed up but superb acting, with over the top but stylish CGI and effects. This film certainly won't be for everyone, but if you are in that small percentage of film fans that like this kind of cr@p (like me) then you are likely to love this refreshing film which pokes fun at itself, and everything that can be poked.

As I have alluded to, the visuals are great, this was intended to be a visual movie and it delivers on that. Superb green screen work, but to an almost Hollywood level - great effects and CGI. It's interesting to note that this film uses almost double the amount of CGI shots as the first Michael Bay "Transformers" film and almost the same as "Spider Man 3" (this uses over 800 CGI shots), but for a fraction of the cost because it used low budget techniques rather than big studios.

The level of humour in the film is satirical and excellent, yes, it's occasionally slapstick too, but not enough for me to put it in a slapstick movie category. The film doesn't just poke fun at itself but also the modern political systems rife in the western worlds. While there is an obvious pantomime villain in the Nazi's the film does much more than pit good guys against bad guys. It looks at motives, it looks at outcomes, it looks at who the actual bad guys are, and where their decisions can ultimately take humanity. It's almost on a Dr Strangelove level in saying "yes this is who we are, you should fear what we represent, oh but by the way, you are one of us too and you didn't know it". Similarly, in a "1984" way it raises the question of who is pulling the strings, and what are their intentions - should they be listened to?

Timo Vuorensola, the creator of "Star Wreck", has done justice directing this film and presented something epic for budget they had. Produced by Blind Spot Pictures from Finland, they have made a Finnish/ German/ and Australian co-produced film for 7.5 millions euros, but it's worth noting that this is still a fan fueled film. 10-15% of the budget came from the people who go to movies rather than investors. At the time of it's release this was the biggest budget for a Finnish film. The musical score by Slovenian band Laibach fits perfectly with the film, making the whole thing a fantastical concept experience. I'll be honest, this is my first experience of them, but it hopefully won't be my last experience.

In the acting stakes, Julia Dietze and Christopher Kirby steal the show in the film. It has to be said though that Gotz Otto and Udeo Kier are brilliant too and bring a wealth of experience to the acting talent on display.

It would be criminal to compare this to Hollywood blockbusters because that's simply not it was aimed to be - a future cult classic for sure, but definitely a film that will divide opinion. An original film - which in this day and age is something that you will rarely come across. Hilariously offensive, and at only an hour and a half it will leave you wanting more.

8 out of 10.
  • one9eighty
  • 12 जुल॰ 2020
  • परमालिंक
7/10

They Are Back!

Back in 1945, before the end of the Reich, Nazis sent a massive contingent to the dark side of the Moon, to settle and be prepared for a future invasion to Earth. Only that is enough to watch it, so absurd and ludicrous, but that's only the beginning of it. The first human to contact these Moon Nazis is a black man, and the USA president is a woman...to much for those Nazis to process. It is a comical approach no doubt, but as the story unfolds, it turns to be not only funny, but a refined satire about power, the USA imperialism and so on and so forth.

This project, partially financed by fans, is a mixture of low budget film and blockbuster (Udo Kier and Götz Otto are film celebrities), both in form and content, and though the Nazi theme might be a bit recurring in a way, the final result is a light entertainment film, but not a meaningless one.

There is a criticism to USA foreign politics, a.k.a. imperialism, to power, corruption etc. but using humour to show it, which is always a good treat, and it leaves no one indifferent. This is a special film, filled with absurd situations, no intention of being serious whatsoever, and loads of funny moments. I honestly recommend it because is fun, nasty at times, but always makes sense, and again, it is really absurd. At the end of the day, they come from the dark side of the Moon...
  • victuki
  • 13 सित॰ 2014
  • परमालिंक
1/10

Don't get fooled by the bizarre rave reviews

Without doubt this movie is in the same league as "Epic Movie", "Disaster Movie" or "Meet the Spartans". It tries desperately to be funny and fails completely, because the guys obviously don't know the first things about comedy. There is nothing more annoying than totally clueless and unfunny wannabe comedians.

A typical example: The moon Nazis want to meet the President of the USA. Their space ship lands in Upstate New York, in the middle of a marijuana field. What? The owner, a redneck woman with a rifle, attacks the soldiers and they have to flee. Again: What the ...? Maybe this is a hint that Iron Sky only works as a Stoner-Movie and anybody not under the influence of certain substances should shy away from it. The second part is definitely true.

As for the alleged political satire: Sarah Palin might have been funny in 2008. Sarah Who? Exactly. By using a Palin look-a-like as President they forsake any claim to political relevance. They didn't dare to make fun of Obama. This moral cowardice is actually quite funny, but not in a laughing out loud way.

Iron Sky is a total wreck of a movie. How could anybody grant it more than two stars? One star because they have to and one because the special effects are kind of OK. But right now there are more that 50 rave reviews with 9 and 10 stars. Very strange indeed. Maybe there has been an invasion from the dark side of the moon after all. Some are complaining that the critics don't get this lowbrow excuse of a "comedy", some are even insinuating that the critics might be Nazis themselves. Aaron Seltzer must be green with envy because none of his movies ever summoned a similar crowd of devoted eulogists. I guess the Iron Sky producers have done something right after all.
  • embedrei
  • 18 अक्टू॰ 2012
  • परमालिंक
8/10

Excellent effort, worthy of viewing

Saw this movie the 62nd Berlinale (Berlin Film Festival). Recommend its worth your time given a few caveats.

Lots of things to like about Timo's sophomore effort here. The movie is intentionally campy and plays to a number of eccentric stereotypes. Albeit, it feels very much a European view of some of the US eccentricities. The script was, by and large, well developed, the humor a little cheesy at times but generally spot on and large kudos should be paid to the FX, CGI teams for some outstanding segments in a sub $10M budgeted movie. The best parts include some great inside jokes specific to Americans and Germans, wonderful stereotyping of international ethnicities/prejudices, great attention to detail in costumes, sets, current culture trends and some above average acting by Julia Dietze, Goetze Otto and, of course, the wonderful Udo Kier. Oh, and the Laibach score for the movie was simply superb.

My caveats are that the cut I saw could have used slightly more surgical editing. Also, while I think Christopher Kirby has played well in other movies, I felt disappointed by this casting choice, as his role was central to the story line and the least "even" in terms of performance. Finally, it is intentional camp so expectations should be adjusted prior to entering the theater. I'm not sure the Mystery Science Theater guys could have come up with better lines than some that were already in the script of this movie.

In the end this felt much more thought out and a real "labor of love" than the traditional camp of Scary Movie, et al. This movie certainly has all the right elements of an instant cult classic. Putting it more simply, its about Nazis, living in a swastika shaped Moon base, trying to re-invade Earth!

My sincere thanks to the Iron Sky community for pulling the resources together to get this film made. For $7.5M I'd say, job very well done! This is probably, or usually, a ~7 IMDb score for this kind of a movie. I'm giving it 8 to balance out the previous reviewer.
  • jf-47
  • 13 फ़र॰ 2012
  • परमालिंक
7/10

The satire is a bit toothless, but in general it's a pretty funny film with a hilarious premise

  • zetes
  • 2 जून 2012
  • परमालिंक
1/10

Terrible film.

  • saharapage
  • 1 जून 2012
  • परमालिंक
7/10

visually beautiful, not perfect but definitely worth seeing

  • rodebrtus
  • 13 फ़र॰ 2012
  • परमालिंक

Really well designed but never as sharp or as funny as needed and often a bit too silly for its own good

Those who listen to Mark Kermode will have heard of this film quite some time ago as he frequently makes reference to the one-liner summary of this film as it has done the rounds for a while. Finally it arrived but, as interested as I was, I was also put in mind of Snakes on a Plane, another film that benefited from an odd, internet-friendly quirk to it and managed to make the most of a so-so film by virtue of its oddity and its viral marketing. Iron Sky turns out to be similar in that it doesn't live up to what it could have been, but it does actually turn out to be reasonably entertaining despite its many weaknesses and limitations.

The thing that it is best at is the thing that has been in the makers' minds ever since they had the idea to make this film – the design. With 1940's technology combined with modern sci-fi conventions, the effects are full of wonderful steam-punk creations with large cogs, heaving computers and everything very of the era but yet in space. It is ridiculous but yet also very cool. It helps that the CGI is actually much better than I expected – all of the battles and ships looked really good and worked well. As it is in regards the core idea, the film is best when simply delivering on it – by showing us Moon Nazi's! Happily the film doesn't totally fall down everywhere else, but it is certainly not as clever as it wants to be nor as funny as it thinks it is. The script sees lots of digs at various countries and lots of pop culture reference points – from sci-fi series through to YouTube viral videos, there are lots of things in here. Problem is that in terms of the references, they are mostly just made rather than made cleverly. This does still work in terms of amusing but there is plenty of scope for them to have been stronger references with something smart behind them. Speaking of smart, it must also be said that the satire is rather blunt as well, even if most of it has good intentions. I liked the rise of the Palin-esque President on the back of Nazi style campaigning (it didn't seem too out of step with real-life hyperbole) and also some of the broader jokes at the expense of current events (the world leaders roaring at the idea that North Korea could be responsible for the army on the moon was probably my favourite) but mostly the gags were too obvious and neither as smart nor as funny as they should have been. Too often the film also becomes a little too silly for its own good. Some of the silliness works (ie, the central idea behind the movie) but too often it is just a bit daft.

The worst part of the daftness is the character played by Sergeant. She goes for it with vigour but her rather vampish OTT performance isn't backed up well enough by the material and the tone of most of her scenes don't really work. Dietze is better and has an easy charm on the screen while Otto and Kier make for good villains. Kirby doesn't have enough material to work with and ends up with a rather generic character and performance to match. Paul's impression of Palin is a decent one although to a certain degree it is a case of shooting fish in a barrel. Generally the cast is a limiting factor it has to be said – even those that are decent are only that.

Overall Iron Sky is a catchy idea that doesn't fully deliver in reality. Visually and conceptually it is surprisingly strong throughout and amongst the broad jokes and digs there are some to be enjoyed. It is just a shame that the material limits the success by being broad when it should have been pointed, and satirically delivering slow slaps when it should have been jabbing. It still is quite fun to watch, but it could have been a lot stronger with as much work put into the script as there appears to have been put into the conceptual designs.
  • bob the moo
  • 2 जून 2012
  • परमालिंक

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