Centurion

A small group of Roman soldiers are left alive after an attack on their legion. They must survive the elements and an expert tracker coming after them. Behind enemy lines and fighting for the lives.

With Centurion, Neil Marshall has his biggest budget to date. The film is ambitious in style and tone. Marshall, who get a cult following after two excellent small horror films (Dog Soldiers and Descent) has gone on to bigger, but not really better things. Doomsday was a nice throwback to genre films (even though it didn't really know which one it wanted to be) and now Centurion, which has Marshall tipping his hat to Gladiator and Spartacus.

I consider myself a Marshall fan, which is why I even bothered to give this film a viewing. If his name weren't attached, I wouldn't have bothered. Marshall is apart of the Splat-Pack. The horror coined group for filmmakers like Rob Zombie and Eli Roth. It's no question as to why Marshall is apart of this group, every film of his has some body part ending up some place. It's funny to me that this film might be his most gruesome one yet and it isn't even horror.

The film's most gruesome moments are during the big attack on the romans. Arrows are shot into heads, arms, legs and necks are taken out like a hot knife through butter. I had a few moments where I was actually shocked at the carnage on the screen. One of the more gruesome period pieces. During the attack, the Picts (Scottish) take prisoner the General (Dominic West). The small group of survivors, including Michael Fassbender decide to try and get him back. They fail, but they did succeed in killing the lead Pict's son. He sends a group of people to go after them, thus we have a cat and mouse chase throughout the film.

It's suspenseful in places and aggravating in others. The lead tracker, is suppose to have excellent skills, where she is always on their tail, no matter what. Yet the filmmakers seem to forget this sometimes. She can sense them across the river in one scene, but not underneath her feet in another. These inconsistencies are bothersome. Yet it happens. The characters themselves aren't too memorable either. I couldn't really tell the survivors apart from one another and neither stood out of the crowd. These shortcomings in the script are what bring Centurion down. The most interesting character is killed off too early too.

Yet, Marshall still manages to deliver an entertaining film. It's not near the level of awesome that is Dog Soldiers, or even The Descent, but it does deliver what you would expect from this genre. There are moments where the film loses its sense of direction (such as a lover subplot) and there are even moments of predictability, but as a whole, the film delivers.

In 117 A.D., the Romans in Britania is stretched to the limit by the Picts in the north. After 20 years of stalemate, the Romans aim to finish the resistance. Centurion Quintus Dias (Michael Fassbender) is half naked running in the snow. The movie moves back two weeks to see Dias and his garrison outpost under attack. He is captured and taken to the Pict leader Gorlacon. General Titus Flavius Virilus (Dominic West) in York is ordered to destroy the Picts with his men. He is given mute Pict scout Etain (Olga Kurylenko) to guide him.

This is a straight forward bloody violent sword and sandal war movie. The actors are solid led by West and Fassbender. It doesn't have many big story elements. The action is brutal and chaotic. The mood is dark and brood. I also love tracking in the wilderness. I like the cat-and-mouse game of the escape.

I never thought about it before, and actually this movie helped me to understand something. When you go to see a movie you want to have some satisfaction, and mostly you get it when you sympathize with the hero, you get emotionally involved in their problems and you worry about them.

Here, you have two sides and I personally can not empathize with any of them.

The Picts, while they have a right to protect their land and families, are shown in quite cruel way and Olga Kirylenko's character is far from being attractive.

On the other side the Centurion and his soldiers are nothing but invaders killing and enslaving the locals just for the sake of glory of the Roman Empire. All in all, it's fair for them to be killed by the people they are oppressing and I can't really worry about the Centurion trying to survive because I feel more like he deserves to die for what he's done. If you are a professional soldier and came to a foreign land to ravage it... well, you get what you get.

This movie looks like a historical documentary, which shows you some facts and reasons/motives of both sides to do what they do or have to.

It's done fairly well, but for me it defeats the main purpose of movie - it's not entertaining. There is no point of attraction in it, there is no one to feel for, and I expect quite the opposite when I'm paying for the ticket.

When the final credits were rolling my regular cinema-going counterpart observed "that was one of the most outwardly violent films I've seen since Kill Bill". That's not far from the truth. Limbs are hacked clean off, stomachs are regularly impaled and the claret fluid sprays endlessly. Though the major difference is where Tarantino's homage to the old chop-socky movies from Eastern cinema is cartoonish in its bloody visuals, Centurion is anything but tongue-in-cheek; here the blood, sweat and tears seep into the muddy vistas and bucolic rivers of Great Britain to intensify the atmosphere.

Director Neil Marshall (The Descent) has crafted a gritty movie that at its core is a simple 'cat and mouse' tale – and a highly entertaining one at that – but becomes much more thanks to the efficacious work from all the cast and crew. Marshall himself executes a few impressive sequences, the most outstanding being the initial ambush on the Ninth Legion, showing once again he knows how to stretch a small budget with minimalistic techniques and a passionate approach. Director of photography Sam McCurdy provides a suitably grimy and grainy look that, although at times is too dim, sets the ideal tone for the film. Perhaps Marshall should have monitored the editing closer though, Chris Gill's frenetic cutting very nearly ruins a couple of the fight scenes.

Major Hollywood star in the waiting Michael Fassbender (played the German-impersonating British Lieutentant in Inglourious Basterds) is undoubtedly the standout among the acting contingent. As the titular soldier, Fassbender makes for a charismatic leading man that convinces in both the physical and dramatic elements of the role. I eagerly wait to see what he does as the young Magneto in the upcoming X-Men prequel. Elsewhere The Wire alumni Dominic West is rough around the edges as the gruff General Virilus, Olga Kurylenko is positively bad-ass as the mute, monomaniacal warrior hell-bent on revenge and BBC favourite David Morrisey adds clout in his supporting role of Bothos.

A grubby, gory delight.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

This is a well made small budget movie which gives us a fun and adventurous story with some dramatic scenery and a surprisingly strong cast.

Loosely based on the true story of the Roman missing 9th legion (try reading the following book for a very interesting account of what we know and what is speculated; 'Roman Britain's Missing Legion: What Really Happened to IX Hispana?' by Simon Elliott).

The movie gives a breathless feel with a movie length chase across the Scottish highlands. We are treated to some beautiful aerial shots and as it is set in winter, the movie feels damp and muddy, possible helped by the tones and colours used in the film stock. This dull earthy tones mixed with great costume design gives a gritty and realistic feel eschewing any imagined gloss and glamour of legionary life. The action scenes are small scale but well shot and pretty gory (plenty of heads rolling).

I was pleasantly surprised by this film since my expectations were low as I had never heard of the title until recently. It is not CGI heavy or on the scale of Gladiator, lets say, but creates a very nice story within the small world it portrays.

A nice surprise 8/10.