Secretariat

In a change of pace, I decided to watch this inspirational true-life story of a woman's deciding to keep the title character horse in ownership instead of selling to the highest bidder because of the animal's potential and not the usual comedy films I view with my movie theatre working friend. We both enjoyed those race scenes that involved Secretariat that showcased both his struggles and triumphs. On the drama front, while there are some compellingly played scenes of quiet desperation and of occasional conflict, it's the uplifting parts that really gets to the heart of the matter. Only thing I really have a quibble with is some of the lines betray the time period like that character played by Fred Dalton Thompson wouldn't compare something to Super Fly since that movie came out in 1972 and his scene takes place in 1969. And how about the kids not noticeably aging during the four-year setting. Otherwise, Secretariat is a quality feel-good movie that one always expects from The Disney Company and is recommended.

Greetings again from the darkness. The story of Secretariat is legendary in the world of thoroughbred racing. Being a sports fan, it is always fascinating to witness domination by a singular athlete - Michael Jordan, Tiger Woods, Roger Federer. Secretariat was the Michael Jordan of racing. In 1973, Big Red dominated racing like no other.

What makes this even more amazing is that Secretariat is actually the second most interesting story ... his owner, Penny Chenery Tweedy (played here by Diane Lane), was his match in competitive spirit. This Disney movie actually spends as much time on Ms. Tweedy as it does the fabulous horse.

Disney does what Disney does best. This is an all out feel-good, rah-rah movie in the vein of "Seabiscuit", "The Rookie", "Rudy" and even "Hoosiers". Don't expect in-depth analysis of the racing world or horse training or even horse farm operations. This movie is made to deliver a warm fuzzy via the perseverance of a strong-willed lady and an incredibly majestic animal.

Expect some over-the-top touches such as John Malkovich's portrayal of trainer Lucen Laurin, horse-whispering by Ms. Lane, and plenty of heart-string tugging as is customary from the fine folks at Disney. Expect historical facts to be treated a bit lax in some scenes (no mention of 1972 Derby winner Riva Ridge, also from the Chenery stables). Expect none of that to matter as this is a crowd-pleaser, not a documentary.

In addition to Mr. Malkovich and Ms. Lane, there is some fine support work from Fred Thompson, James Cromwell and Nelsan Ellis (so great as Lafayette in True Blood). Directed by Randall Wallace, whose most recent directorial effort was 2002's "We Were Soldiers", this is entertainment for all ages and an easy introduction to the champion that was Secretariat.

¨This is not about going back. This is about life being ahead of you and you run at it. Because you never know how far you can run unless you run.¨

Secretariat is one of those rare sports movies that manages to hook your attention and maintain the suspense despite knowing how it will turn out at the end. It's impossible not to fall in love with this horse and his story. Disney was the right choice for the production of this film considering their success with other family friendly sport films like Remember the Titans. Secretariat was voted as one of the best athletes of the century (number one on the list if we don't count human performances), and several of his records still stand to this very day nearly 40 years later. His story had to be told in film as Secretariat is considered to be the best racehorse of all time. The story involving his owner, Penny Chenery, and how she saved her ailing father's stable risking everything (including her marriage) and betting it on the horse just adds to the overall dramatic effect of the plot. Secretariat reminded me a lot of another good racehorse film: Seabiscuit. I wouldn't say this is a better movie, it's different, but I can say that Secretariat was a better racehorse that won the most important races, including the Triple Crown in 1973 (a feat that hadn't been accomplished in 25 years). Randall Wallace (writer of Braveheart and director of We Were Soldiers) did a good job with the direction of this film, despite being better known as a screenplay writer. The screenplay for Secretariat was written by Mike Rick, which was adapted from William Nack's book about the large chestnut colt nicknamed ¨Big Red.¨

Diane Lane is Penny Chenery, a mother of four and housewife who's life changes after her mother's death and a visit to their stable based in Virginia. Penny's father used to be the brains of the entire operation in Meadow Stables, but with the death of his wife and his illness things are going downhill at the stable. Penny decides to change things around in order to save the stable and begins by firing their trainer who seems to be making some unfavorable deals with other owners by trying to sell their horses at a much lower value. Penny with the help of the family's trustworthy secretary, Miss Ham (played humorously by Margo Martindale) begins managing the place. The first smart move she makes is breeding one of her horses: Somethingroyal with a famous Thoroughbred racehorse named Bold Ruler. The result was the birth of the large chestnut colt nicknamed ¨Big Red¨, but better known in the horse-racing world as Secretariat. Penny hires Lucien Laurin (John Malkovich) as the trainer and Ron Turcotte (Otto Thorwarth) as the jockey, and along with the groom, Eddie Sweet (Nelsan Ellis) together they form a great team and foster the first Triple Crown winner in 25 years. Of course the movie can't be successful if it doesn't have some drama in it, and so some problems surface back home with Penny's husband, Jack Tweedy (Dylan Walsh), because running a stable back in Virginia has affected Penny with her housewife duties. Somehow Penny has to manage saving the stable in a macho dominated society and maintain her family together, while risking everything on one horse: Secretariat.

Secretariat succeeds as a film because the story is just so powerful and uplifting. The movie deals with overcoming difficult odds and following one's dream. Penny had a good life as a housewife, but all this had led her far away from her early goal of following her father's footsteps and managing the Meadow Stables. Once the opportunity presents itself to her she quickly takes on the difficult task and decides to follow her long life dream. Secretariat teaches us that it's never too late to follow one's dreams and overcome difficult situations. Disney has always been good at reminding us how important it is to fight for our dreams. Life is a race and if we don't wake up in time our dreams and goals might just end in that: only dreams and we will never achieve anything if we don't take risks in order to live out our dreams. Penny took the risk and bet it all on Secretariat who didn't fail her. The story of this colt is just amazing and inspiring. The final scene where he is racing at the Belmont Stakes is just mesmerizing and left me full of goose bumps. Secretariat was such an amazing horse, and his story is done justice in this family friendly film. It is a strong, memorable movie that teaches us some important lessons while at the same time never ceases to entertain it's audience. The performances in this movie are also great. Diane Lane as Penny and John Malkovich as Lucien give memorable and fun performances. Secretariat is a movie for the entire family to enjoy.

http://estebueno10.blogspot.com/

An interesting and emotional story about a family, perseverance and an extraordinary horse.

The film is well directed and easily guides the viewer through the story and gives him an insight into the tension of horse racing.

The cinematography is excellent, and Randall Wallace has proven to be a skilled director. The cast is excellent, they portrayed these interesting characters brilliantly. The characters are layered, in the film we see their desires, fears and everything that makes them human and they easily draw us into that interesting world of theirs.

There are different opinions in the Tweedy family, but they still support each other. We may have different opinions, but we should still agree on some universal things. An interesting film that offers us an insight is a truly fascinating world.

The soundtrack is great, the songs are perfectly incorporated into the film and elevate the overall impression of the whole story.

An excellent cinematic work that is definitely worth watching.

"It is beautiful to watch a fine horse gallop, the long stride, the rush of the wind as he passes—my heart beats quicker to the thud of the hoofs and I feel his strength." Richard Jefferies

Secretariat is no exception. It's the story of the fastest horse in history, first known as Big Red, who went on to win horse racing's triple crown on 1973, a feat not accomplished in 25 years. After that he sired 600 foals, much to the delight of his investors, the first to invest solely in a stud future.

But then I love Seabiscuit (2003) for it depression-era cheerleading. This is what American filmmakers do well--a rouser with messages, big–screen chases, and sentimentality for the little guy. Seabiscuit is Rocky for horses, a suspenseful crowd pleaser with characters such as the whisperer played by Chris Cooper, who said, "You don't throw a whole life away just because it's banged up a little." The thought resonates for almost everyone in the film, a tribute to unity of theme and expression of actor.

Similarly there's more than just a racing film in Secretariat; after all National Velvet has a more interesting story and a younger heroine in Elizabeth Taylor, but that was decades ago. This true story is about the grit of Penny Chenery, who took over Virginia's Meadow Stables from her father and beat the male-dominated odds.

This quintessential Disney movie depicts her as tough and loving, a mother and a businesswoman, who can serve as a model for young women aspiring to reach great goals even in this liberated 21st century, which still has a ways to go before it expunges fully the sexism scourge.

The photography is bracing, often putting the camera right by the prancing hoofs or mid-level close to the steed's haunches. Although nothing new here, it is still exciting fare. Because we all know going in that our horse will win the crown, director Randall Wallace is especially successful in keeping us interested and worried for Secretariat.

Disclosure: I like most Hollywood horse-racing stories.