Wall Street: Money Never Sleeps

SPOILER WARNING

I'm afraid I have to add my voice to the others who have made negative comments on this film. I finally got to see it on HBO and just barely got through it. An absolutely dreadful sequel.

The story should have picked up where the first left off. I actually felt sorry for Bud Fox at the end as he walked into prison. Now I find out that everything just went swimmingly and he's now a multi millionaire after selling the airline that was so much a focus of the original story. A huge insult to all of us and an embarrassment to Charlie Sheen, as if he needed another one, in a cameo that had no point other than to wreck the character from the first Wall Street.

Don't like any of the actors here. Really miss Martin Sheen who always adds something in whatever he is in. Have no interest in the main characters this time around and I agree that Michael Douglas looks as if he can't stay awake and I don't blame him.

Sequels are virtually never any good. Once you catch lightning in a bottle, you don't go out and stand in a field in a rainstorm hoping you can do it again without getting electrocuted. Oliver Stone did himself and his reputation nothing but harm in this pointless, witless and uninteresting tale.

You like songs, that's nice, they belong on the radio. There were so many dramatic moments ruined in this film by pushing in a song and turning it up LOUDER AND LOUDER, to try to make up for a dramatic moment that was lost by using a song. Dramatic underscore that's written by a real film composer is what makes the music work in a film. Stuffing songs into it is nothing more than the production company trying to make money selling a soundtrack album that has no real relationship to the film. You might notice on soundtracks they include songs that weren't even in the film! Ever since David Chase ruined The Sopranos with poorly placed songs people have come to accept this as what they should do. Get back to the basics of music scoring.

The plot was truly horrible. So many disjointed ideas that didn't come together to form any sort of story.

Director Oliver Stone and Michael Douglas. Again. Twenty years later. Gecko is out of jail. And he wants to work a deal with Jake, his daughter's boyfriend (Shia LeBeuf). Frank Langella is Lou, the old stock pro at his office. Susan Sarandon (Janet ! In rocky horror) is mom. John Mailer and Josh Brolin are in here. Check out austin pendleton, who was so awesome in Whats up Doc and Skidoo (they are both incredible films, if you haven't seen them.) lots of music by David Byrne, Brian Eno. More shenanigans in the stock markets... Gecko says he just wants to have a good relationship with his daughter, but he seems to be manipulating the boyfriend. To what end....? What's more important... money? Revenge? Or does he really just want to be on good terms with his daughter? Michael Douglas won the oscar for part one, but no oscars for this one. Interesting that acc to imdb, this was filmed at the end of 2009, just a few months AFTER the actual bottom of the economic crash of 2008, 2009. This one was just okay; doesn't have the impact or power of the first one.

I have mentioned before that director Oliver Stone seriously thought about retiring after Natural Born Killers. That movie took so much out of him (and I think the previous JFK did also in the aftermath of that film), that he said: "I don't think I have another one in me". At that time I thought he was crazy. But looking back at what he has made since NBK. Maybe not… Stone's new film has 3 maybe 4 good scenes and all of them were in the trailer. The scenes of the release of Gekko are well done and set up for a nice premise. But it all just falls apart. Or it really never gets going. Wall Street: Money Never Sleeps fits perfectly in the new Oliver Stone trend. Before 1994, his films were raw, edgy and a little rebellious. World Trade Center, W. and Wall Street 2 all have the appearance of politically engaging or hard-hitting films. But they are not. Tame would be an understatement. Pleasing would be better. Oliver Stone has lost his will to fight. He's got bills (probably a big house, swimming pool, alimony and stuff). He just wants a job and please the studio and the audience. It almost looks like he doesn't want much hassle with his films after they come out.

Wall Street 2 is such a disappointment I don't know where to start. Maybe the biggest let down was in the smallest amount of celluloid: the cameo of Charlie Sheen as Bud Fox. His character Fox was a character we could relate to. Especially in his scene with his father Martin Sheen. But his cameo was so wrong, so out of place, so not Bud Fox, it diminishes the entire first movie. Bud Fox is now Charlie from Two and a Half Man.

Let me go on with the characters: The successor of Bud Fox is now Jake Moore, a kid who doesn't blink when he gets a 1.5 million dollar bonus. Off course, in the banking industry this is normal. So, it is authentic that Jake doesn't flinch. His girlfriend has an Iphone, does something with a website but other then that they really don't have to work for a living seeing the house they live in. Live really has no challenges left for these two. So maybe that why Jake has such a hard on for his 'Green Project'. But I'm just guessing here. Bud Fox wanted to be filthy rich, he wanted to be a player. Jake Moore doesn't want anything. And we should watch for him for 2 somewhat hours… Josh Brolin, the actor with the single most dangerous look in Hollywood, comes off as such a whiny boy. You do not believe he is the successor of Gordon Gekko. One or two times Shia LaBoeuf's character Jake Moore went head to head with Brolin and I couldn't help but think: "This is so unbelievable. Brolin's character should clock this spoiled brat right on the nose". If anyone can tell me what value or what message I should take from the motorcycle-scene: you can e-mail me.

Wall Street: Money Never Sleeps misses edge, a believable script and ditto characters. It is a missed opportunity at best, and a total failure if I am really honest. It demises it's classic predecessor, has a weak script where the cutthroat mentality in the banking industry is played out in such a cliché manner. Josh Brolin is grossly underused. Shia LaBoeuf is overplayed, because he's not that great an actor. Not as a serious adult anyway. But that's Stone's fault. Charlie Sheen isn't a great actor, but 20 years ago Stone could direct him in a way that made him believable. That Oliver Stone is no more, as you can see with the awful cameo of Sheen. The problem for this sequel is that it totally diminishes the first film. It takes all the good things from the first film and throws it out. What's left is chewed up, spit out and rehashed. Money never sleeps, but the audience does.

Wall Street: Money Never Sleeps isn't the sharp, critical film that its makers want you to think of it as. The sequel to the supremely influential, endlessly quotable original from the 80's is a dull whimper about what triggered the present financial meltdown and though it's cut from the same cloth as the original, it possess all of the bark yet, sadly, none of the bite.

Gordon Gekko is a name that defined an era. Played by Michael Douglas twenty three years ago, he reverberated in the minds of viewers as a ruthless, amoral investor without a soul. Years later, the sequel finds him released after serving his prison sentence. Cut to seven years after his release, and its 2008, the dawn of the financial crisis. Gekko is now known as a speaker publicly vilifying the notion of greed in corporate America while simultaneously, and some would reckon quite ironically, publicizing his book inspiringly titled "Is Greed Good". A loner who travels in subways, he is estranged from his daughter Winnie (Carey Mulligan, androgynously unglamorous) who is engaged to a young trader named Jake Moore (Shia LaBeouf). Jake bumps into Gekko at one of his speeches (the films finest scene) and the two form a mentor-protégé relationship that irks Winnie but allows Jake to benefit by plotting revenge from Bretton James (Josh Brolin, the films principle villain), suspected of being responsible for the suicide of Louis Zabel, a close friend and confidant of Jake.

If the film sounds like a mess of relationships, then it is. As muddled as Stone's own political activism it has no clarity on what its trying to say. From trying to rationalize the reasons behind the market crash to the impulsive nature of human behaviour, it doesn't get either right. Not helping are the actors that Stone assembles. It's a mystery to me why Shia LaBeouf is constantly being thrust down viewer throats in film after film by studios convinced he is the next best thing. He is not, and despite being dressed up in expensive designer garb, cannot pass off as being anything more convincing than a working intern. His relationship with Gekko has none of the enticing quality that Charlie Sheen's Bud Fox did and a cameo appearance by Sheen only underscores this disparity. Douglas himself has none of the limelight. He has some powerful lines, but feels largely sidelined by the revenge/relationship/murder subplots and behaves uncharacteristically, especially in the very last scene (these were probably added as an afterthought). After showing some promise of returning to his incendiary, often infuriating filmmaking style and point of view with his previous film W, director Stone seems to have gone back to being comfortable working with drab studio approved material.

Not only was the original Wall Street a tremendously entertaining film, but one that was blessed with the critical foresight of its maker. The sequel partially entertains but does not have a new perspective. It is neither critical nor insightful and could have, with the same script and actors, been the work of a lesser director than Stone. The films themes are also impersonal - none of the characters suffer directly from the financial crisis the way they did in the original, they suffer from their own incompetent decision making, a sharp departure from how the original handled and fused stock trading with personal loss and gain.