To Catch a Killer

Shailene Woodley has never stood out, (to me), in any particularly noteworthy way as an actor. Actually, that sounds a lot harsher than intended. In more courteous terminology, she has always executed her roles well, but never enough in my estimation, to count as an actor who I would deliberately look forward to seeing in films - until now.

In "To Catch A Killer" she delivers such a strong and believable performance as a precarious beat officer, that she practically steals the spotlight. Here, I have to draw your attention to the word "practically", because in this film, Woodley is paired with Ben Mendelsohn who also delivers such a successfully rich, compelling and powerful depiction of an aging and enervated senior FBI detective, that it is difficult to tell who outdoes the other with and within the efficacy of their roles. To me, they kind of throw the torch (or baton) of excellence to one another, scene by scene.

As if the near-perfect delivery and chemistry of the leads was not enough, despite some of the token villainous characters and scenarios being a bit over-the-top, the acting by most everyone else was also above-average. This is especially true of Ralph Ineson, who was simply, low-key great.

My biggest and mostly only complaint upon first-viewing, was that a little over 3/4's of the way through, the film kind of changes direction a bit, which made the ending feel uneven and somewhat unfulfilling. In RETROSPECT, however, I think that the way it took somewhat of a shift might be the best thing they could have done with it. Had they gone in any other direction, it would be much too easy to chalk this up as a film which ended in a predictable or 'done before' manner.

As it is, To Catch a Killer ended the way it began: as a solid, stand-alone feature that was immersive, tense and thought-provoking through and through.

7.8/10.

A marksman strikes on New Year's Eve, killing almost thirty people, on the case is FBI Agent Landmark, who gives a chance to intelligent, but troubled Police Officer Eleanor.

This is a Thriller with a bit of depth, and one that will definitely hold your interest, it doesn't exactly cover any new ground, or give us anything that hasn't been done before, but when I compare this to the batch of recent thrillers that I've seen recently, this one offers a bit more.

The final showdown was a particularly good scene, a good old fashioned scene of the good guy taking on the bad one, the age old hunt for a moral code.

Maybe the scenes inside the abattoir were a little unexpected and graphic, they'll be too much for some viewers.

I've seen Shailene Woodley in a few things, and for me this is the best of her, I thought she was excellent as. I thought Ralph Ineson was terrific.

It's not groundbreaking, but it's a decent watch.

7/10.

First of all, rotten tomatoes has reviewers comparing this to Silence of the Lambs. That's ho I heard about this one and got curious. This movie is a throwback to more of the mystery, thrillers we had in the 90s, but it's not Silence of the Lambs. The killer here is vicious and has a high body count. The pacing was pretty decent and I must say even more exciting than a lot of thrillers out today.

First, that opening sequence will grab your attention and the movie is bright enough to see that action on screen. Every performance works here and is played as a straight forward, solid thriller. I read where folks were split in how it ended. In my opinion, I thought the whole movie is solid and the ending was perfect. This is that rare thriller that I'd actually pay to see again.

Good direction, good original story, good camerawork and a very good supportive score for the leads. Shailene Woodley is excellent in her role as a troubled law enforcement officer but boy, how fantastic Ben Mendelsohn is. I truly believe he is one of the best character actor of his generation, taking the lead here superbly without any fuss. They are both a joy to watch and their chemistry as investigator partners is profound. This movie may not shock you with its twists and turns like 'Seven', but it is definitely gives you a deep ride until the very end. Its character building is excellent. Just be patient and follow the flow.

Just by watching the trailer, I was annoyed with Mendelsohn's character Lammark, and I questioned casting Woodley as a beat cop - I mean there are so many other more convincing female actors out there. But oddly enough, both actors and their characters grew on me as the film progressed.

I'm also not a fan of slow paced films, and this one mostly is, but oddly enough, Argentinian co-writer and director Damián Szifron (in his first English film debut) made it all work with engaging scenes and circumstances. His directing was spot-on, and although there was ambiguity to many scenes and dialogue, the film came together like an old school psycho-thriller/police procedural. It felt like a non-Hollywood-stylized movie version of a better Criminal Minds episode.

The story was nothing revolutionary, but delivered enough suspense at the right moments, built intriguing character interest, and had some riveting action just at the right times to keep me fully engaged throughout the entire almost two hour runtime. So considering the current slim pickings out there for down and out enjoyable thriller/cop films, this one is a winner, and a definite recommend from me.