बाल्टीमोर नववर्ष की पूर्वसंध्या, एक प्रतिभाशाली लेकिन परेशान पुलिस अधिकारी को एफबीआई के मुख्य अन्वेषक द्वारा शहर को आतंकित करने वाले एक परेशान व्यक्ति का पता लगाने और उसका पता लगाने में मदद ... सभी पढ़ेंबाल्टीमोर नववर्ष की पूर्वसंध्या, एक प्रतिभाशाली लेकिन परेशान पुलिस अधिकारी को एफबीआई के मुख्य अन्वेषक द्वारा शहर को आतंकित करने वाले एक परेशान व्यक्ति का पता लगाने और उसका पता लगाने में मदद करने के लिए भर्ती किया जाता है।बाल्टीमोर नववर्ष की पूर्वसंध्या, एक प्रतिभाशाली लेकिन परेशान पुलिस अधिकारी को एफबीआई के मुख्य अन्वेषक द्वारा शहर को आतंकित करने वाले एक परेशान व्यक्ति का पता लगाने और उसका पता लगाने में मदद करने के लिए भर्ती किया जाता है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
Just by watching the trailer, I was annoyed with Mendelsohn's character Lammark, and I questioned casting Woodley as a beat cop - I mean there are so many other more convincing female actors out there. But oddly enough, both actors and their characters grew on me as the film progressed.
I'm also not a fan of slow paced films, and this one mostly is, but oddly enough, Argentinian co-writer and director Damián Szifron (in his first English film debut) made it all work with engaging scenes and circumstances. His directing was spot-on, and although there was ambiguity to many scenes and dialogue, the film came together like an old school psycho-thriller/police procedural. It felt like a non-Hollywood-stylized movie version of a better Criminal Minds episode.
The story was nothing revolutionary, but delivered enough suspense at the right moments, built intriguing character interest, and had some riveting action just at the right times to keep me fully engaged throughout the entire almost two hour runtime. So considering the current slim pickings out there for down and out enjoyable thriller/cop films, this one is a winner, and a definite recommend from me.
I'm also not a fan of slow paced films, and this one mostly is, but oddly enough, Argentinian co-writer and director Damián Szifron (in his first English film debut) made it all work with engaging scenes and circumstances. His directing was spot-on, and although there was ambiguity to many scenes and dialogue, the film came together like an old school psycho-thriller/police procedural. It felt like a non-Hollywood-stylized movie version of a better Criminal Minds episode.
The story was nothing revolutionary, but delivered enough suspense at the right moments, built intriguing character interest, and had some riveting action just at the right times to keep me fully engaged throughout the entire almost two hour runtime. So considering the current slim pickings out there for down and out enjoyable thriller/cop films, this one is a winner, and a definite recommend from me.
Shailene Woodley has never stood out, (to me), in any particularly noteworthy way as an actor. Actually, that sounds a lot harsher than intended. In more courteous terminology, she has always executed her roles well, but never enough in my estimation, to count as an actor who I would deliberately look forward to seeing in films - until now.
In "To Catch A Killer" she delivers such a strong and believable performance as a precarious beat officer, that she practically steals the spotlight. Here, I have to draw your attention to the word "practically", because in this film, Woodley is paired with Ben Mendelsohn who also delivers such a successfully rich, compelling and powerful depiction of an aging and enervated senior FBI detective, that it is difficult to tell who outdoes the other with and within the efficacy of their roles. To me, they kind of throw the torch (or baton) of excellence to one another, scene by scene.
As if the near-perfect delivery and chemistry of the leads was not enough, despite some of the token villainous characters and scenarios being a bit over-the-top, the acting by most everyone else was also above-average. This is especially true of Ralph Ineson, who was simply, low-key great.
My biggest and mostly only complaint upon first-viewing, was that a little over 3/4's of the way through, the film kind of changes direction a bit, which made the ending feel uneven and somewhat unfulfilling. In RETROSPECT, however, I think that the way it took somewhat of a shift might be the best thing they could have done with it. Had they gone in any other direction, it would be much too easy to chalk this up as a film which ended in a predictable or 'done before' manner.
As it is, To Catch a Killer ended the way it began: as a solid, stand-alone feature that was immersive, tense and thought-provoking through and through.
7.8/10.
In "To Catch A Killer" she delivers such a strong and believable performance as a precarious beat officer, that she practically steals the spotlight. Here, I have to draw your attention to the word "practically", because in this film, Woodley is paired with Ben Mendelsohn who also delivers such a successfully rich, compelling and powerful depiction of an aging and enervated senior FBI detective, that it is difficult to tell who outdoes the other with and within the efficacy of their roles. To me, they kind of throw the torch (or baton) of excellence to one another, scene by scene.
As if the near-perfect delivery and chemistry of the leads was not enough, despite some of the token villainous characters and scenarios being a bit over-the-top, the acting by most everyone else was also above-average. This is especially true of Ralph Ineson, who was simply, low-key great.
My biggest and mostly only complaint upon first-viewing, was that a little over 3/4's of the way through, the film kind of changes direction a bit, which made the ending feel uneven and somewhat unfulfilling. In RETROSPECT, however, I think that the way it took somewhat of a shift might be the best thing they could have done with it. Had they gone in any other direction, it would be much too easy to chalk this up as a film which ended in a predictable or 'done before' manner.
As it is, To Catch a Killer ended the way it began: as a solid, stand-alone feature that was immersive, tense and thought-provoking through and through.
7.8/10.
I'm a huge fan of thrillers. Silence of the Lambs, and Se7ven are among my favorite movies of all time so I had high hopes after having watched the trailer.
So why the low rating. Cinematography is great (lighting, color grading, audio, etc.), Shailene Woodley as the lead does a good job but overall the story is just too thin and the majority of the cast is not delivering.
Would have loved to see a deeper story where you really felt attached to the detectives - just like Mills/Sommerset or Starling in the aforementioned movies. And also the killer here is underwhelming - not played well and his raison d'etre is just not good enough.
So hoping for this genre to grow but unfortunately this movie does not deliver and will not be one to remember.
So why the low rating. Cinematography is great (lighting, color grading, audio, etc.), Shailene Woodley as the lead does a good job but overall the story is just too thin and the majority of the cast is not delivering.
Would have loved to see a deeper story where you really felt attached to the detectives - just like Mills/Sommerset or Starling in the aforementioned movies. And also the killer here is underwhelming - not played well and his raison d'etre is just not good enough.
So hoping for this genre to grow but unfortunately this movie does not deliver and will not be one to remember.
A marksman strikes on New Year's Eve, killing almost thirty people, on the case is FBI Agent Landmark, who gives a chance to intelligent, but troubled Police Officer Eleanor.
This is a Thriller with a bit of depth, and one that will definitely hold your interest, it doesn't exactly cover any new ground, or give us anything that hasn't been done before, but when I compare this to the batch of recent thrillers that I've seen recently, this one offers a bit more.
The final showdown was a particularly good scene, a good old fashioned scene of the good guy taking on the bad one, the age old hunt for a moral code.
Maybe the scenes inside the abattoir were a little unexpected and graphic, they'll be too much for some viewers.
I've seen Shailene Woodley in a few things, and for me this is the best of her, I thought she was excellent as. I thought Ralph Ineson was terrific.
It's not groundbreaking, but it's a decent watch.
7/10.
This is a Thriller with a bit of depth, and one that will definitely hold your interest, it doesn't exactly cover any new ground, or give us anything that hasn't been done before, but when I compare this to the batch of recent thrillers that I've seen recently, this one offers a bit more.
The final showdown was a particularly good scene, a good old fashioned scene of the good guy taking on the bad one, the age old hunt for a moral code.
Maybe the scenes inside the abattoir were a little unexpected and graphic, they'll be too much for some viewers.
I've seen Shailene Woodley in a few things, and for me this is the best of her, I thought she was excellent as. I thought Ralph Ineson was terrific.
It's not groundbreaking, but it's a decent watch.
7/10.
The movie itself is great. It could have been a masterpiece because it has all the ingredients. Amazing cast, interesting non generic script and great scenarios. On the other hand, the ending felt a bit rushed. But let's start with the great.
First, the cast does an amazing job here. Intense, real and deep characters.
Second, the script is quite interesting (not original) but it has a few surprises that in my case I didn't see to come.
Last, the settings are great. Love the cold vibes. Fargo's style.
So, overall if you love good independent cinema this one is for you. Could have been a true masterpiece with a more elaborated ending. But nothing is perfect. Enjoy.
First, the cast does an amazing job here. Intense, real and deep characters.
Second, the script is quite interesting (not original) but it has a few surprises that in my case I didn't see to come.
Last, the settings are great. Love the cold vibes. Fargo's style.
So, overall if you love good independent cinema this one is for you. Could have been a true masterpiece with a more elaborated ending. But nothing is perfect. Enjoy.
क्या आपको पता है
- ट्रिवियाThe New Years Eve fireworks was the only scene actually filmed in Baltimore. The snow on the ground was the giveaway since this city has not had that much snow during the holidays in many years.
- गूफ़The outside of the Baltimore Maryland pharmacy building has a sign for a Canada Post outlet location.
- कनेक्शनReferenced in Film Junk Podcast: Episode 909: Cobweb (2023)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is To Catch a Killer?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $31,38,750
- चलने की अवधि
- 1 घं 59 मि(119 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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