36 समीक्षाएं
This film begins with a teenage girl by the name of "Hope" (Moxie Owens) chatting on the internet with her former babysitter "Paige" (Cody Renee Cameron) who has taken up residence in Los Angeles and eventually lures Hope into coming to Hollywood to become a fashion model. The scene then shifts to a single mother known simply as "Baby Girl" (Psalms Salazar) who has just gotten fired from her job as a topless dancer and is not only behind on her rent and but also lacks any means to cover her other expenses. So, she turns to prostitution for a while but gets convinced by Paige and her friend "Destiny" (Brooke Haven) that she can make more money and provide a safer environment for her daughter if she also becomes a fashion model. What neither Hope nor Baby Girl realize is just how devious and narcissistic both Paige and Destiny are and soon they find themselves caught up in a web of degradation and sexual deviance they never thought possible. Now rather than reveal any more I will just say that this is not an enjoyable film to watch. However, it does convey a startling message that these kinds of deplorable abuses don't just happen in other countries--they also occur here in America and it's something everyone should know about. So, to a certain degree this was a powerful film as far as it goes. Unfortunately, there were also a couple of flaws that bear mention as well. First of all, the film doesn't provide adequate character identification, so it was difficult to figure out the names of anyone at any particular time--the character played by Psalms Salazar being one such example. Likewise, the ending also left much to be desired as it raised more questions than it answered. Throw in some rather sordid footage in between and it can easily repel some viewers along the way. Be that as it may, while this film may be difficult for some people to watch it does merit some attention and for that reason, I have rated it accordingly. Slightly above average.
It is not like we haven't heard about stories like that. Cautionary tales ... told or made to shine a light on something horrible that is happening. Or something that at least needs to change ... quite a lot to be honest. So while this morality piece is predictable as to where it leads (and it is quite painful to watch, even if it is not exploiting that pain too much), you may wonder if you really want to watch something as horrible as that.
That being said, the movie has merits for existing and unfortunately it is because what the story (or rather stories, because we do highlight different paths and struggles that do connect at some points) is saying and telling is relevant ... it would be easier to dismiss, if it was just fiction. Of course it also isn't every (hollywood) story ... that would be even more sad that it already is. Uncomfortable as it may be, it can be essential to some.
That being said, the movie has merits for existing and unfortunately it is because what the story (or rather stories, because we do highlight different paths and struggles that do connect at some points) is saying and telling is relevant ... it would be easier to dismiss, if it was just fiction. Of course it also isn't every (hollywood) story ... that would be even more sad that it already is. Uncomfortable as it may be, it can be essential to some.
Chunks of this film has terrible acting, dialogue, direction and production values. But once you are aware of that, you will keep watching. It has a good story and it's got a realistic backdrop.
I was a bit dubious wether to watch it or not. With a prominent female cast and writer/director, I was expecting a feminist agenda. To be fair, that's not the case. I'm sure if it had the budget for better actors (there were several good actors in this movie) and production, I'm sure it would be a commercial success.
It's the story that makes this interesting. Not the cheesy dialogue or performances in parts. Give it a watch.
I was a bit dubious wether to watch it or not. With a prominent female cast and writer/director, I was expecting a feminist agenda. To be fair, that's not the case. I'm sure if it had the budget for better actors (there were several good actors in this movie) and production, I'm sure it would be a commercial success.
It's the story that makes this interesting. Not the cheesy dialogue or performances in parts. Give it a watch.
- rochfordsimon
- 4 दिस॰ 2020
- परमालिंक
Totally not deserve a high score like this, it's not really bad movie but just not as good as the score told. Bunch of unprofessional acting is what i seen.
The story is so-so. The production, directing and acting isn't great. I'm not sure how this film is rated so highly.
- mariolsofia-34921
- 9 जन॰ 2021
- परमालिंक
Right, well I didn't really have much of any high hopes for the 2020 movie titled "Girl Lost: A Hollywood Story" from writer and director Robin Bain. But still, it being a new movie that I hadn't already seen, of course I ended up sitting down to watch it.
And color me impressed. Now, now, don't get me wrong, I am not saying that I was impressed in the way that "Girl Lost: A Hollywood Story" was a masterpiece, not at all. But I was impressed in the way that the movie was actually entertaining and had an interesting enough story to tell.
The storyline told in "Girl Lost: A Hollywood Story" is one that depicts a very seedy side to the underbelly of Tinseltown (aka Hollywood). Now, how realistic, true or what not this depiction of the sex industry is, I have no idea, but I will say that writer and director Robin Bain managed to turn it into an entertaining enough movie that does paint a horrible picture.
I was intrigued that Dominique Swain was on the cast list, but she wasn't in the movie for 5 minutes, so that was somewhat of a disappointment for me. But hey, that hardly mattered, because they had cast some pretty nice talents for the movie. I must admit that I was really impressed with the performances of Moxie Owens (playing Hope), Cody Renee Cameron (playing Paige) and Psalms (playing Baby Girl). These actresses really carried the movie phenomenally.
It should be said that "Girl Lost: A Hollywood Story" is not a movie that will appeal to everyone in the audience, as it deals with some topics that can be rather controversial or sensitive.
Turns out that "Girl Lost: A Hollywood Story" was actually a wholehearted movie experience. This was a movie that definitely surprised me, and it is a movie that I think you owe to yourself to sit down and watch, just keep in mind that the movie might be a bit over the edge for some viewers.
I was genuinely entertained by the movie's storyline and its interesting character gallery. As such, I am rating the movie a seven out of ten stars.
And color me impressed. Now, now, don't get me wrong, I am not saying that I was impressed in the way that "Girl Lost: A Hollywood Story" was a masterpiece, not at all. But I was impressed in the way that the movie was actually entertaining and had an interesting enough story to tell.
The storyline told in "Girl Lost: A Hollywood Story" is one that depicts a very seedy side to the underbelly of Tinseltown (aka Hollywood). Now, how realistic, true or what not this depiction of the sex industry is, I have no idea, but I will say that writer and director Robin Bain managed to turn it into an entertaining enough movie that does paint a horrible picture.
I was intrigued that Dominique Swain was on the cast list, but she wasn't in the movie for 5 minutes, so that was somewhat of a disappointment for me. But hey, that hardly mattered, because they had cast some pretty nice talents for the movie. I must admit that I was really impressed with the performances of Moxie Owens (playing Hope), Cody Renee Cameron (playing Paige) and Psalms (playing Baby Girl). These actresses really carried the movie phenomenally.
It should be said that "Girl Lost: A Hollywood Story" is not a movie that will appeal to everyone in the audience, as it deals with some topics that can be rather controversial or sensitive.
Turns out that "Girl Lost: A Hollywood Story" was actually a wholehearted movie experience. This was a movie that definitely surprised me, and it is a movie that I think you owe to yourself to sit down and watch, just keep in mind that the movie might be a bit over the edge for some viewers.
I was genuinely entertained by the movie's storyline and its interesting character gallery. As such, I am rating the movie a seven out of ten stars.
- paul_m_haakonsen
- 5 दिस॰ 2020
- परमालिंक
Movie attempts to tell the story of the sex trade apparently without knowing anything about the sex trade. But with bad everything; writing, acting, photography, sound, you name it, they manage to convey the simple truth that not everyone is cut out for Hollywood. Not even pandemic grade viewing. AVOID!
- MTNmovieMan
- 9 जन॰ 2021
- परमालिंक
This movie was very badly acted and badly directed, period! Actors looking at the camera (more than once for that matter), very mediocre acting in general. Doesn't feel even remotely genuine. The whole thing just feel like a lame excuse to show sex and nudity and some very questionable content with an underage actress. Sure, the movie tackles real life subjects and situation but so clumsily that it defeats its purpose completely. Overall, its not deserving of a watch other than for all the wrong reasons in which case, I would simply suggest that you look at some cheesy soft-core B movie that at least doesn't try to pretend to be socially conscious and serious.
- Opacus_Music
- 4 दिस॰ 2020
- परमालिंक
Although this story is not one that hasn't been told in part in other films, Hollywood has yet to figure out how to tell it responsibly and accurately and this film is no exception.
Hope is a minor that comes from a home wherein she is abused by her babysitter and neglected by her parents. Her path into the sex industry crosses faintly with the other primary character who travels from stripping and dancing topless to more extreme behaviour in an effort to provide for her child.
Overall there is a story told that progresses into more intense exploitation as the film goes on, but in the process the filmmakers go off the rails as they expose child and adult actors to exploitation themselves in their attempts. The intensity of the film grows with each passing minute that crosses lines, pushing them and progressing them unwillingly and further into the life of a sex-worker.
The tragic nature of the character's journeys are emotional at times when engaging in conversations with others who want the best for them. However, the adult character engages in stylistic soft-porn while the viewer is lead to feel that the tragedy is really for her daughter and not so much for herself, and at times in front of child actors. The underage character is herself playing a sexualized role, dancing provocatively in her underwear, talking sexy and touched and caressed by others in intimate fashion.
If you are looking for voyeuristic titillation, it is better found elsewhere than this soft-rendition of pedophilia and soft-porn. If you are looking for a hard-expose or insight into the lives of sex-workers, Hollywood has not learned how to tell this story responsibly or accurately and this film is no exception.
Hope is a minor that comes from a home wherein she is abused by her babysitter and neglected by her parents. Her path into the sex industry crosses faintly with the other primary character who travels from stripping and dancing topless to more extreme behaviour in an effort to provide for her child.
Overall there is a story told that progresses into more intense exploitation as the film goes on, but in the process the filmmakers go off the rails as they expose child and adult actors to exploitation themselves in their attempts. The intensity of the film grows with each passing minute that crosses lines, pushing them and progressing them unwillingly and further into the life of a sex-worker.
The tragic nature of the character's journeys are emotional at times when engaging in conversations with others who want the best for them. However, the adult character engages in stylistic soft-porn while the viewer is lead to feel that the tragedy is really for her daughter and not so much for herself, and at times in front of child actors. The underage character is herself playing a sexualized role, dancing provocatively in her underwear, talking sexy and touched and caressed by others in intimate fashion.
If you are looking for voyeuristic titillation, it is better found elsewhere than this soft-rendition of pedophilia and soft-porn. If you are looking for a hard-expose or insight into the lives of sex-workers, Hollywood has not learned how to tell this story responsibly or accurately and this film is no exception.
- infoalwaysacritic
- 29 दिस॰ 2020
- परमालिंक
I loved the first Girl Lost movie and this second one does not disappoint. Both films feel true to the LA underground scene of the sex industry that is not often illustrated in films. The city of Los Angeles is not sugar coated and looks pretty dismal which seems to be a sad reality today in 2021. The story highlights the lives of four desperate women finding their way by any means while doing sex work. I liked that the movie portrayed women exploiting other women and not the typical male "pimp". With hyper realism I almost felt like I was watching a documentary. Really good movie. The pacing is fast, I was left wanting more. Also, the original score is beautiful. Recommend.
- jeaniefox1962
- 13 मार्च 2021
- परमालिंक
The story should be gripping and heart breaking. But it fails in the direction of the actors. I dont care about any of the people in the movie, because its so full of stereotypes... And they are just shallow and hollow.
It seems that the director lacks knowledge, understanding, and adulthood in these kind of peoples lifes.
The actors in the movie did a great job, but they were misdirected.
I didnt rekognize Dominique Swain until I saw the credits! Wow! She has changed a lot!
The music is fantastic!
And the story is very interesting, but executed shallow and hollow.
- nickpedersen
- 13 मार्च 2021
- परमालिंक
This movie is not worth watching it's a crappy movie I hated this movie from beginning to end. Your IQ must start with a minus If you rated this any good
- jacobarnard-24963
- 17 दिस॰ 2020
- परमालिंक
I often go into these 'BEWARE THE SEX TRADE' movies with a heavy dose of salt, fully expecting them to be, not only downright insulting, but also extremely exploitative.
This film, not twenty minutes in, blew me away with the absolute, shockingly over-the top dialogue, the vapid nature of the script, the complete lack of realism or any sort of tact or grace for the subject matter, the absurdity & entire lack of respect, BY THE DIRECTOR, for the protagonists, or any of the other characters at all....I mean, really, I could go on and on.
I couldn't fully watch through, I fast-forwarded and skipped my way past moment after moment of tasteless, awkward, gaudy scenes....this film seems more like it was written to fulfill some sort of perverted nightmare....some dark, fetish-fueled cinematic thill...this seems like a film created in the middle of a suburban neighborhood... sexually-charged, deliberately provocative, dreamt up by insidious, creepy, strangely unnerving people. It was icky. It was not a good portrayal of ANYTHING remotely realistic. Nothing but mongering and tropes. Gave it a two because at least it's got decently nice-looking camera quality, and good lighting, I guess.
This film, not twenty minutes in, blew me away with the absolute, shockingly over-the top dialogue, the vapid nature of the script, the complete lack of realism or any sort of tact or grace for the subject matter, the absurdity & entire lack of respect, BY THE DIRECTOR, for the protagonists, or any of the other characters at all....I mean, really, I could go on and on.
I couldn't fully watch through, I fast-forwarded and skipped my way past moment after moment of tasteless, awkward, gaudy scenes....this film seems more like it was written to fulfill some sort of perverted nightmare....some dark, fetish-fueled cinematic thill...this seems like a film created in the middle of a suburban neighborhood... sexually-charged, deliberately provocative, dreamt up by insidious, creepy, strangely unnerving people. It was icky. It was not a good portrayal of ANYTHING remotely realistic. Nothing but mongering and tropes. Gave it a two because at least it's got decently nice-looking camera quality, and good lighting, I guess.
Wtf I just watched? Why this movie have a high score? Why they need to be homophobic and chauvinist to talk about sex industry? I mean that's no connection at all! The acting and the direction are absolutely terrible, the only thing that save at some moments is the photography, the story is cliche and that's no evolution of it! A empty plot and overdramatic! A waist of time!
- fridasclosetsa
- 8 मार्च 2022
- परमालिंक
So it's an indie film and that excuses a lot of smaller gripes, but the acting is pretty bad. Specifically the character of Beth, who is played out as a one-dimensional evil character for the purposes of the movie.
The movie doesn't shy away from nudity and the odd part is that for a movie that's about how people try to sexualize children, the movie itself sexualizes the actor playing the young girl - with unnecessary nudity and scenes meant to appeal to perverts.
Kind of gross the director would sink to completely tasteless shots of the girl being raped (which were also comically bad in acting - guys licking their lips and other silliness).
The one upside is that the movie ends realistically and wasn't shy in showing that these stories seldom have a happy ending.
The movie doesn't shy away from nudity and the odd part is that for a movie that's about how people try to sexualize children, the movie itself sexualizes the actor playing the young girl - with unnecessary nudity and scenes meant to appeal to perverts.
Kind of gross the director would sink to completely tasteless shots of the girl being raped (which were also comically bad in acting - guys licking their lips and other silliness).
The one upside is that the movie ends realistically and wasn't shy in showing that these stories seldom have a happy ending.
It's a cheap looking movie but the story is decent. Some of the acting is sketchy to say the least but it's watchable.
- TimTimTimmayy
- 30 दिस॰ 2020
- परमालिंक
Most films that portrait prostitutes lives are beyond dramatic...
Prostitutes movies are to reality
as fairy tales are to royal family.
- tomatechines
- 20 अग॰ 2021
- परमालिंक
Girl Lost: A Hollywood Story serves as a standalone sequel to the original Girl Lost, and while it carries the same disturbing themes and emotional tone, it does not quite reach the raw impact of the first film. Still, this sequel is powerful in its own right and provides a bold, unflinching look at the dark realities of the sex industry and the hidden dangers behind the Hollywood dream.
One of the most disturbing yet important messages this film delivers is how women can manipulate other women. In this story, characters like Paige and Destiny are not just victims of exploitation - they become predators themselves. They groom a young teenager named Hope, and a struggling single mother known as Baby Girl, convincing them to engage in escort work through lies about fame, money, and a better future. The manipulation shown here is not just cruel, but painfully realistic. It reminds us that these kinds of situations are happening every day in real life, often hidden behind fake promises of success or stardom.
What makes Girl Lost: A Hollywood Story especially effective is how it exposes the brutal truths about Hollywood. The film strips away the fantasy and glamour to show a darker side where people, especially vulnerable women, are taken advantage of. It sends a clear message that Hollywood is not always about money and fame - sometimes, it is about desperation, manipulation, and survival. It also shows how far people will go for money, even if it means doing things that are wrong, degrading, or downright disgusting. This harsh truth is not exaggerated for drama - it reflects a real part of society that often goes unseen or ignored.
The performances in the film are mixed, but the two leads stand out. Moxie Owens gives a believable and emotional performance as Hope, capturing the confusion and heartbreak of a young girl lost in a dangerous world. Psalms Salazar also delivers a strong portrayal as Baby Girl, showing the pain and desperation of a woman trying to support herself and her child. However, not all of the supporting cast deliver on the same level, and some characters feel underdeveloped or unnecessary.
Another weakness in the film is its pacing and narrative structure. At times, scenes feel disjointed, and the story loses its momentum. Compared to the original film, this sequel lacks the same emotional buildup and character development. Some parts of the story feel rushed, and certain characters could have used more screen time or background to make their actions more believable.
Despite these flaws, Girl Lost: A Hollywood Story remains a powerful and necessary film. It offers a harsh look at how women are often caught in cycles of abuse and exploitation - and how sometimes, those who are victimized become the ones who harm others. The movie does not shy away from the ugly realities of the sex industry or the pressures of trying to "make it" in Hollywood.
In conclusion, Girl Lost: A Hollywood Story may not be as strong as the original film, but it is still worth watching for its message and its courage in telling a story many are afraid to show. It is a reminder that the world is not always glamorous, and that behind the lights of Hollywood, there are stories of pain, manipulation, and survival that deserve to be heard.
One of the most disturbing yet important messages this film delivers is how women can manipulate other women. In this story, characters like Paige and Destiny are not just victims of exploitation - they become predators themselves. They groom a young teenager named Hope, and a struggling single mother known as Baby Girl, convincing them to engage in escort work through lies about fame, money, and a better future. The manipulation shown here is not just cruel, but painfully realistic. It reminds us that these kinds of situations are happening every day in real life, often hidden behind fake promises of success or stardom.
What makes Girl Lost: A Hollywood Story especially effective is how it exposes the brutal truths about Hollywood. The film strips away the fantasy and glamour to show a darker side where people, especially vulnerable women, are taken advantage of. It sends a clear message that Hollywood is not always about money and fame - sometimes, it is about desperation, manipulation, and survival. It also shows how far people will go for money, even if it means doing things that are wrong, degrading, or downright disgusting. This harsh truth is not exaggerated for drama - it reflects a real part of society that often goes unseen or ignored.
The performances in the film are mixed, but the two leads stand out. Moxie Owens gives a believable and emotional performance as Hope, capturing the confusion and heartbreak of a young girl lost in a dangerous world. Psalms Salazar also delivers a strong portrayal as Baby Girl, showing the pain and desperation of a woman trying to support herself and her child. However, not all of the supporting cast deliver on the same level, and some characters feel underdeveloped or unnecessary.
Another weakness in the film is its pacing and narrative structure. At times, scenes feel disjointed, and the story loses its momentum. Compared to the original film, this sequel lacks the same emotional buildup and character development. Some parts of the story feel rushed, and certain characters could have used more screen time or background to make their actions more believable.
Despite these flaws, Girl Lost: A Hollywood Story remains a powerful and necessary film. It offers a harsh look at how women are often caught in cycles of abuse and exploitation - and how sometimes, those who are victimized become the ones who harm others. The movie does not shy away from the ugly realities of the sex industry or the pressures of trying to "make it" in Hollywood.
In conclusion, Girl Lost: A Hollywood Story may not be as strong as the original film, but it is still worth watching for its message and its courage in telling a story many are afraid to show. It is a reminder that the world is not always glamorous, and that behind the lights of Hollywood, there are stories of pain, manipulation, and survival that deserve to be heard.
- RemoteWarrior
- 23 जून 2025
- परमालिंक
- sarmadsaad-66288
- 25 जन॰ 2022
- परमालिंक
Really sad movie but so good. I like this new one better than the 1st. FYI for anyone who doesn't know, there is a 1st Girl Lost movie from the same writer and director. This is the 2nd one. I hope they make a 3rd. This is a great little indie franchise about women living on the edge in Los Angeles.
I was excited to watch this because it clearly deals with a very real problem, but wow this acting was just.... Horrendous. Turned it off when the girls were on the hike around the "Hollywood sign" and it was the most obvious green screen I've ever seen and the acting was so cringey...lol. Could have been eye opening and a great message, but it was ruined with the directing and acting.
- sweekjuliana-51373
- 20 जुल॰ 2021
- परमालिंक
It goes downhill from the opening with a teen girl online performing in her underwear while saying she has been a bad girl and wants to be gang raped. I should have given up early. She wishes to model in Hollywood but reality sets in with rent to be paid. Two older escorts pimp the girl and we also get a single mom hooking to pay her bills. Depressing does not adequately describe this film. Avoid it at all cists.
As soon as I heard the first lines it caught my attention. What makes this movie different it's the beauty of staying away of the hollywoodization. The idea of being exploited, having illegal substances, or alcohol, or being a sex worker is not romanticized at all.
Now, being more objective, this is a movie with a low budget.
The movie doesn't follow a color palette, some scenes had too much brightness (as in the pool scene). The last scene wasn't aesthetically nice.
We get to see some neon color so that we can perceive that disco-party-freedom type of thing.
The acting was a 5.2/10. Some characters were there just to fill a place and that's it. The protagonist didn't transmit that feeling of desperation about being lonely, exploited, or used by several old men with no consent; she was more like "oh. I'm leaving"
At last, I would like to say that I do understand that there is no character development in this movie and I think that it is what makes it real. It's a sad but real ending.
Now, being more objective, this is a movie with a low budget.
The movie doesn't follow a color palette, some scenes had too much brightness (as in the pool scene). The last scene wasn't aesthetically nice.
We get to see some neon color so that we can perceive that disco-party-freedom type of thing.
The acting was a 5.2/10. Some characters were there just to fill a place and that's it. The protagonist didn't transmit that feeling of desperation about being lonely, exploited, or used by several old men with no consent; she was more like "oh. I'm leaving"
At last, I would like to say that I do understand that there is no character development in this movie and I think that it is what makes it real. It's a sad but real ending.