Yattâman

A must see for any fan of Yatterman and Takashi Miike. If you like Miike's work but haven't seen the Yatterman anime or don't really care what's it all about?, avoid this movie by all means, you won't like it.

The reason why the not-fans won't like it: It's too close to the source, the movie is as weird as the anime and it has that childish humor that some love. But, this childish humor is not for children, in Japan some gropping is seen as kiddie, but for us westerns the movie should be PG-13 for a couple of scenes that I won't spoil.

The whole atmosphere and dialogue feels exactly as the anime should feel when taken to live action, this is a perfect example as how a cartoon should be translated, no matter how silly it could look. Too bad we westerns won't see a proper anime to movie translation, the Wachowskis tried it and most people bash their good effort.

Anyway, the movie is just a fun ride and it's worth a fair 6 outta 10, but it grows to a 7 because of the faithfulness to Yattâman.

Yatterman is one of those films that is best appreciated by fans of the very funny animated television series. I can't give it more than a six for that reason, but I happen to be one of the show's veteran fans and would rate it much higher at a Yatter-convention. The story is about Gan Takada, a mechanically-inclined boy and Ai Kaminari, his cute cohort who, in the original 1977 television series and its 2008 reprise, do weekly battle against the forces of evil--namely a woman named Doronjo and her two male cohorts, Boyacky and Tonzler. Behind the scenes on the evil side, there's an unseen character named Dokurobe who sends the trio through time and space on a quest for items which, if assembled, will allow him his dream of ultimate power. Each side pits a humorous array of robots and mechanisms against each other. Besides the obvious improvements in animation technology over the last thirty years, there are other differences between the two series. Gan is lazier in the new series, Ai is more possessive, and Doronjo's outfit is sexier. However, I still prefer the original series--and I'm not alone. Doronjo is the main difference. She was a much more likable character in the '70s version--and I have to admit she was one of the draws that kept me coming back to the TV every week. Takashi Miike did his best to follow the original series and, in doing so, kept the target demographic in the teen to adult range. Miike made Donojo a very likable character--and the drop-dead gorgeous Kyoko Fukada fills that character--and (you've got to see it to believe it) costume--very well. Miike also restored Boyacky to a pathetic genius with an unrequited crush on a Doronjo who plays him like a fiddle. He also restored Gan to status of willing hero and lowered Ai's maintenance level a notch. He also restored the '70s Yatter-policy of not providing real names of people or places. In this movie, for example, they travel to Ogypt and the Southern Halps. All in all, it's a fun movie and is worth seeing if it passes through your town or your video rental store.

This is a long form sentai (Power Rangers etc) episode, with the premise being good versus evil. The story revolves around obtaining the four pieces of the Skull Stone which, when possessed, will make dreams come true (one character wants to be with every high school girl in Japan. Its not bad). An archaeologist found one piece in Norway and was abducted, prompting his daughter Shoko to enlist the help of the two heroes in this film (one is Saki Fumada, so evil in the drama "Life" but good here). They have to beat three others with the help of Yatterman, a giant dog like creature straight out of sentai scripts. The film is good, a bit over the top, but fun. The special effects are great and the colors are vivid. Not for children, but teens and adults will like it.

Was I fooled by seeing the name of Takashi Miike on the sleeve of this DVD. i thought, well, we are going to have a hell of a time seeing bodies explode and other gory shots but was I wrong. This was just an animae made into a feature. And it is done in a typical Japanese style with all the flying things and close ups. Did I like it, yes, because I don't have problems with their culture and because it was so full of effects that it even remind me of Lazy Town, yes, that child thing. It's a weird flick full of CGI effects and no gore at all but you can see the love through it in the way it was made for this flick. If you think it's going to be a typical Miike than just leave it. If you have no problem with things said above, watch it.

I usually fancy Japanese films. This one was an unexpectedly big disappointment. The storyline is like what you normally see in a 25min children's TV-show. The acting is very much like teletubby's. Very colourfull, cute figures push each other, and sit down with a fart. A little bit of irony-spice lightens it up: The happy song about the ever strong and wonderful times for the hero's is performed, while the hero's don't enjoy life. There are just a few moments of it, though. There's a little bit of first innocent love in the film. And then there's several heavy sexual hints, like a robot getting orgasm and cum'ing (and telling about it), while it's attacked.

Most of the content and the story looks like it's aimed at small children. It doesn't have the sub-layer aimed at the adults, like in most family/children's films. But then it has a layer of sexual jokes, making it unsuitable for small children.

I haven't seen anything this bad for a long time.