Dylda

A heavy film, the title does not reflect all the hardship of the war, the incessant search of the two women for survival and personal fulfillment in a sexist and cruel era, deranged by the post-war hunger, and allied to all this drama, the Tall Woman suffers from freezing post concussion and hysterectomy Masha, which makes it incomplete after the loss of the child (which I could swear it was no accident), warm colors, contrasting with the coldness of the war, exceptional drama, intelligent and original script...

Leningrad, 1945. In the aftermath of World War II, within the remaining ruins, two young women, Iya and Masha, try to give a purpose to their meaningless lives. They met at the front during this endless war but they stayed in touch, probably because they felt alone and were desperately disillusioned. They now live in the present, without any perspective for their future that they do not even try to consider. The complete disarray!

Dylda (2019) is darkly sad, with an extremely but deliberately slow pace. If you are depressed before you even consider this movie, you should probably envisage another viewing. Otherwise, this film is breathtakingly beautiful and is excellently filmed. Moreover, the gorgeous actresses Viktoria Miroshnichenko (Iya) and Kseniya Kutepova (Lyubov Petrovna) shine despite a voluntarily sober play.

As a synthesis: 7/8 of 10

You could expect a 1945 Leningrad setting to be joyful after the Russian victory over Nazis, but writer/director Kantemir has caught the downside in Beanpole. It's a deeply moving, complicated story about two former soldiers who tackle the melancholy and desperation of victors with no spoils---just ruined buildings and crushed hopes.

This melancholy drama centers on two women: Iva (Viktoria Miroshnicenk) and Masha (Vasilisa Perelygina), who attempt to bring meaning to their lives after the devastation. Mostly it's about Masha's attempt to have a life within her, mainly a baby. Her first baby died at the hands of Iva, who now owes Masha a baby.

Through a series of lengthy scenes and shots (sometimes they are too long), the audience is drawn into the emotional needs of the protagonists set against the needs of the other Leningrad citizens to gain happiness and hope after a ravaging war. The scenes between Iva and Masha are lovingly and deeply felt as Masha navigates getting a replacement baby and Iva resists the machinations to do so.

Given the wide scope of WWII, Beanpole is a small-scale drama, whose intensity comes from the characters rather than the setting. Love is the operative word, married to hope to make a satisfying character study in a drawn-out drama of human longing, regardless of the time period.

... and seared by the cold - this magnificently performed and beautifully filmed piece of cinema reveals the challenges faced by two young women in post war Leningrad. Damaged and psychologically disturbed by their experiences, shell shocked from the battles, real and imagined, battles they would never have aspired to fight some years earlier, while surrounded and enveloped by uncertainty, indignity, poverty and despair.

A fascinating slow burn that is as exhilarating as it is difficult at times to watch.

"Beanpole" is actually a good movie to be watching during the 2020 COVID pandemic, as it's a reminder to a whole population of people who've never experienced any significant hardship how much worse things could be. Watch a movie about post WWII Russia and then ask yourself how big a deal it is that Trader Joe's was out of your favorite brand of crackers again.

The towering actress Viktoria Miroshnichenko, as the film's title character, and Vasilisa Perelygina, as her friend who's recently returned from the front, give amazing performances navigating exceptionally difficult material. This is one of those movies that would be off putting if the direction and acting didn't strike just the right tone. It's one of those movies about which people say "I didn't like any of the characters" as a way to dismiss the whole thing. But, like the best character studies, "Beanpole" doesn't care whether or not you like anyone in it. It instead asks you to live with the characters for awhile and see if you can empathize with them, and understand their choices based on the circumstances in which they find themselves.

And, directing and acting aside, the film looks beautiful. For a film set in such a drab time and setting, it uses saturated colors, especially green and red, to tie images visually to the mental states of the characters.

The movie year still has a way to go, but I imagine this one will make my own personal shortlist of favorites.

Grade: A