April Fool's Day

I was intrigued to see this remake of April Fool's Day after enjoying the 1986 classic. This 2008 version offers a modern take on a slasher film taking place on a day full of tricks.

A debutant type named Desiree and her brother Blaine are hosting a party on April 1st to introduce a girl named Torrance into their elite society, a group of rich The O.C. types who enjoy drinking and drugs and country clubs. During the party, one of the young women named Milan is accidentally killed during what should have been an April Fools gag. The whole thing gets recorded on film.

Exactly one year later, we see one of the people involved in the tragic gag getting murdered in a swimming pool. Desiree gets a letter telling her to go to the cemetery where the young girl is buried, in the note it also states that the person has proof of something. The entire film follows the group around the city as the killer knocks them off one by one, challenging the true killer of Milan to come forward or they'll kill everyone before the day is up.

Josh Henderson and Taylor Cole as brother and sister Blaine/Desiree are pretty good. They suit these roles of elite snobby spoiled rich kids very well. Scout Taylor-Compton as Torrance doesn't seem to fit into the whole scene of stuck up teens. The rest are just background.

I didn't mind the April Fool's Day remake as much as I thought I would. It definitely isn't as good as the original, but isn't as bad as critics paint it. A watchable slasher flick that copies ideas from I Know What You Did Last Summer and has a decent twist that is easy to figure out about halfway through.

5/10

This is a movie very lightly based on the '80s slasher of the same name. The original wasn't anywhere near the best of the slasher movies so I could only think that this movie could easily equal it's predecessor. The acting was pretty bad for most of the supporting characters but I still am having a hard time figuring out if it's the actors fault or the directors. I don't know. Blaine and Desiree did on OK job with the material they were given.

Its cinematography was terrible. The quick zooms of the camera was very much something I'd expect from a teenager filming skits with friends. The score in this film was laughable. I don't know where they got the idea to use some of the music but it ruined any little bit of suspense that they managed to build.

This was one of the worse movies I have seen in a long time. I had very low expectations for this film but am baffled at how bad it really was.

The presence of about ten scriptwriters should have warned me just how bad this remake of a '80s-era slasher would be. That, and the name of the directors, The Butcher Brothers. If that doesn't say it all then I don't know what does.

APRIL FOOL'S DAY is an appalling film, so cringeworthy, so awful that I can barely believe it exists. The script is awful, mind-numbingly bad and with no discernible wit, skill or intelligence present at any spot in the narrative. The actors are equally terrible, delivering their lines in a stilted way reminiscent of automatons. Watching the end result, I can't help but liken this to a particularly poor episode of BEVERLEY HILLS 90210.

Horror fans should look elsewhere, too. There's plenty of full-blooded horror on offer in cinemas today, and this is anything but. The various kill scenes are silly indeed and the movie reaches a real nadir when it comes to the big twist at the climax, which is the most ridiculous, SCOOBY DOO-type thing I've ever seen. Please, please do yourself a favour and avoid this movie like the plague.

The biggest incentive for me personally was seeing familiar scenes from where I have lived for much of my life. No city was ever specified but there are several brief shots of the Charlotte skyline, and the Bank of America Tower spends a lot of time on screen.

The siblings end up in court, in the Union County N.C. courthouse I remember so well from when I was in college, when efforts were being made to save it. Strange that the court case is taking place in such a small building if the setting of the movie is a large city, but it's a nice looking historic building. And it gets a second appearance later.

Charles goes on TV with Susan Moyer. It's an amazingly realistic depiction.

Blaine moves into a hotel. Based on the credits, I will guess that this is The Residence at SouthPark, though I've never seen it.

The cemetery is apparently in Charlotte since we can see the skyline, and the Bank of America Tower remains on screen through most of the scene.

Some of the subsequent incidents are quite violent, but the rest of the movie is pretty exciting, with car chases and fear of what's coming around every corner. I recognized several Charlotte landmarks in at least one car chase. I never saw the new Little Hardware but I remember the fire that destroyed the old one. If you blink you'll miss the stadium of the NFL's Carolina Panthers.

And then comes the amazing ending. Or at least I thought it was. There's more!

And it's still not over. Wait until you see what happens next!

And be sure to stay around for the credits. You don't want to miss that. It's not a critical plot detail but it's one you want to see.

Was this a great horror movie? Probably not, but it's worth seeing. It's somewhat humorous to start with and in the scenes involving the tabloid TV series. But once the movie makes the transition to more scary and exciting, I think it gets the job done.

Not a classic, but something to enjoy.

I got over my disgust that they were remaking one of my all-time favorite films and went into this one with a completely open mind -- I saw the trailer but I purposely didn't read a single thing about it. It seemed strange that the film skipped cinemas, but now I understand why. I didn't think any film could be this bad.

Strangely, there's a beautiful production design, and most of the actors are good (though the fact that everyone in the cast is model-pretty is a bit disconcerting). Unfortunately, the script is truly abysmal. After 20 minutes of getting to know the characters -- all of whom are wholly unlikable -- the story actually begins, and from that point on it becomes a routine I KNOW WHAT YOU DID LAST SUMMER rip-off, sans the suspense, gore and intentional humor of that film. The only thing lifted from the 1986 film is the title, a character with a videocamera (which had nothing to do with the plot itself in the original) and the theatrical twist ending -- though they tried to trump the twist here, which resulted in one of the most predictable and unintentionally hilarious moments in the history of film.

This film feels like one of the clones that followed in the wake of SCREAM. If you've seen a horror movie since 1997, don't bother with this one. But if you're masochistic enough to endure the film, make sure to stay through the closing credits for an extra scene -- after all, there's no other extras anywhere on the disc.