अपनी भाषा में प्लॉट जोड़ेंTwo women from different walks of life both desperately need a friend in this moment, when they cross paths by chance and form an unlikely friendship.Two women from different walks of life both desperately need a friend in this moment, when they cross paths by chance and form an unlikely friendship.Two women from different walks of life both desperately need a friend in this moment, when they cross paths by chance and form an unlikely friendship.
- पुरस्कार
- 3 कुल नामांकन
Megan Barlow
- Jill
- (वॉइस)
Gigi Cambra
- Girl at Party
- (as Madison DeCambra)
Dion Cortez
- Guy at Party
- (as Kenzo Jett)
Federico Fernandez
- Pablo
- (वॉइस)
Ariel Heller
- Charlie
- (वॉइस)
Steve Pinder
- Brian
- (as Steve Greist)
फ़ीचर्ड समीक्षाएं
Have you ever made a brand-new friend in just one day? That's the premise of this wonderful and thought provoking film, where two strangers' life paths collide at just the moment when they both most needed a friend.
Savanna and Simone come from very different backgrounds and are on very different life trajectories but, with 12 hours to kill before Savanna's flight to an exotic destination, they have some time to kill and quickly discover an unexpected bond in the confusing complexity of their current life situations.
The embryonic friendship begins as a blank slate and this allows both characters to confront each other with a searing honesty that we could all do with sometimes.
The writing is sharp and realistic and, like any true relationship worth fighting for, there are some tests to get through as these two unexpected kindred spirits peel away the layers of each other's past & present.
And it turns out that Sav & Simone have some profound lessons for each other. The two not only meet and bond, they also change each other's perspective on life, and perhaps even set each other free a little.
Intriguingly, the film was shot before and after lockdown and the extra production time allowed for the beginning and ending of the film to be re-written - in a way that adds a powerful resonance to the story as the years pass by, and a longer testament to the friendship emerges.
This film will stay with you long after you have watched it. Highly recommended.
Savanna and Simone come from very different backgrounds and are on very different life trajectories but, with 12 hours to kill before Savanna's flight to an exotic destination, they have some time to kill and quickly discover an unexpected bond in the confusing complexity of their current life situations.
The embryonic friendship begins as a blank slate and this allows both characters to confront each other with a searing honesty that we could all do with sometimes.
The writing is sharp and realistic and, like any true relationship worth fighting for, there are some tests to get through as these two unexpected kindred spirits peel away the layers of each other's past & present.
And it turns out that Sav & Simone have some profound lessons for each other. The two not only meet and bond, they also change each other's perspective on life, and perhaps even set each other free a little.
Intriguingly, the film was shot before and after lockdown and the extra production time allowed for the beginning and ending of the film to be re-written - in a way that adds a powerful resonance to the story as the years pass by, and a longer testament to the friendship emerges.
This film will stay with you long after you have watched it. Highly recommended.
This film is a quietly profound exploration of how human connection can spark with surprising intensity-and how just as swiftly, it can begin to fray. Through restrained direction, layered performances, and a script that favors ambiguity over exposition, it captures the emotional terrain of friendship with remarkable authenticity. What unfolds on screen is less about plot than it is about presence, perception, and the delicate nature of understanding between people.
At its heart, the story presents two individuals whose lives briefly intersect in meaningful, if complicated, ways. Their connection isn't driven by dramatic external events, but by small moments-glances, silences, shared vulnerability-that feel deeply human. The film doesn't rush their relationship, nor does it attempt to define it with rigid labels. Instead, it invites the viewer to sit with the uncertainty, the tension, and the quiet comfort that can arise when two people find resonance in one another, even briefly.
What stands out most is the film's handling of emotional nuance. Rather than drawing clear lines between right and wrong, the story invites reflection on how much of our communication happens in the spaces between words. It's a study in subtle misalignments-how people can believe they understand each other perfectly, only to discover that they were never quite on the same page. The film resists easy answers and, in doing so, reflects something painfully true about human relationships: that they are often built on assumptions, and sometimes unravel when those assumptions are tested.
Much of the film's impact comes from its visual and auditory restraint. The cinematography is minimal but intentional, using framing and silence to communicate emotional distance and vulnerability. Scenes linger just long enough to create a sense of unease or intimacy, depending on the moment. There's a noticeable absence of music in key places, allowing the ambient sounds-or complete quiet-to speak volumes. These choices give the viewer space to absorb what's happening internally, rather than being guided by overt emotional cues.
The performances are central to the film's emotional power. The actors manage to convey a wide range of feeling with subtle gestures and expressions, making the emotional tension feel grounded and believable. Their chemistry is quietly compelling-not in a flashy or romanticized way, but in a way that feels rooted in the complexities of real human connection. They convey what it's like to navigate closeness and discomfort at the same time, and how fear or hesitation can reshape an otherwise promising dynamic.
Though the story may appear simple on the surface, it is rich in emotional texture. It explores themes of vulnerability, misunderstanding, and the deep human desire to be seen and understood. Rather than presenting a dramatic rupture or grand resolution, the film draws its power from what remains unsaid-from the subtle shifts that occur when expectations collide with reality, and when clarity is elusive.
What makes this film especially resonant is how relatable it is, even in its ambiguity. Many viewers will find echoes of their own experiences-friendships that felt effortless until they didn't, conversations that never quite landed the way they were intended, and moments of emotional dissonance that still linger. The film's refusal to explain or resolve everything may be frustrating for some, but it is also what gives it staying power. It trusts the audience to reflect, to question, and perhaps to see themselves in the silences.
In a world where many films rely on dramatic conflict and plot twists to keep our attention, this one opts for introspection and emotional honesty. It reminds us that sometimes, the most meaningful stories are the quiet ones-the ones that don't shout, but whisper something true.
At its heart, the story presents two individuals whose lives briefly intersect in meaningful, if complicated, ways. Their connection isn't driven by dramatic external events, but by small moments-glances, silences, shared vulnerability-that feel deeply human. The film doesn't rush their relationship, nor does it attempt to define it with rigid labels. Instead, it invites the viewer to sit with the uncertainty, the tension, and the quiet comfort that can arise when two people find resonance in one another, even briefly.
What stands out most is the film's handling of emotional nuance. Rather than drawing clear lines between right and wrong, the story invites reflection on how much of our communication happens in the spaces between words. It's a study in subtle misalignments-how people can believe they understand each other perfectly, only to discover that they were never quite on the same page. The film resists easy answers and, in doing so, reflects something painfully true about human relationships: that they are often built on assumptions, and sometimes unravel when those assumptions are tested.
Much of the film's impact comes from its visual and auditory restraint. The cinematography is minimal but intentional, using framing and silence to communicate emotional distance and vulnerability. Scenes linger just long enough to create a sense of unease or intimacy, depending on the moment. There's a noticeable absence of music in key places, allowing the ambient sounds-or complete quiet-to speak volumes. These choices give the viewer space to absorb what's happening internally, rather than being guided by overt emotional cues.
The performances are central to the film's emotional power. The actors manage to convey a wide range of feeling with subtle gestures and expressions, making the emotional tension feel grounded and believable. Their chemistry is quietly compelling-not in a flashy or romanticized way, but in a way that feels rooted in the complexities of real human connection. They convey what it's like to navigate closeness and discomfort at the same time, and how fear or hesitation can reshape an otherwise promising dynamic.
Though the story may appear simple on the surface, it is rich in emotional texture. It explores themes of vulnerability, misunderstanding, and the deep human desire to be seen and understood. Rather than presenting a dramatic rupture or grand resolution, the film draws its power from what remains unsaid-from the subtle shifts that occur when expectations collide with reality, and when clarity is elusive.
What makes this film especially resonant is how relatable it is, even in its ambiguity. Many viewers will find echoes of their own experiences-friendships that felt effortless until they didn't, conversations that never quite landed the way they were intended, and moments of emotional dissonance that still linger. The film's refusal to explain or resolve everything may be frustrating for some, but it is also what gives it staying power. It trusts the audience to reflect, to question, and perhaps to see themselves in the silences.
In a world where many films rely on dramatic conflict and plot twists to keep our attention, this one opts for introspection and emotional honesty. It reminds us that sometimes, the most meaningful stories are the quiet ones-the ones that don't shout, but whisper something true.
In an era increasingly dominated by spectacle, Meeting You, Meeting Me offers a refreshing return to cinema's quieter virtues. Directed with restraint and remarkable sensitivity, the film unfolds as a contemplative exploration of human connection-anchored by breathtaking cinematography and performances of unusual emotional depth.
Visually, the film is a masterclass in atmospheric storytelling. The cinematography, rich in texture and tone, does more than frame the action-it elevates it. Each shot is carefully composed, using natural light and deliberate stillness to draw the viewer inward. The camera lingers not for indulgence, but for resonance, allowing the weight of a moment to settle without rush. There is an elegance here that recalls the work of Terrence Malick, yet it feels wholly its own.
The performances are equally compelling. The lead actors navigate their roles with profound subtlety, revealing layers of vulnerability through glances, silences, and gesture rather than exposition. Their characters evolve not through dramatic transformation, but through the slow accumulation of feeling-an approach that demands patience and rewards it richly.
Visually, the film is a masterclass in atmospheric storytelling. The cinematography, rich in texture and tone, does more than frame the action-it elevates it. Each shot is carefully composed, using natural light and deliberate stillness to draw the viewer inward. The camera lingers not for indulgence, but for resonance, allowing the weight of a moment to settle without rush. There is an elegance here that recalls the work of Terrence Malick, yet it feels wholly its own.
The performances are equally compelling. The lead actors navigate their roles with profound subtlety, revealing layers of vulnerability through glances, silences, and gesture rather than exposition. Their characters evolve not through dramatic transformation, but through the slow accumulation of feeling-an approach that demands patience and rewards it richly.
10jenn-685
It's a moden version of things happen for a reason. Two random people, both at different stages of their lives, meet by chance. Despite their age difference, different lifestyle, different professions....the impact on each other's perspectives, changes them. Many relatable moments. Lina Suh captured the essence of life's new chapter triggered by unexpected meeting. Great protrayal of things happen for a reason. Simple but yet the deep dialogue exchanges between the two characters in the heart of Los Angeles finishes with the importance life's lesson.
Annika Foster delivered a true portrayal of a typical Gen Z alongside, Sam Yim with her understated performance of a responsible professional. Well scripted from beginning to end.
Annika Foster delivered a true portrayal of a typical Gen Z alongside, Sam Yim with her understated performance of a responsible professional. Well scripted from beginning to end.
Meeting You, Meeting me is a touching film about two women(American and South Korean) coming from opposing sides of life who can see each other's blind spots, but have the discomfort of facing from them. In an era where people are obsessed with their own echo chambers, it is a poignant reminder that different views can solve issues we never knew that we had.
Meeting You, Meeting Me has done a fantastic job peeling the layers of complex and guarded characters only to reveal none of us know ourselves nearly as much as we might think and may need others to point out aspects for us to even begin to tackle them.
Through her own film, has Lina Suh found Suh Lina?
Meeting You, Meeting Me has done a fantastic job peeling the layers of complex and guarded characters only to reveal none of us know ourselves nearly as much as we might think and may need others to point out aspects for us to even begin to tackle them.
Through her own film, has Lina Suh found Suh Lina?
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 25 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was Meeting You, Meeting Me (2024) officially released in Canada in English?
जवाब