Ashes to Ashes

I find it amazing how Matthew Graham and Ashley Pharoah have managed to pull off this series. After so much scrutiny from the public before it's release, it was sure to have cringworthy moments and scenes that cloned Life on Mars. But instead they adapt characteristics and settings to that of the early 80's (which after all is why we watch the show), with great ease and you really do get the idea that time has carried on in the years between the two series, rather than it just being a clone of the previous.

The main differences are of course in the settings, the town and decade, but also in the character progression of Gene, Ray and Chris and the introduction of Alex Drake, the tormented but very different and witty, sophisticated main character. Keeley Hawes creates a sarcastic reaction to Alex's new surroundings which is almost a refreshing change from the intense nature of Sam Tyler. Once again, Phillip Glenister begins the series with a bang: "Tonight, my friend, your diary entry will read, 'Took a prozzie hostage and was shot by three armed bast***s." Welcome back everyone.

The tone is a little more ironic and colourful than Life on Mars, which might upset a few of the predecessor's fans. But those few will always be upset, and this show is incredibly worth it.

Alex, because she knows that she's most likely in a coma (having had Sam's tapes) is herself taking the whole scenario a little less seriously - and so should we. This show is brilliant in the way that it has fun with itself. In the first episode, there is one shot of Ray, Gene and Chris on a speedboat to the sound of No More Heroes, by the Stranglers. Ray has a close up where he is sort of half smiling, and the whole thing is so unapologetically 80's, with the right sense of self awareness. The opening credits, too, let you know that you should be having fun with this show.

As long as you're not looking for the same tone and style as Life on Mars (remember, this is a show about being in an 80s cop show, not a show about being in a 70's cop show), this is a brilliant show.

People will always compare a sequel to its predecessor, sometimes rightly so, but this time they would be wrong. Life on Mars was new and unique. The story of policeman trapped in his own imagination that kept you guessing until the end as to whether this world was real or not. This is a similar idea with a twist. At the start Drake comes across as arrogant and very self assured of her policing and psychological skills but as the series progresses you can see the cracks appearing. Ashes to Ashes isn't so much a sequel as more a clever rewrite. I recommend people ignore the hype and hysteria of the media and judge for yourself.

Ashes to Ashes has proved that it is an original and well written TV series. All of the characters in the show are fantastic and you instantly fall in love with them. Gene Hunt is a god as far as I am concerned! Although he may be slightly caustic, his character develops before your very eyes. The relationship between him and Alex has been very intense from day 1, his team are all so different and diverse yet normal if that makes sense?! The final series has been a real eye opener. You find out the truth about Gene's world, who he really is and why Alex was there. I wont give the ending away in case some people haven't seen it yet but I thought it was incredible. No-one I know could guess the ending. Ashes to ashes is a classic and will be for many years to come!

"Ashes to Ashes" is great entertainment. A lighter, more colourful series than its predecessor, "Ashes" captures perfectly the essence of the early '80s.

The first episode begins on a sombre note but it's only a matter of time 'til the fun kicks in. Philip Glenister's Gene Hunt makes a very welcome return, this time with a bright red Audi Quattro. Car fans will be in seventh heaven watching this series! Keeley Hawes (known to many as the voice of Lara Croft) is perfect in the role of DI Alex Drake. Aware of Sam Tyler's experiences, Drake is a more knowing character and the script is lighter and full of more comic potential. Despite this, it still retains the power to hit hard messages home and there's gritty realism in some scenes.

9 out of 10. This is what you pay the licence fee for.