एक चौराहे पर एक अस्थिर आदमी के साथ टकराव के बाद, एक महिला उसके क्रोध का लक्ष्य बन जाती है.एक चौराहे पर एक अस्थिर आदमी के साथ टकराव के बाद, एक महिला उसके क्रोध का लक्ष्य बन जाती है.एक चौराहे पर एक अस्थिर आदमी के साथ टकराव के बाद, एक महिला उसके क्रोध का लक्ष्य बन जाती है.
- पुरस्कार
- कुल 1 नामांकन
Devyn A. Tyler
- Mrs. Ayers
- (as Devyn Tyler)
Scheryl W Brown
- Woman in Street
- (as Scheryl W. Brown)
फ़ीचर्ड समीक्षाएं
The 6 rating is mainly for Russell Crow. I mean if she would have given that courtesy honk in the first place all of this could have been avoided.
Slow start, more action as it goes but it's difficult to get over how the cops can't get this guy
There's nothing wrong a decent thriller where two people face off on the road using their wits and their heavy machinery. So this movie could have been the Duel (1971) of the 2020s (or at the very least a Joy Ride (2001)), but unfortunately, it lacks a director like Steven Spielberg or John Dahl to make it work.
After a shocking opening scene, director Derrick Borte starts off nicely with a disturbing montage that shows us the horrible consequences of explosive aggression and road rage. For a long time, his movie seems to be a passionate plea to have more patience and compassion with others in a harsh society where everyone is under constant pressure, because you never know what the other person is going through. Too bad that he gradually undermines this message with cheap shocks and sadistic violence.
It's good to see Russell Crowe again after such a long absence, because watching his heavily disturbed maniac snap and terrorize a lady that just happened to piss him off is definitely one of the scarce highlights of the film. No Oscar material, but the man is still an acting heavyweight (no pun intended... well, maybe a little), so much so that leading lady Caren Pistorius cannot hope to carry this movie in his presence. In fact, her character is so passive and uninteresting that I felt very little sympathy for her plight. I don't know if it was the intention here, but I always love movies where you cheer for the bad guy for a very long time, like Face-Off and Law Abiding Citizen; everyone loves tragic villains, and you always hope that the makers can delay that moment where you lose sympathy for them until the very last.
Unfortunately, this moment comes way too soon in the movie. In the first half we get some motivation from Crowe's and Pistorius' character for their actions, but that wears off quickly in an endless rampage that seems to be an excuse for a lot of torture porn. There is nothing fundamentally wrong with that, as long as you keep developing your key players. Especially psychopaths work best when they remain completely unexplained mysteries, or when they get fleshed out properly, like the psychologic-meltdown classic Falling Down. However, Crowe and Pistorius never get beyond their minimal and one-dimensional backstories. When the bad guy gets to the point where I no longer rooted for him (again, way too soon), you hope that your allegiance changes back to the heroine. But Pistorius' character keeps making such bad decisions (up to and including a laughably set up climax) that by that time, I no longer cared about either, and could only worry about the collateral damage.
Too bad for Crowe and Jimmi Simpson, who probably have one of the best scenes together when this movie is still promising. But the pressure to marry action with psychology, and to increase the stakes with such disregard for realism really starts working against the film and characters. I don't mind violence in movies at all, but it should make me invest in characters, not get desensitized and bored.
I like a good battle of character like everyone else, but when the action and suspense start feeling stale because I'm no longer emotionally engaged, then it's just mostly a waste of time. But granted, it's not a complete disaster and it had its moments. I hear people praising this movie as super-suspenseful, so by all means, try it out. But don't say I didn't warn you.
After a shocking opening scene, director Derrick Borte starts off nicely with a disturbing montage that shows us the horrible consequences of explosive aggression and road rage. For a long time, his movie seems to be a passionate plea to have more patience and compassion with others in a harsh society where everyone is under constant pressure, because you never know what the other person is going through. Too bad that he gradually undermines this message with cheap shocks and sadistic violence.
It's good to see Russell Crowe again after such a long absence, because watching his heavily disturbed maniac snap and terrorize a lady that just happened to piss him off is definitely one of the scarce highlights of the film. No Oscar material, but the man is still an acting heavyweight (no pun intended... well, maybe a little), so much so that leading lady Caren Pistorius cannot hope to carry this movie in his presence. In fact, her character is so passive and uninteresting that I felt very little sympathy for her plight. I don't know if it was the intention here, but I always love movies where you cheer for the bad guy for a very long time, like Face-Off and Law Abiding Citizen; everyone loves tragic villains, and you always hope that the makers can delay that moment where you lose sympathy for them until the very last.
Unfortunately, this moment comes way too soon in the movie. In the first half we get some motivation from Crowe's and Pistorius' character for their actions, but that wears off quickly in an endless rampage that seems to be an excuse for a lot of torture porn. There is nothing fundamentally wrong with that, as long as you keep developing your key players. Especially psychopaths work best when they remain completely unexplained mysteries, or when they get fleshed out properly, like the psychologic-meltdown classic Falling Down. However, Crowe and Pistorius never get beyond their minimal and one-dimensional backstories. When the bad guy gets to the point where I no longer rooted for him (again, way too soon), you hope that your allegiance changes back to the heroine. But Pistorius' character keeps making such bad decisions (up to and including a laughably set up climax) that by that time, I no longer cared about either, and could only worry about the collateral damage.
Too bad for Crowe and Jimmi Simpson, who probably have one of the best scenes together when this movie is still promising. But the pressure to marry action with psychology, and to increase the stakes with such disregard for realism really starts working against the film and characters. I don't mind violence in movies at all, but it should make me invest in characters, not get desensitized and bored.
I like a good battle of character like everyone else, but when the action and suspense start feeling stale because I'm no longer emotionally engaged, then it's just mostly a waste of time. But granted, it's not a complete disaster and it had its moments. I hear people praising this movie as super-suspenseful, so by all means, try it out. But don't say I didn't warn you.
This film won't ever win any serious awards. It is nothing more than a short-shelf-life popcorn film and, for that, it is great. I wanted to escape for a couple of hours and have an entertaining time and, I did.
Russell Crowe sure packed the weight on recently and in this, he is nothing short of a tank and whilst he was unpredictable, menacing and definitely unhinged - I can't help but feel it made certain parts of the film laughable (Hence the 6 out of 10). For example, if a guy of this size repeatedly punches a slim build woman than I doubt very much she is going to get back up again for another barrage of punches to land on her. The way Crowe moves, the force of his punches and the added sound effects of the "impact" make it sound like it would take someone's head clean off or, at the very least, knock them out cold. But, that's a minor gripe.
Some of the scenes are pretty tense but if you know nothing about the film, I would avoid the trailers for they give way too much away.
A cross between Joyride (Paul Walker) and Falling Down (Michael Douglas), although that's almost an insult to the latter.
Yes it is paint by numbers filmmaking but if you want something well acted, enjoyable (if you like film violence) and looking to pass the time - you'll leave happy enough. You just probably won't return to watch it again any time soon.
Russell Crowe sure packed the weight on recently and in this, he is nothing short of a tank and whilst he was unpredictable, menacing and definitely unhinged - I can't help but feel it made certain parts of the film laughable (Hence the 6 out of 10). For example, if a guy of this size repeatedly punches a slim build woman than I doubt very much she is going to get back up again for another barrage of punches to land on her. The way Crowe moves, the force of his punches and the added sound effects of the "impact" make it sound like it would take someone's head clean off or, at the very least, knock them out cold. But, that's a minor gripe.
Some of the scenes are pretty tense but if you know nothing about the film, I would avoid the trailers for they give way too much away.
A cross between Joyride (Paul Walker) and Falling Down (Michael Douglas), although that's almost an insult to the latter.
Yes it is paint by numbers filmmaking but if you want something well acted, enjoyable (if you like film violence) and looking to pass the time - you'll leave happy enough. You just probably won't return to watch it again any time soon.
I hadn't seen a trailer or heard anything about this movie when I saw it, and I was pleasantly surprised, I wasn't expecting a horror movie. This movie isn't perfect, it's not even very original, but it's a very serviceable horror movie, good intense car action. Characters are alright but the gladiator guy is the best part. Makes me think twice about honking at people
क्या आपको पता है
- ट्रिवियाThe first movie to enter wide theatrical release in the USA after the closure of most theaters due to the COVID-19 pandemic. Between the March 13th, 2020 releases of ब्लडशॉट (2020), The Hunt (2020), and I Still Believe (2020) and the August 21st expansion of this film into 1,823 North American theaters, there was a gap of over five months with no new wide theatrical releases at all.
- गूफ़Cooper's minivan rams multiple cars, yet the headlights are intact and the front is barely scratched.
- कनेक्शनFeatured in Chris Stuckmann Movie Reviews: Unhinged (2020)
- साउंडट्रैकSo Good Looking
Written by Luke Pritchard (PRS), Brandon Friesen (BMI), Chris Seefried (BMI), Hugh Harris (PRS)
Performed by The Kooks
Published by Kobalt
Courtesy of AWAL
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Unhinged?Alexa द्वारा संचालित
- The Music in the movie's trailer sounds like a slowed down version of Nirvana's "Heart Shaped Box" yet there is no Nirvana music in the movie at all?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Fuera de control
- फ़िल्माने की जगहें
- न्यू ऑरलियन्स, लुइसियाना, संयुक्त राज्य अमेरिका(street scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,30,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,08,31,465
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,01,032
- 16 अग॰ 2020
- दुनिया भर में सकल
- $4,43,31,465
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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