Dou foh sin

to keep it short, i was highly surprised from it's great entertainment value.

the plot is hollow (good cops vs bad guys) but the good cast, camera work and fight scenes are over the top. speaking of the fight scenes, very impressive style from Donnie Yen (with age 44) and also the bad guys hand out some damage before they go down.

the first movie half is slow, but the ending will round it up. this action flick was nice done by the film crew, they put some work & love in it, something you miss in many HK movies nowadays.

(don't miss the end credits :)

If you're an avid Donnie Yen fan, than no one has to sell this movie to you. If you like Asian action movies in general, than you'll be watching this too. What about the others, who are not that familiar with those types of movies? There's not that much back-story to hinder the action too much, neither are there real character developments, this shouldn't be a problem with you (if it is, don't watch the movie)

What should be considered, is the action, that is spot on here. Mixing many styles, Donnie Yen has created some extraordinary fight scenes for this movie. And although I'm for a little bit more character and story driven movies, I liked this one, because it was straight forward. And the action holds up to the promise it gives you ... That's all I can say, now it's up to you, to decide whether you want to watch it or not

Went out of my way to find this film based on a recommendation from a friend who insisted this was one of best kung fu films ever -- this film also pops up in a Google search for top kung fu films.

Reviewers notes: 1. Yen will go down in film history as one of the best MA stars. He can not only pull off the gravitas to play IP MAN but he is a natural in these police dramas. Manages to appear stoic but involved at the same time 2. There is a final fight scene over 5 minutes long which is worth the wait. Lots of MMA moves including some pro wrestling moves. Many fans call this "modern" kung fu but is probably the wrong name. Fun anyway 3. Aside from Yen and the final fight -- forgettable

This was a real surprise as on a rainy day in the only Chinese cinema left in Sydney, to think i only went into Market city for some yum cha and got a whole lot more than i bargained for.

A fantastic roller-coaster ride of a film, OK so the long slow ride up to the top end of it can be daunting for those with ADD or a high blood sugar level but its sure worth it once you get there. Intense satisfying action shot from every possible angle yet still filled with a spontaneous verite energy unmatched by any Hollywood film i have seen..ever.

Its innovative style while a bit light on plot or dialogue (OK so i am stuck with subtitles which obviously lose something in the translation) overcomes any accusations of pretentiousness that could be leveled at a lot of similar films. The raw energy of the film leaks into every scene however still and explodes onto the screen when the action finally ramps up. Considering the violent nature of the film a lot of the actual killing is suggested rather than replayed in Technicolor from umpteen angles, but we still experience every kick and punch as if it were flying our way.

OK admittedly the story is about as engrossing as 300 or a lot of other HK cop films, IE runs at a primal level deeper than mere plot twists or any complicated subtext. No, its all about the man versus what he sees as injustice and occasionally about a friendship. Mostly though its about the battle for whats right even if thats not quite clear sometimes, by the end you know who the good guys are and as manipulated as you might feel you are rooting for them all the way.

OK I'm running out of superlatives and metaphors now..just go out and watch it if you like a good old school popcorn bash and can handle some underplayed buddy semantics.

I've been a fan of Donnie Yen for over twenty years now and had heard that the fight action in Flashpoint was amongst his best work. I hadn't heard wrong: the hard-hitting full-contact mixed martial arts scenes are as awesome as they say.

It's a shame then that the plot for Flashpoint is so unremarkable, a routine Hong Kong police drama—cops vs triads—which introduces lots of indistinguishable characters in such quick succession that, for a while, it's hard to work out precisely who is good and who is bad.

The dull plot trundles along, with the occasional brief spot of action or brutality to spice things up, and it gradually becomes clearer who is who: Archer Sin (Ray Lui), Tony (Collin Chou) and Tiger (Yu Xing) are Korean brothers who run a smuggling operation, Sam is a gangster who has ratted on his bosses, Wilson (Louis Koo) is a plucky young undercover cop working with tough police inspector Jun Ma (Yen), and Julie (Bingbing Fan) is Wilson's really hot girlfriend. So far so mediocre.

The final third of the film, however, is a whole lot better. A non-stop, blood-soaked, showdown between Ma and the bad guys, with incredible gunplay and some of the most painful looking fight choreography I have ever seen, it is everything I had hoped for and more, leaving the viewer with a better impression of the film overall than it probably really deserves. Hence my more than reasonable rating of 7/10.