Single-Handed

At first skeptical of this lower-budget show, I was won over by the sophistication of the story line, peeling away layers of hidden sins and human frailties of the fallible but all too human characters.

This series concentrates on the reality of lives, exploring the undercurrent of motivations and foibles of human nature. If you looking for elaborate chase scenes or gunfights, this is not for you; instead sit back and be prepared to be won over but subtle but provocative treatments of the human condition, all presented with fresh scripts and fascinating characters.

/refers to all 4 seasons/

In my country, there are not too many series-films available, but it is always nice to have some change from time to time. As I am fond of UK and Scandinavian crime series, I did not expect something "out of the way" - and so it was. Poor climate with harsh, yet oddly beautiful landscape, relations among people used to live in underpopulated areas and work hard for daily living, small community vices and virtues - all this is properly depicted in Single-Handed as well. True, there are several protracted scenes, the cases are often subordinated to personal issues, and some supporting/infrequent cast (particularly Stephen Rea in The Lost Boys) overshadows the main one (although e.g. Owen McDonnell seems appropriate for the role).

Thus, the series in question is no Luther or What Remains, for example, but brings realistic moments in front of TV and decent familiarisation with life and people in distant Ireland.

The image of the irish is always of a fun-loving, hospitable, humorous gregarious and musical culture set in a stunningly gorgeous place. Once you learn about its actual history l, though, you marvel at how they manage to laugh at and celebrate anything. Single-Handed is a stark view of how intensely Ireland's past informs its present. The scenery is breathtaking- and the reality of it is even more astounding. I drove through this landscape between Galway and Donegal, from where both sides of my family come- the Irish bits.

This show does focus on the darker aspects though, there are few light moments and Jack Driscoll is relentlessly dour and righteous (does Owen McDonnell ever get a role where he's allowed to smile? I see comedies in his credits, but I've only seen him solitary, conflicted and rather joyless) but one can see why he is like that- his father was a monster, who terrorized the town in an affable, sociopathic way. His mother's a perfect example of an abused woman who was given just enough freedom to think that she wasn't. The oppressive weight of brutal Irish history weights Jack down and he is constantly trying- and succeeding- to Do The Right Thing, always needing to prove that he is not his father. The failure of so many to understand why he does what he does makes him crazy. He judges himself more harshly than anyone else, even his Mother - atypical of Irish women with one son, she does not dote on her son, mostly because he refuses to support her delusional view of his awful father.

The stories are mostly very credible, realistic portrayals of the bad choices, sheer stupidity and casual cruelty that cause most small town problems. The intrusions of Big City Crimes seem organic and are viewed by Jack as no more important to the people he protects than the day to day ones that define his job.

He is the epitome of the Celtic Warrior Hero - flawed, but unbowed and determined to protect and avenge (if possible) the vulnerable and even rectify the wrongs of the past. No wonder he never laughs.

I recommend this series for its thought provoking themes, its excellent writing and cast and its breathtaking beauty.

There's only a first review, so I have to add another plaudit.

Reading the cast list, there are a lot of the "usual suspects" from Irish drama. And the location looks pretty, if a shade more marine than the Quiet Man. So you could be forgiven for passing through, and not watching. That would be your mistake.

This goldfish bowl may be geographically and scenically extensive, but it's emotionally claustrophobic. I live in the West, but it's not as intense as this (generally).

The cast is superb, and all the production values are excellent. But the real nod has to go to the scriptwriter (Barry Simner) and screenplay.

This is a dark, twisting, integration of (Sgt.) Jack Driscoll into his idyllic law enforcement posting in Connemara. Don't start thinking rural means isolation from the all the vices of modern urban society. They're all there, and have been for some time. But carefully disguised and hidden. And just when you think you see the next step, a left hook leaves you reeling. And often a hard and tragic revelation.

This is excellent material, and all the more surprising that it's "just" television. Excellent, and highly recommended.

Husband and I were really looking forward to the rerun of Single Handed. We set to tape and only got 2 programmes. What is all that about. Brilliant actors, especially Owen McDonnell (obviously). This guy was so obviously made for the part, as was his mother. It was great. Scenic and well acted, dialogue great, WHERE IS THE REST? We have so few good police based shows on British television, unlike America, and when we get a good one it disappears in a puff of smoke. 55 dgrees North was another basic policeman show. What happens to them? If you can't think of any story lines give me a call, ran an Irish club for 6 years - I'll give you a few.