The Butcher

While Isaac Florentine has a death grip on the title of "best direct-to-video action director," Jesse V. Johnson is definitely a runner-up. More restrained than Florentine, Johnson displays a particular aptitude for character development and storytelling, and in no instance more so than the vehicle crafted for star Eric Roberts. While not the action-packed extravaganza that I had been hoping for, it is an excellent crime-thriller that proves the cinematic experience is possible on a small budget.

The story: Double-crossed by the underworld syndicate employing him, a washed-up debt collector (Roberts) strikes back by stealing a multimillion dollar take.

With a 113-minute runtime, THE BUTCHER is a longer-than-average low budgeteer, but makes it worth it by building up its characters and allowing the actors to amply show their acting chops. This investment, in turn, is made worth it by the seriously good cast. Cult star Eric Roberts has the same natural charisma as David Carradine or Lance Henriksen, making any scene he appears in entertaining by default. Villain Robert Davi is in a similar league and for all the seems like he was gearing up for a BOARDWALK EMPIRE audition. Also in the credits are the spectacular Irina Bjoerklund, Keith David, Geoffrey Lewis, Bokeem Woodbine, and Michael Ironside – occupying roles of varying sizes but all working towards my general impression of "Wow, I forgot that movies like this could have good acting in them!" The story they perform is a slow burner, sometimes too slow for my liking, but the atmosphere it creates along the way is excellent and its avoidance of cliché is welcome.

The one bad thing about the story is that it comes at the expense of the action, which – despite the claims of the DVD case – is not evident "from start to finish." Uncharacteristically for the director's movies, there is very little hand-to-hand content, which is disappointing considering the supporting cast's inclusion of Dominquie Vandenberg, Dan Southworth, and Jerry Trimble (who gives a surprisingly wicked dramatic performance). Its focus is on gunplay, but you'll have to wait until the second half to see anything substantial. There are three big shootouts, and while most of them lack overall creativity, each features at least a couple moments of cool absurdity. Roberts shoots through a brick wall with a shotgun to dispatch an enemy, and later grabs a decorative Browning machinegun to take on a club. The final shootout in a bar makes up for a lot with its hyper-violent choreography; it's worth waiting for.

When I think of "bad" B-movies of the pre-2000s, I think of poorly-made shlock. When I think of "bad" B-movies of the 2000s and beyond, I imagine well-made but dramatically vapid shlock. It's nice to come across a movie that makes such a point of avoiding both pitfalls, and it's good to know that there are indeed filmmakers out there who take this particular tier of filmmaking seriously. While I really wish there had been more action, THE BUTCHER is worth at least the price of a rental.

"The Butcher" gets high marks for a high body count, in other words lots of bang bang, but little else. Eric Roberts is his usual dependable quirky self, and it's nice to see Robert Davi and Geoffrey Lewis getting some work. This is however a very shallow movie, with everything revolving around the ultra violent scenes. The whole film has almost zero meaning. Eric Roberts never changes his sport coat throughout the entire movie, and really the movie never changes either. It is nothing more than just another weak plotted shoot em up, with little or no character development. I say avoid unless you need to see a bunch of seldom used actors in a meaningless movie. - MERK

Eric Roberts is a mid level gangster with a gambling problem in this low budget film written and Directed by Jesse V. Johnson. Roberts is actually very compelling in the lead, as a mobster who gets set up. There are many other actors that appear in subsequent Johnson films, like David Keith. The small town feel and characters are two of the strongest elements of the film. As in all Johnson films there is action, betrayal, and violence. There are some elements that need tightening up here as it was an early Johnson film but the seeds of many stronger and later films are here. There are many elements here that show up in Johnson films later and get much more well crafted. I would add another 1/2 a star if you a fan, or aficionado, of Johnson films.

The Butcher has a decent cast and a promising story line, but fails to deliver due to a crummy script and too unrealistic action scenes.

The wording of the plot outline is indicative of the incoherent bombastic dialogue in this film, it makes practically all actors appear wooden and insincere.

A lot of the budget was thrown at bloody shootouts, but no attention was paid to making them even a little realistic. In most shootouts the henchmen just stand upright blazing away without seeking cover or even actually trying to hit the protagonist. In another shootout the bad guys insist on shooting above the furniture behind which the hero is hiding. Not even film goons are that stupid.

These flaws ruin what otherwise could have been a palatable action film.

I like British gangster films over American ones especially urban they're all feeling sorry for some gangster who's trying to get out of the business. Our boy here isn't trying to get out of the business, well he wasn't until a quarter million dollars landed at his feet. now he wants to grab the waitress and take it on the road. only problem is he stole money from his mob, that was stolen from the mafia. So now everyone wants him dead. the characters were believable, a lil more Micheal ironside would have helped.

They stole a lot of stuff from several all-rite gangster films to make a mediocre gangster film. There was some "Saving Grace", the reflection and repose of "Boiling Point" and then they tried to add in some John WOO type shoot-outs.

Here's a problem, who ever did this had too much pull with the props department, mobsters, and gangsters, don't have gunfights with "Bayonet Fixed, Belt-Fed" weapons. He even shot-up a bar carrying a WWI era 30cal machine gun.