Nick and Norah's Infinite Playlist

All right. Listen up out there. You could say this is Juno without the baby...or almost as useless and watered down as a straight to DVD movie...but you would be missing the point--not that every movie has to have a point.

N&N is not trying to sell something or be something--it's not even trying to be great...because most love stories that try to be great fail. When you see N&N (and if you're in the mood for a lighthearted enjoyable movie, you should), don't go with an expectation of grandeur or even for the entire thing to be great. Alexis Diziena is as useless in this film as she is anorexic and whorish--her part is almost explicitly sexual. And there are so many subplots that their lives appear at times to be exaggerated. What matters almost seems to be camouflaged by what should be secondary.

The movie succeeds in a number of understated ways, though. Ari Graynor's part is by far the funniest character of the bunch and Ari plays the part extremely well. The gay band Michael Cera is a member of adds a quirky afterthought to his character's back story. And what's most important--the characters Nick and Norah act like slightly more interesting versions of normal people. They have their flaws and their disagreements but they're capable of finding the beauty in each other and their story along the way.

Movies should be about the creation and expansion of a spark of magic--not about giving you exactly what you expect or want. The perfection of the movie lives in its imperfections. The love is in the relationships that are real and what is fake gets left behind in a sketchy area near 10th street (that's not a spoiler). It amplifies grace with its soundtrack and hope with its random culmination of peculiar events over a single-night.

So just let the infinite playlist play and enjoy it already.

When I was in Maryland to see my sister's firstborn get baptized, we both decided to see this movie when I was there. This was a nicely cutting edge teenage romantic comedy about two strangers played by Michael Cera and Kat Dennings who find out about their similarities only after their friends accidentally put them together. Cera still is pining for an ex he puts a mixed CD for while Dennings is friends with that ex. Michael's character is also a member of a band whose other members are gay while Kat's character has a girlfriend who likes to drink. And all this happens while Cera and Dennings and their friends ride around New York City all night looking for their favorite indie band. Plenty of sweet and funny (and a little gross) moments abound and while my sister and I might have a little problem with a sex scene with the leads, the romance was good enough to overcome that. So on that note, I recommend Nick and Norah's Infinite Playlist. P.S. There are cameos of a couple of current SNLers I pleasantly noticed right away...

On one particular night in New York City, an elusive band by the name of Where's Fluffy? have announced a secret concert. The word spreads through the city's underground punk scene faster than it can go out of style and before long, it reaches Nick and Norah. Nick and Norah don't know each other when this news reaches their ears but before the end of the night, they will each find something infinitely more important than Fluffy. NICK AND NORAH'S INFINITE PLAYLIST is a contemporary romantic comedy that sets itself in an entirely unconventional place and time (can you think of another way to describe a straight romance in the queer punk underground?), but presents itself in a sometimes far too conventional fashion. While it can at times be too cool for school, it is the roughness around its edges that give it an unexpected and genuine warmth. Like any finely balanced playlist, it works its way into your head and your soul.

Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn – not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.

Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.

NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential – a potential that is just as infinite as the playlist they are about to create together.

I was pleasantly surprised by this movie. It's not as raunchy as its teen comedy predecessors, yet not as cloying as the usual chick flick. Nick and Norah's Infinite Playlist manages to strike up a nice balance between the two with a dash of hipster thrown in there. However don't let the title fool you. It isn't all about the music!

The movie is very character-driven and, fortunately, the cast was strong enough to carry it. Michael Cera and Kat Dennings make one quirky and fun on screen pair. The supporting cast members also shine in their roles. Ari Graynor, for instance, plays one of the most ridiculously likable drunks I've ever seen. The performances delivered by this young cast are really what make this movie.

Overall I enjoyed what I saw and can't wait for the DVD release. You don't have to think too hard about this one. It's a quick glimpse into the NYC music scene, light on the drama, but romantic and funny where it needs to be.

Ah, and, for the record, you don't have to be into the hipster subculture to appreciate this movie. It's definitely an accessible story, whether you've heard of Vampire Weekend or not.

'Nick and Norah's Infinite Playlist' turned out to be a sweet and cool surprise. I was just expecting another usual teen flick and while the main storyline does follow the formula, its the treatment that appealed. The director really shows that even though there is a physical attraction between the two leads, they also have characteristics that repel each other. But, what really brings these two people closer is their passionate liking for music. Both have the same taste and the best parts of the films are the sequences where the two talk about their favourite songs and singers.

The movie pretty much takes place during an entire night and Sollett's portrayal of night in the city is amusing and exciting. Lighting is cleverly used and the yellow tinted colour adds more excitement into the night. With the exception of that Spice Girls track, I like the soundtrack.

Michael Cera and Kat Dennings suit their parts wonderfully. They maintain a good chemistry (even though their love scene looks a little awkward). Aaron Yu, Rafi Gavron and Jonathan Wright provide some fun comic relief as Nick's friends/bandmembers. Ari Graynor is hilarious.

I like the title of this movie and how the movie stays true to it. It's a charming little film that is perhaps best enjoyed at night.