एक इत्तफ़ाक़िया मुलाक़ात के बाद, निक और नोरा न्यूयॉर्क के इंडी रॉक जगत की यात्रा पर निकल पड़ते हैं - एक प्रसिद्ध बैंड के गुप्त शो की तलाश में - और एक दूसरे को पा लेते हैं।एक इत्तफ़ाक़िया मुलाक़ात के बाद, निक और नोरा न्यूयॉर्क के इंडी रॉक जगत की यात्रा पर निकल पड़ते हैं - एक प्रसिद्ध बैंड के गुप्त शो की तलाश में - और एक दूसरे को पा लेते हैं।एक इत्तफ़ाक़िया मुलाक़ात के बाद, निक और नोरा न्यूयॉर्क के इंडी रॉक जगत की यात्रा पर निकल पड़ते हैं - एक प्रसिद्ध बैंड के गुप्त शो की तलाश में - और एक दूसरे को पा लेते हैं।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.
Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.
NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential a potential that is just as infinite as the playlist they are about to create together.
The movie pretty much takes place during an entire night and Sollett's portrayal of night in the city is amusing and exciting. Lighting is cleverly used and the yellow tinted colour adds more excitement into the night. With the exception of that Spice Girls track, I like the soundtrack.
Michael Cera and Kat Dennings suit their parts wonderfully. They maintain a good chemistry (even though their love scene looks a little awkward). Aaron Yu, Rafi Gavron and Jonathan Wright provide some fun comic relief as Nick's friends/bandmembers. Ari Graynor is hilarious.
I like the title of this movie and how the movie stays true to it. It's a charming little film that is perhaps best enjoyed at night.
N&N is not trying to sell something or be something--it's not even trying to be great...because most love stories that try to be great fail. When you see N&N (and if you're in the mood for a lighthearted enjoyable movie, you should), don't go with an expectation of grandeur or even for the entire thing to be great. Alexis Diziena is as useless in this film as she is anorexic and whorish--her part is almost explicitly sexual. And there are so many subplots that their lives appear at times to be exaggerated. What matters almost seems to be camouflaged by what should be secondary.
The movie succeeds in a number of understated ways, though. Ari Graynor's part is by far the funniest character of the bunch and Ari plays the part extremely well. The gay band Michael Cera is a member of adds a quirky afterthought to his character's back story. And what's most important--the characters Nick and Norah act like slightly more interesting versions of normal people. They have their flaws and their disagreements but they're capable of finding the beauty in each other and their story along the way.
Movies should be about the creation and expansion of a spark of magic--not about giving you exactly what you expect or want. The perfection of the movie lives in its imperfections. The love is in the relationships that are real and what is fake gets left behind in a sketchy area near 10th street (that's not a spoiler). It amplifies grace with its soundtrack and hope with its random culmination of peculiar events over a single-night.
So just let the infinite playlist play and enjoy it already.
Nick is having a hard time after his rough break up with super slutty Tris, he continues to mix CD's for her that her fellow student, Norah listens too and enjoys it. By chance Norah meets Nick not knowing that it's Tris's ex and says that he's her boyfriend to show Tris that she's no prude. But when Norah learns that Nick is the ex, Nick also won't shut up about Tris, but they find out throughout the night that maybe they're musical soul mates and can really dig each other's vibe. But in the mean time with their crazy friends, they try to find their favorite band that is hidden in New York.
Nick and Norah's Infinite Playlist is definitely worth the look, I would say that it's worth full price. The only thing I have a problem with is our leading man, Michael Cera, this guy is a nice actor, but he hasn't really expanded himself into different roles, he's been playing the same character since Superbad to be honest. But I'm seeing Kat Dennings more and more, I'm enjoying her presence on screen, she's very lovely and has potential. But the person who definitely stole the show was Norah's drunk friend, Caroline played by Ari Graynor, she was just beyond hilarious and stole all the laughs. Nick and Norah's Infinite Playlist is a great new teen comedy, though I really hope teenagers don't act like this... if they do... oh, I'm praying that our future is going to be alright.
7/10
क्या आपको पता है
- ट्रिवियाAri Graynor (Caroline) improvised her whole speech at the Port Authority when Kevin Corrigan decided he wouldn't say a word during his scene.
- गूफ़When Norah takes Nick inside her dad's studio, he picks up a Stratocaster and says "it's left-handed." Nick is correct; this is a right-handed guitar that is strung upside down with the strap switched for use by a left-handed guitar player. That is how Jimi Hendrix played. The scene takes place in Electric Lady Studios, which was the studio Hendrix built as explained by Nick in the movie and hence, we are to assume that this is one of Jimi's guitars.
- भाव
Norah: It reminds me of this part of Judaism that I really like. It's called Tikun Olam. It says that the world's been broken into pieces and it's everybody's job to find them and put them back together again.
Nick: Well maybe we're the pieces. Maybe we are not supposed to find the pieces. Maybe we are the pieces.
Norah: Nick? I'm coming in...
- साउंडट्रैकSpeed of Sound
Written by Chris Bell (as Christopher Bell)
Performed by Chris Bell
Published by Ardent Music, LLC (ASCAP)
Courtesy of Rykodisc
By Arrangement with Warner Music Group Film & TV Licensing (p) 1992 David Bell
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Nick y Norah - Una noche de música y amor
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,14,87,293
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,13,11,751
- 5 अक्तू॰ 2008
- दुनिया भर में सकल
- $3,35,56,631
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1