अपनी भाषा में प्लॉट जोड़ेंA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitaria... सभी पढ़ेंA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.A space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.
- पुरस्कार
- 5 जीत और कुल 8 नामांकन
- Rada
- (as Yuliya Snigir)
- Prokuror
- (as Fyodor Bondarchuk)
फ़ीचर्ड समीक्षाएं
As to fighting scenes, I estimate them as dead. There was almost NO real action. The usage of Bullet Time technology of matrix all fight long turned the action into slow and boring trash. The martial arts instructors should really be ashamed of this.
There is a Russian proverb: "The first pancake is laid shapeless". It is just about the film. The spectator expected to see a miracle, because a $40million worth Russian film is considered like a $400million Hollywood movie. This expectations of a common viewer were ruined. I do hope that next attempts of Russian directors and producers to catch up with Hollywood will be more successful.
The movie's greatest asset is certainly the Strugatzky brothers' nuanced story about a planet corrupt to the bone and the hero's moral imperative to intervene. The story is largely treated with respect, and while I can relate to some of the criticism aimed at the movie - there are some continuity issues, the casting might not suit everyone's taste, as won't the Matrix-style kung fu - this is a well-realised sci-fi flick that's worth watching for the strength of its story alone.
Yes, Tarkovsky would have made this a different movie, and I'm surely going to watch Aleksey German's 'Hard To Be A God', but I for one didn't mind this movie's bubblegum aesthetics while pondering existential moral dilemmas.
The screenplay sticks to the original dialogue almost verbatim. A serious mistake in my view: the director seems to be afraid of the book fans, and doesn't dare to touch anything in the original. But the original dialogue was backed by a lot of description of internal thinking of the heroes - which cannot be shown on the screen. The result - the storyline is flat and uninteresting, instead of the intriguing and fascinating story in the book.
The actors' play is a total fiasco - except, maybe Strannik ("Strider") - but his role is relatively simple. Everybody else looks like they're reading from a phone book - which probably has to do with the fact that the dialogues were left as-is, see above.
I do appreciate the effort to create an "exoplanet" look of everyday things (cars, glasses, forks, plates, food, clothes etc). The things created would be unusable, but had the desired unusual look.
Overall, disappointing, and leaves a taste of a missed opportunity.
The only positive things was a vision of the perverse futuristic world, dark, totalitarian, rainy, muddy, technocratic, but also kind of futuristic baroque. A bit reminding me of 5th element, or Chronicles of Riddick. (Or just today.) So much more interesting plots, events, interaction could have been set in this environment.
It's 2011 ... and you want a science-fiction? Watch Aliens, Avatar, Abyss, Terminator or at least Matrix.
Great visuals, great environment but still it lacks top notch acting and some things have already been seen.
क्या आपको पता है
- ट्रिवियाThe symbols of the Country of Unknown Fathers are very similar to those of the Hungarian national socialist Arrow Cross Party, which is probably due to the fact that the names used on the planet of Saraksh both in the film and in the original novel are based on Hungarian-language names.
- गूफ़Red armored car, which Maxim steals near the final, was designed without a door. So the crew had to cut the hatch in the tank's plating. When Guy Gaal knocks the car, it can be seen that the hatch cover is actually made of wood.
- भाव
[first lines]
Narrator: The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
- कनेक्शनFeatured in Arkadiy Strugatskiy v Kanske (2016)
टॉप पसंद
- How long is Dark Planet?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,95,00,000(अनुमानित)
- दुनिया भर में सकल
- $2,37,72,559
- चलने की अवधि
- 1 घं 55 मि(115 min)
- रंग