The Day the Earth Stood Still

From the moment the alien encounters young Jaden Smith's character, it becomes clear that Earth's survival hangs by a thread. You see, this alien, possessing advanced knowledge and technological prowess, realizes that after a brief encounter with Jaden, any shred of hope for humanity crumbles like a house of cards. Who could blame the poor alien?

Keanu Reeves, our otherworldly visitor, does his best to save Earth from imminent doom. However, he couldn't anticipate the formidable force that is Jaden's enigmatic charm. The alien's mission transforms from a noble attempt to preserve life on Earth to an all-consuming desire to obliterate it, just to spare the universe from the cosmic catastrophe that is Jaden Smith's presence.

Watching the alien's internal struggle is like witnessing a cosmic stand-up comedy routine. The more Jaden Smith speaks, the closer the alien gets to pressing the self-destruct button. It's a battle of wills, with Keanu Reeves attempting to broker peace while shielding the universe from Jaden's inexplicable ability to drive sentient beings to madness.

The filmmakers deserve credit for their bold choice to cast Jaden Smith, as it inadvertently creates a unique blend of comedy and existential crisis. At times, you'll find yourself questioning whether the alien's ruthless intentions are truly unwarranted.

"The Day the Earth Stood Still" is a rare gem that transcends mere science fiction, plunging headfirst into the realm of unintentional hilarity. You'll laugh, you'll ponder the absurdity of it all, and perhaps you'll even empathize with the alien's desperate plea for a universe free from Jaden Smith's cosmic influence.

So grab your popcorn and prepare for an adventure like no other. Just remember, if you ever find yourself face to face with Jaden Smith, pray that the world's fate doesn't rest in your hands. Godspeed, brave moviegoers!

At being annoying. He gives a master class in this film on the art of annoying. At first I thought it was just the adult Jaden Smith that was so annoying. No. The child Jaden Smith is annoying too.

America's top scientists are pulled together into one place and told of an object hurtling towards Earth on a direct collision course. There is little over an hour before it impacts and no chance of stopping it – all they can do is prepare for the aftermath. However, the object slows and lands in NYC. A figure comes out but is shot and only an alien command prevents a large robotic figure retaliating. Dr Helen Benson is there when this figure (Klaatu) is recovered and taken to hospital where he develops a human form. Distrusting the motives of her superiors and curious about this Klaatu, she helps him in a small way that leads to his escape. Against the advice of her son, Dr Benson helps him further but learns that, although he has come to "help", Klaatu's definition of "help" may not be in everyone's interests.

The trailer was rammed with the effects shots and it did enough to draw me in when I saw it recently. I'm not sure why my brain did not stop me but it was the festive season and perhaps I had goodwill in my heart and figured that this trailer, this one trailer right here, was telling me the truth and that this would be a great blockbuster sci-fi. Of course the truth is that it is nothing of the sort but even still, was it unreasonable of me to expect it to be at least an OK film? Probably not but this boring, simplistic and bland sci-fi cannot even get to that. We'll get the action out of the way first. OK, there has been money spent, there is no denying that – I could not make these images myself and would have no idea where to start. Are they the most amazing effects ever – no, but they are still good. The problem is that they are nothing more than images, the effect-driven sequences do not engage and do not excite at any point and so they just sort of "happen" and I met these scenes with a shrug.

The reason for this reaction is that the rest of the film is wooden and/or simplistic to the point where the film was probably written in crayon. The plot is an offensively simplistic "green" message that just clunks down in front of the viewer with no intelligence or thought – and I say this as a left-leaning environmental professional, not as someone scoffing at the message itself. This crass message is then filled out by wooden characters with barely serviceable (at best) dialogue, who are then pushed down a narrative path that doesn't ring true even once but manages to be corny and contrived at the same time as being wooden. Nothing in the plot or characters engage the viewer at any point, instantly killing the film by leaving the majority of the audience looking at their watches and wondering when it will be over, rather than caught up in it.

The cast match this feeling of blandness. Even if Reeves was a great actor, the material would have limited him. He is not a great actor so the poor script is really just another layer of lacquer to his wooden performance. Connelly is no better as the plot gives her a thankless task that she cannot deliver on – stumbling badly as she goes. It doesn't help she has to work with Jaden Smith, who offers up almost nothing here. Bates slums around in a vague role that is necessary as a plot device but she is half-asleep while John Cleese gets the job of delivering the "moralising" part of the script – which is just dumped in one scene as yet another bit of proof of terrible writing.

The Day the Earth Stood Still is a poor film. At best the blocks of narrative provide a really basic story to follow and the usual effects are OK (but all in the trailer) but it is all so basic and dull that you'll not even make it to the halfway point before you are ready for it to end. And when it does end, it does so with such a pathetic conclusion that it is clear that many of the makers had stopped caring as well.

Jaden Smith is the worst part of this entire film! He alone makes it almost unwatchable!

The epic science fiction blockbuster is slowly but surely becoming a dying form of cinematic entertainment. Not since the days of cold war paranoia and the initial splurge of CGI technology back in the nineties has the genre seen much love either from its core enthusiasts or those looking for something big but different. Yet there are numerous obvious reasons for its decline in demand, most of which are unavoidably apparent in this, the latest and arguably first of its kind for over a year now, The Day the Earth Stood Still.

Based upon a movie from the genre's heyday, director Scott Derrickson's version lacks the same sense of awe, conviction and relevancy to our current social climate. Bombarded with underdeveloped themes, an incoherent plot and extremely rough characterisation, the movie suffers not just from a lack of significance in its arrival, but also in its implementation. Most disappointing of all however is that in spite of the many technical flaws present, the biggest let down is that the movie simply doesn't convince; the effects are impressive and the story can be gripping through its thick layer of foreboding atmosphere from time to time, but an overall lack of substance hurts the film's ability to truly draw you in and take off. It's a routinely enjoyable experience sure enough, but an over reliance on this safe-play structure stops the feature from excelling beyond mere light entertainment.

Telling a first contact story that involves rather heavy handed themes of a doomsday like prophecy, like most good science fiction movies big to small, The Day the Earth Stood Still retains a sense of wonder and mystique to its tale, particularly early on. During these initial moments of exposition which come to an eventual climax of contact with an alien presence visiting Earth for unknown reasons, the movie achieves its only real piece of coherent and engaging drama; the way in which it unfolds is magnificent and capitalises on the movie's big effects budget in ways that feel impressive and yet substantially eerie at the same time- there are moments when this big shot sci-fi movie actually feels like a genuine product of imagination and heart.

Disappointingly however, this does not last very long. From here on in the feature slowly but surely declines in both mystique and interest, culminating in a third act which is about as convincing as it is exciting; which believe it or not, isn't much at all. It's around this point that things take a drastic turn from intelligent and insightful science-fiction to big dumb blockbuster action movie; the themes that are brought up during the movie's initial stages are belittled to a deux ex machina that never quite seems justified, and the climax –if you can call it that- feels stunted and perfunctory for the sake of giving a clean feeling of catharsis. It's perhaps the biggest reason why most major productions based on sci-fi scripts never seem to work; the balancing act between catering to the mass public and those wanting intelligent drama is a hard one to pull off, and nobody here seems quite sure how to do such a thing.

If there is one thing that I can praise the movie for, outside of its opening act that is, it would simply be within its excellent aesthetic design. From the dynamic score penned by Tyler Bates to the often endlessly interesting photography of David Tattersall, The Day the Earth Stood Still gets most of its outer shell right, even if everything that lies underneath is a less than inspiring mess. One also has to draw attention to lead star Keanu Reeves who plays Klaatu, the alien/human hybrid visitor and mediator who is welcomed to Earth with a less than hospitable, but terribly human introduction. Reeves is an actor known for his alien-like, wooden style- which is why he is so often found in these kinds of films- and it suits his character adequately enough here. Co-star Jennifer Connelly holds her own too, and while she isn't given much to work with throughout, she does a fine job in playing as Keanu's contrived human sociology lesson.

When the credits roll however, despite the movie's impressive effects, imaginative premise and somewhat entertaining moments, The Day the Earth Stood Still simply feels like an empty experience. As science fiction, the movie conjures up some intelligent questions and yet David Scarpa never seems quite up to the task of taking them any further; and as popcorn fodder, the movie simply doesn't do enough rule-breaking to come off as anything but standard fare. This awkward need to balance both crowds irrevocably results in a feature that indeed avoids polarising, but only to the point where mostly everyone will leave feeling under-stimulated. It has its fair share of compelling and visionary moments, but a distinct lack of development, coherency and substance stops The Day the Earth Stood Still from being one worth remembering. Light sci-fi with a dash of social intrigue that mildly entertains, but never reaches its potential.

• A review by Jamie Robert Ward (http://www.invocus.net)