एक युवा लड़की अपने अपमानजनक सौतेले पिता द्वारा संस्थागत रूप से एक वैकल्पिक वास्तविकता के लिए एक मुकाबला रणनीति के रूप में पीछे हट जाती है और उसे बचने में मदद करने के लिए एक योजना की कल्पना क... सभी पढ़ेंएक युवा लड़की अपने अपमानजनक सौतेले पिता द्वारा संस्थागत रूप से एक वैकल्पिक वास्तविकता के लिए एक मुकाबला रणनीति के रूप में पीछे हट जाती है और उसे बचने में मदद करने के लिए एक योजना की कल्पना करती है.एक युवा लड़की अपने अपमानजनक सौतेले पिता द्वारा संस्थागत रूप से एक वैकल्पिक वास्तविकता के लिए एक मुकाबला रणनीति के रूप में पीछे हट जाती है और उसे बचने में मदद करने के लिए एक योजना की कल्पना करती है.
- पुरस्कार
- 1 जीत और कुल 11 नामांकन
- Mayor
- (as AC Peterson)
- …
- Babydoll's Mother
- (as Kelora Clingwell)
फ़ीचर्ड समीक्षाएं
The problem is that, despite setting up these themes, the film does nothing with them – nothing at all. The dual fantasy sequences do not connect to any of the ideas or possible themes but rather represent an action sequence in the place of a (often mundane) aspect of the girl's plan to escape the burlesque house (which itself is a fantasy version of the mental institution). So for example when Babydoll dances to distract the mayor to allow the others to pickpocket a cigarette lighter , we cut away to a sequence of the girls raiding a castle to kill a dragon and steal the crystals that make it breathe fire. It might as well be a different film in these action sequences, and indeed they are – but the problem is that these sequences seem to be the film that Snyder wanted to make.
In fairness these massively dumb action sequences are full of style and presentation with impressive effects. They work for what they are and, even though the slow-mo, use of music and overall design is derivative, it does still provide plenty of style. But they aren't connected to anything in the film and this means that they have the same effect as they do in the trailer – "oh, that's fancy" but nothing more. There is no heart to them and as such these parts of the film are nothing more than another blockbuster with loads of effects but nothing else.
The lack of anything else is what kills the film because by the halfway point the empty noise becomes nothing more than noise. It is not even that it fails to make something of the ideas, characters and story – it is that it simply has no desire to do anything with them – like it is happy to be nothing. This annoyed me and it gets worse as the ending of the film attempts to suddenly have a darkness, to have a heart – it is too little too late and it doesn't work. In the absence of ideas to interest the viewer, one is left to think about other things. The exploitative fetishism of school-girl outfits, guns, sexuality and violence is one such thing I thought about – particularly since it was in a film whose final lines of dialogue appear to lift up the women characters. The sexual costumes and imagery do nothing of the sort but there is not some underlying misogyny as some have claimed – it is simply another part of Synder making his film as emptily commercial as possible, and sexy young women being sexy sells – just as gun porn and special effects sell. The cast match this as well – occasionally they look like they could have delivered more but ultimately they are little more than sexual effects. Browning, Cornish and Malone have a bit of heart to them but Hudgens and Chung are just flesh (not that I minded too much). This is not a film that cares about its cast – and the audience won't either.
Sucker Punch is not as awful as you have heard – it is too expensive and stylish for that. No, it is just poor because it simply does nothing other than empty, heartless style that is noisy and pointless. The ideas and themes go nowhere and the film has no interest in them or the characters. All that matters is slow-motion, cool music, big action and comic book style – if that is all you want without caring about any of it then this will fill your ears and eyes for a while – but if you want more then best give this a miss.
On a rewatch of this movie I really started to understand what was REALLY going on here. Once you understand what's really going on in the movie it will break your heart.
Great action, great story line, characters you really feel for.
I think this movie is rated so low because the people drawn to it don't think past the surface.
My only problem with the movie is that the story doesn't seem fully realized If you want to keep me interested you will need a lot more than 20 minutes of fantasy CGI sequences sprinkled throughout a 120 minute trek However go in this movie expecting to have a lot of fun! Overall the movie has stunning visuals, great action scenes, and worthwhile acting. I definitely recommend this movie to people looking to have a good time.
At face value, its t*ts and *ss and violence. I suppose the majority of viewers either loved it or despised it at that level. No doubt, knee jerk feminists were loud and strident haters. Seeing it as exploitation. I believe there is more nuance to 'Sucker Punch'.
It's more of a comment on how girls and young women are manipulated sexually and emotionally. You have to look a bit deeper past the in-your-face sex and violence. Most viewers won't invest themselves enough to see past this which is a bit sad.
Aussie actresses' Emma Browning and Abbie Cornish are exceptional as is Jena Malone. The rest of the cast is adequate.
The dream sequences are sublime, and the soundtrack is simply outstanding. These are some of the greatest songs sever recorded. I would rate this as one of the best soundtracks of the last 20 years.
On the other hand, don't go thinking that is all it has to offer. It is visually stunning in a way that makes director's like Michael Bay and (dare I say it) James Cameron, look like blind toddlers with a handy-cam strapped to their heads. As for the music, it's not often I'm afraid of giving spoilers for a movies soundtrack, I'll say that much, and every track fits the movie perfectly.
I'm going to shoot myself in the foot here, but when it comes to this movie, don't listen to the reviews, and just go see it. I really think time will tell with this one on that front. I can't promise you'll like it, but I can promise you'll remember it 6 months from now, and how many movies can you say that about?
क्या आपको पता है
- ट्रिवियाJena Malone was so upset by the film's poor reception that she nearly quit acting.
- गूफ़In the dressing room when Sweet Pea, Rocket, and Blondie talk about not helping Babydoll, their movements don't match their mirror images; doubles are being used so the camera can move behind them without being reflected. - NOTE This is not a revealing mistake. In that scene, those mirrors are attached to the wall. There's no physical way the camera could have rotated around those mirrors. The director is doing this to alert the viewer they are inside another reality (baby dolls)
- भाव
Sweet Pea: And finally this question, the mystery of whose story it will be. Of who draws the curtain. Who is it that chooses our steps in the dance? Who drives us mad? Lashes us with whips and crowns us with victory when we survive the impossible? Who is it, that does all of these things?
Sweet Pea: Who honors those we love for the very life we live? Who sends monsters to kill us, and at the same time sings that we will never die? Who teaches us what's real and how to laugh at lies? Who decides why we live and what we'll die to defend? Who chains us? And who holds the key that can set us free... It's you. You have all the weapons you need. Now fight!
- क्रेज़ी क्रेडिटThe Warner Bros and Legendary Pictures logos appear on a stage curtain, with the curtain rising to reveal each logo. A brief narrative precedes the Warner Bros logo appearing.
- इसके अलावा अन्य वर्जनThere is an extended cut that is 18 minutes longer than the theatrical cut only available on Blu-ray.
- साउंडट्रैकSweet Dreams (Are Made of This)
Written by Annie Lennox and David A. Stewart (as David Stewart)
Produced by Marius De Vries and Tyler Bates
Performed by Emily Browning
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- सकर पन्च: एक ज़ोर का झटका
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,63,92,502
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,90,58,199
- 27 मार्च 2011
- दुनिया भर में सकल
- $8,97,92,502
- चलने की अवधि1 घंटा 50 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1